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Literary analysis of Dante Alighieri the inferno
Literary analysis of Dante Alighieri the inferno
Literary analysis of Dante Alighieri the inferno
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In The Inferno of Dante, the first part in Dante Alighieri’s Divine Comedy, expresses the hinderance and assistance Dante the Pilgrim faces in his heroic journey. Throughout Dante’s treacherous journey through Hell, he encounters multiple threshold guardians; some of them hindering his continuance, while one provides assistance through this dark and brimstone-like pit such as Cerberus, Medusa, and Geryon. One of Dante’s many challenges arise when he encounters a beast named Cerberus; the multi-headed guardian of the Underworld who prevents the dead from leaving. Cerberus was a monstrous and cruel beast with “eyes [of] red and [a] belly of a meat-feeder” that did not let Dante and Virgil enter the underworld, forcing Virgil to “[throw] gobbets of [dirt] down each of [Cerberus’] throat” (Dante IX. …show more content…
Dante the Poet expresses how he saw Cerberus as a symbol of gluttony, an overconsumption of food or drink, when he saw the beast’s meat-feeder belly. When Virgil hurls dirt down Cerberus’ three throats which chokes him, it allows them to bypass him and enter the Underworld. Another challenge Dante faces while on his spiritual journey was the three hellish furies, and the Gorgon, Medusa; a female with living venomous snakes in place of hair and gazing upon her hideous face would turn you to stone. When the three hellish Furies, Erinyes, Alecto, and Tisiphone appear, they scream “[to] let Medusa come” and turn “[Dante] into stone” but Virgil, Dante’s guide and master, “turns [Dante] around and [covers] [his] face” (Dante IX. 46-47, 53). Medusa could have stopped Dante’s journey right there by turning him to stone; completely ending his mission of self improvement and awareness. Before entering the Eighth Circle in hell, Malebolge, Dante and Virgil encounter a beast named Geryon, a half hairy reptile and half hairy beast that does not pose a huge threat to them, but an opportunity to travel through and experience
Dante's and Virgil's scorn seems at first glance to echo the sin of intemperate anger which infects the foul waters of the Stygian marsh. Filippo Argenti, the weeping sinner who emerges from the mire, is eternally punished for his anger. However, the pilgrim's denunciation of Filippo is not only permitted, but lauded by Virgil with the praise given Jesus: "Blessed is the womb that bore thee!" (VIII, 43-44) Even the pilgrim's further, seemingly sadistic request to see Filippo attacked by his brethren is granted and accepted as appropriate. This seeming discrepancy in behavior can be reconciled by understanding the underlying motivations of the speakers. The pilgrim and Virgil travel with Divine sanction through Hell. The pilgrim's entire being learns to become entirely subject to the will of God. Virgil's journey is in obedience to the three angelic women who are Dante's patronesses: Our Lady, St. Lucia and Beatrice. However, Filippo Argenti is described by Virgil as "full of arrogance" (VIII, 46) Filippo Argenti's primary concern is Filippo Argenti. The essential element that separates the pilgrim from the sinners in the marsh is his subservience to God. Due to their divergent natures, the treatment of Filippo Argenti by the pilgrim and Virgil reflects the supreme triumph of the righteous over evil and serves as a warning to the reader.
From this point, in this essay of Dante’s Inferno, the seven major monsters, namely Minos, Cerberus, Plutus, Minotaur, Centaurs, Harpies and Geryon, are examined for their role and function in the story.
In the third circle Dante is found in a cold mucky place where cerberus the hellhound takes care of this circle. Cerberus is a glutton just like the sinners themselves in this circle, he eats the sinners to his content in which he keeps eating and eating. Gluttony makes the third circle into a sort of pig pin, where every soul is rolling around in muck, and just like how a pig is that eats with incompetence of stopping. The souls are, later on devoured only to leave cerberus with a big belly full of
The Inferno is the first section of Dante's three-part poem, The Divine Comedy. Throughout Dante's epic journey into the depths of Inferno he encounters thirty monsters and five hybrid creatures. The most significant of these monsters are of central importance to his journey and to the narrative, as they not only challenge Dante's presence in Inferno, but are custodians of Hell, keeping in order or guarding the "perduta gente". In this essay I am concentrating on these prominent beasts, namely Minos, Cerberus, Plutus and Geryon, establishing why they feature in Dante's eschatological vision and discussing the sources which influenced his inclusion of these particular creatures. These four monsters all fulfil important functions as well as representing important themes in Inferno, establishing them as symbols which reinforce Dante's allegory.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
He reacts to the inscription by crying out, “Master, I said, these words I see are cruel” (Dante pg.14). By this he shows his fear of the unknown because he does not yet know exactly what he will witness during his descent. One of Dante’s truest display of fear occurs when he sees the angels. The angels deny the travelers access through the city. Virgil even appears startled and confused by this. This does not help Dante’s nerves at all. Dante doesn’t seem to understand why even the “well known” Virgil is denied access through the city. This seems to cause some confusion among them both. If Virgil is denied access then Dante will definitely be
When Dante and Virgil reach the gate of Hell, Dante is overcome with fear upon reading the inscription above the gate and hearing the screams and lamentations of those inside. He reacts to the inscription by crying out, " ‘Master,’ I said, ‘these words I see are cruel.’ " (III.12). By this he shows his fear of the unknown because he does not yet know exactly what he will witness during his descent. One of Dante’s truest display of fear occurs upon reaching the vile City of Dis. When the "fallen angels" deny the travelers access through the city, Virgil, usually unflappable, even appears shaken up. Understandably, this does not help Dante’s nerves at all. He actually makes a side comment to the reader declaring the terror he felt after the angels had defied Virgil’s request saying: "And now, my reader, consider how I felt / when those foreboding words came to my ears! / I thought I’d never see our world again!" (VIII.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
He strikes the contrast between "dark" and "light" to strengthen that he fears the dark and sinful desires within himself but he pursues the hope of light at the same time, which is the key of his spiritual journey. To symbolize the dark side, Dante illustrates his encounter with three beasts while the rescue from Virgil signifies the light side. The image of “light” and “dark” as well as their allegorical meanings is shown through these lively imagery, rich metaphors and strong voice in order to present a self portrait of Dante’s character.... ... middle of paper ...
Virgil offers to serve as dante's guide, he warns him O’Mara (Page 2) before they can climb the hill they must first pass through the place of eternal punishment, hell (Canto 1). Virgil is the voice of guidance,knowledgeability and reason. He’s there to project his reason and to create knowledgeable people. Dante praises both Virgil and Beatrice for their aid and then continues to follow virgil toward hell (Canto 2).
Dante experiences a vision, at the age of 35, after experiencing traumatic events in his hometown of Florence. The events that are occurring in Florence at the time are associated with papal corruption and cause Dante to be forced into exile. Following the vision, which confirms to Dante that he has strayed from the right path in life, Dante begins his travel through the three realms, which contain the possible consequences following a person’s death. Dante’s journey begins on Good Friday, when he is escorted to the gates of Hell, moves to Purgatory and ends in Heaven. However, an escort accompanies him for duration of his journey. Virgil, who Dante has long admired, escorts Dante through Hell and...
Seeing as this work was written by Dante, and the journey is taken by Dante, he has a unique opportunity to judge his fellow man and decide how they will be punished. He also gets to place his enemies in hell, forever besmirching their names for generations to remember. Perhaps unknowing to Dante, that is worse than any of the punishments that he placed his enemies in. The reality of The Inferno is unlikely and therefore these punishments are nothing but a fictiona...
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic