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History of western gospel music
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Due to the fact of how relevant and how it shares significance today, in a world filled with instant communication and social African American Forced Migrations and the Start of Spiritual Music It is a common notion that for music to be able to traverse and grow within different soundscapes, music must go through a form of migration. There are two different forms of migration that have been seen throughout the world’s history. The first form of migration is called Voluntary Migration. Voluntary Migration is a movement in which a group of people agree to leave their region for their own personal benefits, whether they be focused around religious or economic opportunities. Given these positive opportunities, cultures can thrive and grow and …show more content…
Forced Migration is a complete contrast to what Voluntary Migration stands for and is a movement that results in destroying cultures and soundscapes. The process of Forced Migration forces groups of people, from their homeland unwillingly stripping them of their culture and forcing them to conform to a new way life, against their own choice. This process results in people longing for their nostalgia of their homeland and maintaining musical traditions as a part of their shared identity. While both of these migrations create different and unique soundscapes, one particular soundscape can be traced back through text and oral transmission and lead to the genre of music of American Spiritual, that genre of music can be traced back to the Forced Migrations of African Americans. Throughout early American history, musical repertories have shown traces of how painful and agonizing the experiences that African American’s had dealt with during the Slave era and how painful and tragic the transition was. This a moment in African American history in which developing a new culture was a difficult process, due to the fact that they were previously stripped away from their homeland and were forced to adapt a new way of life. Spirituals were introduced throughout the culture of African American Slaves as a new form of musical expression who had converted to New World …show more content…
Around the time period of the Civil War, Gospel Music started to become more and more popular within the soundscape of the south. While Spiritual music focused more on traditional sense of folk songs, Gospel was gained inspiration from spiritual and focused its aesthetics on congregations and hymns with references referring back to its roots. Not only did Spiritual music have an effect on the progression of Gospel music, this lead to the creation of Blues and Jazz. Blues is typically associated with music that had evolved from African spirituals, chants, work songs and hymns that expressed through trials and tribulations from the heart of the folksongs. Jazz evolved and grew to be a popular phenomenon from the fundamentals and the premise of the Blues and instilled a genre that would become one of America most recognized genres of
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
Some scholars theorize that the Middle Passage to the Americas was so traumatic that most African influence was eradicated, and that few traces of Africa exist in African-American music. This “cultural tabulala [sic] rasa” theory is rightfully rejected by many scholars (Wilson 3). The inflow of African people to the New World was brought on by the existence of slavery, and resulted in the creation of a sort of extension of the African continent in a different hemisphere. In his article “The Significance of the Relationship Between [sic] Afro-American Music and West African Music,” music scholar Olly Wilson refutes the tabula rasa theory, and provides extensive examples of the ties that continue to exist between the two distant geographical regions. Another prominent scholar who recognizes the integration of African elements in American musics is Henry Louis Gates, Jr. Though his much deeper and more analytical approach to African musics is divergent from Wilson’s, both scholars acknowledge African diaspora musics and examine them in different ways based on different criteria.
In the early 19th century, the Atlantic slave trade had brought close to five hundred thousand African slaves to the United States. The slaves had brought ingrained musical traditions with them. These consisted of call-and-response patterns, single-line melodies, and a counter-metric structure. These early slaves also drew influence from the harmonic style of the church which they incorporated into their spirituals. (Early)
African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
The progression of people into and within the United States has had an essential impact on the nation, both intentionally and unintentionally. Progressions such as The Great Migration and the Second Great Migration are examples of movements that impacted the United States greatly. During these movements, African Americans migrated to flee racism and prejudice in the South, as well as to inquire jobs in industrial cities. They were unable to escape racism, but they were able to infuse their culture into American society. During the twentieth century, economic and political problems led to movements such as The Great Migration and The Second Great Migration which impacted the United States significantly.
Not known to many, the genre of rock music originated from gospel music sung on the slave plantations in early Mississippi. A common musical device used in rock music is known as “call and response”. This is where the singer sings the line and everyone else involved in the chorus repeats that line. This came from slaves working in the fields and singing songs to get through the day. Theses hymns are fondly referred to as “negro spirituals”. In Anne Moody’s novel, Coming of Age in Mississippi we revisit African Americans in Mississippi struggling not through slavery, but through the oppression of the Civil Rights Era. At the same plantation but in a different time, Jim crow has made life almost impossible for blacks to get by in the South. In a country were all men were created equal, laws were put in place to ensure that blacks could never achieve equality. Through Anne Moody’s work and through the work of musical artists Johnny Cash, and Nas, we will discover just how far we may or may not have come.
Therefore, to endure the pains and sufferings the slaves had to use music. As illustrated above, the advent of music had far reaching results as it encouraged and gave them hope to continue working. The early music composers are the evidence of existence of early music which in turn has shaped today’s music like the blues and pop lyrics. In this case, the culture of the past has been rescued from getting lost.
“Together the matrices of race and music occupied similar position and shared the same spaces in the works of some of the most lasting texts of Enlightenment thought..., by the end of the eighteenth century, music could embody differences and exhibit race…. Just as nature gave birth and form to race, so music exhibited remarkable affinities to nature” (Radano and Bohlman 2000: 14). Radano and Bohlman pointed out that nature is a source of differences; Racial identities, inevitably, exist because of these differences. However, as racial identities are founded on the differences of physical appearances, they are displayed through the differences of music, as music embodies the physical differences of human. Racial differences are magnified through many musical features, including language, tonality and vocal expression. Nonetheless, music is the common ground of different racial identities. “In the racial imagination, music also occupies a position that bridges or overlaps with racial differences. Music fills in the spaces between racial distinctiveness….” (Radano and Bohlman 2000:8) Even though music serves as a medium through which the differences of racial identities are revealed, it glues them
Even though jazz was associated with interracial sex and illegal drugs, jazz made a great influence on society, because it was the prayers and answer to the hard tim...
Music nurtured the African American tradition and their struggle towards equality in the same century.... ... middle of paper ... ... Greensboro, N.C.: Morgan Reynolds Pub. Carter, D. (2009).
2. Early Afro-Christian music differed from work songs in that the content in Afro-Christian music was more religious. Not only that but it was more melodic and musical because it was sung rather than “hollered.”
Music played a very important role during and after the slavery era. For example the slaves in the Virgin Islands used a form of song, Caruso, to pass messages among each other, without the slave owners or the overseer's knowledge (Umbilical 14). Because the plantation owners did not want them practicing their African beliefs, they combined Caruso w...
Traditional gospel music was written to be performed to express the African Americans’ personal feelings of Christianity. During the 1950’s, African Americans were segregated from the whites. Black Americans believed that the U.S. should be integrated not segregated. The civil rights movement came into play because of the large range of discrimination in the U.S. Gospel music was a tool for resistance during the Civil rights movement, because many protestors would sing hymns instead of violently protesting in the streets. Black Americans would sing freedom songs that influenced their rights against discrimination. Gospel music gave African Americans strength to not violently protest in the streets because they knew violence wasn’t the way to go. To express the relationship of African American traditional gospel music to their struggle towards freedom after the World War II era.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf
Soul music, which originated in the late 1950s, was popularized by African-Americans. Soul music is described as black popular music in the United States. The term “soul” embodied the way African American musicians felt about being African American in the United States, and the term soul continues to define this type of spiritual music. Soul music’s roots are a mix of traditional African American gospel music, and rhythm, blues, and jazz music. Soul music was enabled by unstoppable trends towards blacks and whites integration and discrimination. As the civil rights movement expanded so did African American pride towards their music.