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Importance of literature in education
The house on mango street character analysis
The house on mango street character analysis
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The importance of one’s education is often stressed throughout one’s early childhood and teenage years. The main point sometimes misses with many students, however. In The House on Mango Street, a novella by Sandra Cisneros, the main point- the beauty of education- sticks with young Esperanza all her life. The story follows this girl, a small and confused child, who lives in a very poor neighborhood. As the story progresses, Esperanza ages with the pages and is taught valuable life lessons. Both Alicia and Esperanza view education and writing as a way to a better life. Through these and other characters, Cisneros suggests that education offers a path of freedom. Esperanza finds out at a very young age the magic of writing. Specifically, while reading to her dying aunt , the vignette “Born Bad.” While citing poetry to her aunt, without realizing it, she sets herself free with words. This is evident in her poem, where she jumps out of her skin as she writes, “One day I’ll jump out of my skin. I’ll shake the sky like a hundred violins” (Cisneros 61). This quote shows Esperanza being freed from her miserable life through writing. Even though she does …show more content…
not know it yet, she has found a new, revitalizing way of living. Her aunt further promotes this idea when she says, “You must keep writing. It will keep you free” (Cisneros 61). The aunt understands that to live a long, fulfilled life, education is almost a requirement. All of this helps to guide Esperanza to become a writer and lead an educated life.The beauty of Esperanza’s and others’ writing helps her to realize that writing is a way out. In the vignette “Mango Says Goodbye Sometime,” it is revealed that Esperanza has led a long and happy life because of the escape she found in writing. She speaks about how her world changes when she writes, and how her education saved her. This is exemplified when she says, “I put it down on the paper and then the ghost does not ache so much. I write it down and Mango says goodbye sometimes” (Cisneros 110). This whole vignette is about the new life she has found through education. She speaks about how she can sometimes let go of the past. That is something she would not be able to do without writing. She has discovered freedom in this. The ghost, who represents pain and bad memories, occasionally disappears when she truly expresses herself. To conclude, Esperanza is happy only because of what she discovered at a young age- education. Esperanza is again taught a valuable lesson about the importance of education in the vignette “Smart Cookie.” While her mom is on a ramble about her crummy life, she tells Esperanza something unforgettable.
The unforgettable line is as follows: “Esperanza, you go to school. Study hard” (Cisneros 91). She then goes on to say how she regrets not staying in school and how miserable she in now. These simple, yet powerful words stick with Esperanza. She has been told time and time again the value of education. This is when she truly realizes the escape one can have through writing. When she hears it from her mother, who has led a bad life, she realizes her true talents and finds an escape. Everything Esperanza has heard about writing and education finally come together to help her realize the alternate world she can live
in. To summarize, Esperanza and Alicia find out the beauty of education because of the freedom it provides. Whether it is her dying aunt, her regretful mother, or Esperanza reflecting back on her life, there is always a sign to prove just how invaluable education is. She realizes this, captures the idea, and lives the life she did. Writing took her away from Mango Street, but it also takes her back. Her freedom came with a price- the price of remembering Mango.
She dreams about a young boy named Sire, a neighborhood boy who she always catches looking at her, and she starts to develop a small crush on him. Esperanza is told by her parents that he’s a punk and to not talk to him. “I want to sit out bad at night, a boy around my neck and the wind under my skirt. Not this way, every evening talking to the trees, leaning out my window, imagining what I can’t see” (Cisneros 73). All Esperanza wants to do is leave her little red house with boarded up windows, and move into the house of her dreams. Not only is leaving her house a desire of hers, but also growing up and finding some place better, no matter where it is. Esperanza’s desires of getting older are stronger, but she’s also becoming more independent. She’s beginning her transition into young womanhood. Her fall of innocence occurs in the chapter called ‘Red Clowns’. In this chapter, she experiences something she’s never thought of going through before. This experience teaches Esperanza that she shouldn’t believe everything she hears, and the world is nothing like it is said to be in the books and magazines. I would say Esperanza, so you emphasize what she learned. She also learns that the world is not a perfect place either, but is full of many bitter things and
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
In an earlier chapter, Esperanza meets with a witch, whom she hopes will tell her future only to be told, “Come back again on a Thursday when the stars are stronger” (72). However, when speaking to The Three Sisters toward the end of the story, they tell her to make a wish and say “You will always be Esperanza. You will always be Mango Street” (113). Rather than seek out her fate, the Fates (three sisters from Greek Mythology) have come seeking Esperanza. It has been confirmed that her wish to leave will come true, but remind her to remember her experiences as they have shaped who she is. In the article, “Interview with Sandra Cisneros”, Cisneros will tell her students to “make a list of the things that make you different from anyone in this room...in your community...your family...your gender (1). Cisneros uses this very idea in her writings of Esperanza: Her individuality is key- Esperanza’s identity as a writer and her background give her a unique voice that will allow her to speak up for those who have no
Bad things can happen to good people and your life can get better are some of the greatest themes of Esperanza Rising. For example, in the last sentence of the novel, Esperanza tells Isabel, ”Do not ever be afraid to start over.”(253) This quote was almost the same statement Abuelita told Esperanza while crocheting a blanket, but Esperanza never thought she would turn back to it, until Papa died and sure enough, Esperanza didn’t want to start over. She held on to everything from her magnificent, princess-like life, especially her doll. She didn’t know her life would never be the same again, but after living in California for a while, she looked back at what Abuelita told her and learned to let go of her past, even giving her favorite, special doll from Papa, to Isabel. Papa’s death broke Esperanza to pieces, but when she moved to California she took a turn for the better because she learned a lot of everyday skills, such as sweeping, cleaning clothes, and how to work which benefitted her and she embraced her life and enjoyed everyday.
Esperanza is a young girl who struggles with feelings of loneliness and feeling that she doesn’t fit in because she is poor. She always wanted to fit in with the other kids and feel like she was one of them. She loves to write because it helps her feel better about herself writing about her life and her community. Writing helps her with
...working, caring young woman, through hardship and misfortune. This transformation shows that anyone can adjust, and that it is never too late to change your ways and become a different person. Anybody can become nicer if they try, and everyone should, just like Esperanza. By the end of the novel, she realizes how much she has changed for the better, as is shown on the last page of the book (253). “Esperanza smiled and reached over and gently pulled the yarn, unraveling the uneven stitching. Then she looked into Isabel’s trusting eyes and said, ‘Do not be afraid to start over.’” This line, the final line of the entire book, demonstrates that Esperanza realizes that she is different from the person she used to be, and has learned that it was a good transformation. She recognizes that it is a good thing to start anew, and that change should not be feared, but embraced.
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
Esperanza begins her journal by stating where she has been and where she has temporarily ended at. When she finally moved with her family, Esperanza immediately realizes that her place in the world was not going to be in the “small and red”
Gabriela Quintanilla Mrs. Allen A.P English 12 12 March 2014 The House on Mango Street Sandra Cisneros once said “'Hispanic' is English for a person of Latino origin who wants to be accepted by the white status quo. ’ Latino' is the word we have always used for ourselves.” In the novel I read, The House on Mango Street, by Sandra Cisneros, the main character, a twelve-year-old Chicana (Mexican-American girl), Esperanza, saw self-definition as a struggle, this was a major theme in the novel through Esperanza’s actions and the ones around her. Esperanza tries to find identity in herself as a woman as well as an artist throughout the novel through her encounters.
Esperanza is relying on her childhood to help her through life she feels like “a red balloon tied to an anchor” (9,1,3) This passage describes that Esperanza singles herself out for her differences instead of her similarities and she knows it. She also sees her differences as a source of her isolating herself. She floats in the sky for all of the rest of us to see, dangling from a string. Esperanza is longing on for an escape like a balloon similar to her experiences with our society. However against the face that Cisneroz gives her a light voice, doesn't mean that it's not just as strong and
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Esperanza is a very strong woman in herself. Her goals are not to forget her "reason for being" and "to grow despite the concrete" so as to achieve a freedom that's not separate from togetherness.
Esperanza dreams of someday having a satisfying life. She doesn't want her path of freedom to be cleared by having a baby or finding a husband. She has no desires to fall into the trap of dependency. As the author writes, "Her power is her own. She will not give it away" (Cisneros 89).
If you think about it, it’s almost impossible to measure the force that it takes to dribble a basketball, unless you have the right tools. Let’s just think about the basic physics that you should know. In order to dribble a basketball you need to apply enough force for the ball to go from your hand to the floor and back up to your hand. When the ball is in your hand it is holding potential energy. Potential energy is the energy that is about to be transferred into kinetic energy, which is when the energy is in use. The ball is in kinetic energy after it leaves your hand and starts to fall. So the force of gravity has to be less than the force of the bounce to keep the dribbling going.