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Elements of polynesian culture
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The Hokule’a Voyage: Experiment to Cultural Treasure
Traditions and history define cultures from one another. The traditional Polynesian voyaging methods were slowly ebbing away as technology advanced. Engine powered boats and GPS rendered canoes and celestial navigation impractical. These modern day impracticalities are part of the Hawaiian culture and were almost lost. The Hokule’a and its voyages saved an aspect of Hawaiian culture. The Hokule’a is a double-hulled sailing canoe that travels across the ocean using traditional navigation. The Hokule’a voyages preserve traditional seafaring and educate current generations about it. The Polynesian Voyaging Society’s mission evolved over time and the Hokule’a’s purpose advanced. In the beginning
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the Hokule’a was an experiment, but now it is the preservation of an important quality of Pacific Island culture and a beloved icon. This cultural preservation started with a question, “How did the Polynesians discover and settle small islands in ten million square miles of ocean, geographically the largest “nation” on earth?” (Voyages Para.1) To answer this question the, “Polynesian Voyaging Society was founded in 1973 for scientific inquiry into Polynesian history and heritage” (Voyages Para. 1). One of the organization’s goals was to prove that Polynesians intentionally settled in Hawaii with only a wooden canoe and their navigation skills. Once they proved that Polynesians settlement in Hawaii was not accidental, their main focus shifted to connecting the modern world to Hawaii’s culture and bringing attention to environment changes. Though these voyages are expensive, dangerous, and need an enormous amount of human resources () the desire to spread Hawaii’s culture keeps these voyages going. Ben Finney is a co-founder of the Polynesian Voyaging Society (PVS) and he also sailed aboard the Hokule’a during its first voyage.
A quote of his summed up PVS’s goals, "We had two goals - to experiment with righting a scholarly wrong, and as a focus for cultural revival," said Ben Finney (Tenbruggencate Para. 6). He also wrote an article Titled, “Voyage to Polynesia’s land’s end.” This article is a description of the Hokule’a’s voyage to Rapa Nui. Before this voyage, a popular theory by Andrew Sharp was that Polynesian settlement was accidental (Finney page 172). Finney sought to disprove this theory with the Hokule’a. Each voyage throughout the Polynesian archipelago proved that Polynesian voyagers were not “hapless, castaways” (Para. 3). The last voyage to close the “Polynesian Trianngle” was Rapa Nui (Page 175). According to Nainoa Thompson (a navigator), the problem with voyaging to Rapa Nui was the lack of navigationally useful birds (Page 175). Therefore, to voyage to Rapa Nui the navigator of the Hokule’a would have to sight the island directly. Even though, Thompson had doubts about reaching Rapa Nui it took eight days for the Hokule’a to reach Rapa Nui from Pitcairn. With this voyage to Rapa Nui, the Hokule’a, using only traditional navigation, connected Polynesia with its
roots. The voyage to Rapa Nui was also a way for Hawaii to share its culture. The voyagers brought three stones from Hawai’i as a symbol of the spirit of their ‘aina, which means land (Para. 31). They placed the stones at the Northwest corner of Carlos Temple, which is shaped to represent the Polynesian triangle (Para. 31). This act is a signal of, “a reunion between our two people, a joining once again of Polynesian families,” (Para.31). Also, the article by Finney described Hokule’a’s voyage as reconnecting Rapa Nui, “with their ancient voyaging heritage and the rest of Polynesia (180). In an article by Jan TenBruggencate, a Honolulu Advertiser writer, after this voyage the focus of the Hokule’a’s voyaging shifted from experimental to spreading Hawaii’s culture and knowledge of traditional navigation (Para. 3). These voyages took a lot of preparation and resources. According to an interview with Nainoa Thompson the voyages, “cost a lot of money” (KHON2). Some major funders of PVS are Hawaiian airlines, Hawaiian Electric Co., Kamehameha schools, and American Savings Bank (Our Supporters). Hawaiian Airlines reportedly contributed an additional $100,000 to PVS for the Hokule’a’s worldwide voyage (Para. 1). The article didn’t specify how much they contributed before the addition. Also, in addition to the Hokule’a’s expenses, another canoe the Hikianalia’s must also be covered. The second canoe accompanies the Hokule’a on its journeys. The Hikianalia uses modern navigational methods and the latest ecological technology. The main purpose of the Hikianalia is to accompany the Hokule’a and warn the traditional navigators on the Hokule’a if they are dangerously off course. Though a second canoe adds to the cost of the voyages the Hikianalia is necessary for the Hokule’a’s safety. Another way PVS funds the voyages is through fundraising. Volunteers make up the crew of the Hokule’a. On the current voyage around the world the crew includes about 40 percent experienced crewmembers, another 40 percent will be targeted for succession leadership, and the last 20 percent will be specialists, such as international journalist who will promote PVS’s education program and medical doctors. To repair the Hokule’a it also takes a lot of volunteers. In September 2010 the Hokule’a was unfit to sail, and was pulled out of the water for repairs. The maintenance for the canoe took 18 months and 28,000 man-hours of volunteer time, the amount of volunteers exceeded 1,000. Also, the expenditure for the restoration was $100,000 Nainoa Thompson summarized the restoration in an interview, “So on one side, it took the community to repair Hokule'a, but Hokule'a rebuilt the community.” The support that Hokule’a received from the community signified the Hokule’a was still significant. The preparation for a voyage is quite extensive. Provisions are made not only for the Hokule’a, but also the Hikianalia. Food preparation is up to the cooks. According to an article by Joleen Oshiro, the first few weeks are usually fresh food like eggs, fruits, and vegetables (Para. 23). When the fresh food is gone, preserved food is a main component of the diet on board. Also, the crew fishes for food and when they catch it the chef prepares it. A few ways the fish is prepared are fried, poke, and in soups. Also, according to the article cooks are responsible for more than feeding the crew, “They are responsible for keeping up the nutrition, health -- and morale -- of those they feed,” (Para. 4) The cooks also focus on local Hawaiian foods to keep the morale up because of the mostly Hawaiian crew. Another obstacle is with food storage. The crew must strategically place all the food so the heaviest part of the canoe is the center (Para. 37). Though planning and packing for the voyage is arduous, the journey is worth it. After preparing and getting the crew together they set sail. The first voyage was from Hawaii to Tahiti in 1976. The voyage took a total of 34 days. In Papeete’s harbor, more than 17,000 people welcomed the crew. Thompson said, “So many children got onto the canoe they sank the stern,” the crew tried to politely get them off for the safety of the canoe (Finney, “1976” Para. 6). After this successful voyage many more voyages followed thanks to the help and teachings of Mai Piailug. Mau Piailug was the navigator for the first voyage ("Pius "Mau" Piailug" Para. 1). Piailug was from Satawal, Yap State, Micronesia. He was one of the only traditional navigators to agree to guide the Hokule’a (Para. 23). The reason PVS had to reach out to him was because Hawaii did not have anyone who knew how to wayfind (traditional Polynesian navigation). Piailug shared his knowledge and taught Hawaiians and other Polynesians about wayfinding. He also taught Nainoa Thompson, the current president of PVS, how to be a navigator. Thus in 1980, Thompson became the first Hawaiian and Polynesian to use traditional navigational methods across long distances since the 14th century, when voyaging in Polynesia ended (Nainoa Thompson Para. 3). Piailug’s knowledge helped PVS’s research and revival of Polynesian wayfinding and encouraged a tradition that crosses cultural bridges. The crewmembers of the voyages and the people who work for PVS do other things besides plan for and go on voyages. They also provide educational programs and teach people about the Hokule’a and its voyages. One way the Hokule’a is used for teaching is as a classroom. In 2003 the Hokule’a became, “a vehicle to teach about culture, the importance of learning and the environment,” (Tenbruggencate, 2002, Para. 1). Therefore the Hokule’a is not just for sharing Hawaiian knowledge and culture with the world, but also educating Hawaii’s people. The Hokule’a’s growth from an experiment to a cultural treasure happened in over the span of almost five decades, from 1973 to 2014. Though it takes a lot of effort for these voyages, the perseverance and determination of the crew and the Polynesian Voyaging society kept it going. The purpose of this voyage is summed up by Thompson in his article that states, “What began in 1973 as a scientific experiment to build a replica of a traditional voyaging canoe for a one-time sail to Tahiti, became an important catalyst for a generation of cultural renewal and a symbol of the richness of Hawaiian culture and of a seafaring heritage which links together all of the peoples of Polynesia” (Twenty-Five Years of Voyaging Para. 30). The Polynesian Voyaging Society’s efforts to conserve and study wayfinding achieved more than they expected by receiving worldwide attention and becoming a national symbol for Hawaii.
Ii, John Papa., Mary Kawena Pukui, and Dorothy B. Barrère. Fragments of Hawaiian History. Honolulu: Bishop Museum, 1983. Print.
In the chronological, descriptive ethnography Nest in the Wind, Martha Ward described her experience on the rainy, Micronesian island of Pohnpei using both the concepts of anthropological research and personal, underlying realities of participant observation to convey a genuine depiction of the people of Pohnpei. Ward’s objective in writing Nest in the Wind was to document the concrete, specific events of Pohnpeian everyday life and traditions through decades of change. While informing the reader of the rich beliefs, practices, and legends circulated among the people of Pohnpei, the ethnography also documents the effects of the change itself: the island’s adaptation to the age of globalization and the survival of pre-colonial culture.
The role of a kahuna in the Hawaiian culture takes on the responsibility of keeping a balance between the people and the nation. In doing so, they apply their field of expertise towards assisting the aliʻi and the makaʻāinana. In ancient Hawai’i, there were many different types of kāhuna that had a skill set that contributed or benefited the community. In this paper I will discuss the different ways a kahuna achieves this type of balance within the lāhui. These kuleana include advising the aliʻi to make pono decisions, guiding the makaʻāinana in their daily lives and practices, and taking care of the spiritual side of the Hawaiian culture and traditional practices of the people.
A small archipelago off the northwest coast of Britsh Columbia is known as the “islands of the people.” This island is diverse in both land and sea environment. From the 1700’s when the first ship sailed off its coast and a captain logged about the existence, slow attentiveness was given to the island. Its abundance, in both natural resources physical environment, and its allure in the concealed Haida peoples, beckoned settlers to come to the island. Settlers would spark an era of prosperity and catastrophe for the native and environmental populations.
The Hawaiian culture is known throughout the western world for their extravagant luaus, beautiful islands, and a language that comes nowhere near being pronounceable to anyone but a Hawaiian. Whenever someone wants to “get away” their first thought is to sit on the beach in Hawai’i with a Mai tai in their hand and watch the sun go down. Haunani-Kay Trask is a native Hawaiian educated on the mainland because it was believed to provide a better education. She questioned the stories of her heritage she heard as a child when she began learning of her ancestors in books at school. Confused by which story was correct, she returned to Hawai’i and discovered that the books of the mainland schools had been all wrong and her heritage was correctly told through the language and teachings of her own people. With her use of pathos and connotative language, Trask does a fine job of defending her argument that the western world destroyed her vibrant Hawaiian culture.
Sonia P. Juvik, James O. Juvik. Atlas of Hawaii. 3rd Edition. Hilo: University of Hawai'i Press, 1998.
By analyzing the Kawaiisu, a Great Basin Native tribe, I want to explore cultural wonders and observe their society as I compare an aspect of interest with that of another culture in the world, the Chuuk. Comparing different societies of the world will allow me to successfully learn about the Kawaiisu people in a more detailed and open minded manner. Populations all around the world throughout time have had different views and traditions of beliefs. Through this project, I hope to unravel and gain an understanding of different perspectives and ways of life.
The arrival of the missionaries in Hawaii changed the lives of the natives in huge ways that lasted forever. The introduction of western houses and culture had a big influence on Hawaii. The native Hawaiians built their houses out of grass and had very simple villages, but when the missionaries established their settlement they built more sophisticated and sturdy homes out of coral and used western architectural methods to construct buildings. The Hawaiians soon following their lead and the royalty all had western palaces for homes. This also lead to an increase in technology, such as the use of wells and water lines to store fresh water for the towns. They also began to bring in and
...e" (Trask xix). This incident beautifully illustrates and signifies tourism's impact in American society. Like most Americans, this woman uses a discourse that has been shaped by tourist advertisements and souvenirs. The woman's statement implies that Trask resembles what the tourist industry projects, as if this image created Hawaiian culture. As Trask asserts, Hawaiian culture existed long before tourism and has been exploited by tourism in the form of advertisements and items such as postcards. Along with the violence, endangered environment, and poverty, this exploitation is what the tourist industry does not want to show. However, this is the Hawai'i Haunani-Kay Trask lives in everyday. "This is Hawai'i, once the most fragile and precious of sacred places, now transformed by the American behemoth into a dying land. Only a whispering spirit remains" (Trask 19).
...Hawai`i’s economy is very dependent on tourism, however many locals are possessive of their land, and as they stereotype tourists, many do not accept others as they have a unity for their own. Numerous individuals feel the desideratum to fit the local stereotype because they prefer not to be labeled as a “haole”. It becomes tough and rather intense for an individual, because becoming haole betokens that you forgot and disregarded the local or Hawaiian quality values and ways of routes, as well as the flowing stream of life in the islands. We need to remind ourselves that regardless of where we emanate from, our skin tone, race, physical characteristics, and so forth, everybody ought to acknowledge just for who we/they are and treat one another like 'ohana and show "aloha", and subsequently, we can determinately verbally express "This is it. This is Paradise" (33).
Jovik, Sonia P. and James O. Jovik. (1997). “History.” Atlas of Hawaii. Honolulu: University of Hawaii Press, p.408.
I had an opportunity to visit the oriental institute museum . During my visit to the museum I was made aware of its location and the importance of it to chicago. The museum housed many exhibits of historical value dating civilization back to the paleolithic period of 2,500,000-100,000 B.C. Below you'll find examples of mans rise through the use of tools and refined skills from cave living to structured living throughout evolution. This is an experience that has grounded me to a new interest in structures that we have devised to become the homes we use today for the rest of my life.
The Polynesian peoples have a lifestyle quite different than that of any other culture, as living on an island requires a level of flexible adaptability in order to cope with such a different, sometimes difficult environment. We see the way diverse cultures build their lives around their circumstances and how they respect them in their cultural myths and stories. The Polynesian legends emphasize the physical environment that they live in. They are quite different than any other region in the world, but the beauty and individuality of the Polynesian culture is prominent as seen in their mythology.
One of HRI’s most economically lucrative and tourist-drawing properties is the Polynesian Cultural Center. Ten years before the center opened, the total annual visitor count to Hawai'i was approximately 110,000; after it opened in 1963, over 37-million people had visited La’ie. The PCC opened is a 42-acre Polynesian-themed park and “living museum”. The park consists of eight simulated villages in Hawai'i, Tonga, Samoa, Aotearoa, Fiji, Tahiti, and the Marquesas Islands. The park employs local Polynesians to perform in their respective villages where they demonstrate various arts and crafts from throughout Polynesia for