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History of Goddess Hebe in Greek Mythology
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This artwork created by Gavin Hamilton shows the story of the greek goddess Hebe. Hebe is the goddess of youth and is the cuperbarar of the goddess. This means that she serves nectar to the gods and goddesses. She is mostly always shown affairing nectar to her father, Zeus, in disguise as an egal.
There various types of lines in this painting, curvilinear lines dominate. The curvilinear lines are found in the way the woman 's body is positioned, the eagles wing and claws, the way the woman’s clothing in draped, the leaves, and in the spout and the handle of the pitcher. Diagonal lines also are shown in this painting. These lines can be found in the woman’s arm that is exposed, the lines of sight from the woman to the eagle and the position in which the head of the eagle is. These two types of lines help convey a sense of movement, curvilinear lines are also very pleasing to the eye. Another type of line that is shown in the painting is horizontal line. This type of line is found in the design of the pillar that the eagle is standing on. This painting also includes an implied line. The type of implied line is line of sight, this line goes from the woman to the eagle. Then form the eagl to the arm of the women, which brings the
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The circular shape can be found in the face of the woman, the shape of the bowl, the exposed breast, the curl of the woman’s hair located at the back of her neck and a circle is created with the draping of the yellow and the blue clothing of the woman. Furthermore there is a huge oval shape that is created with the wing and the curve of the woman 's body leading to the arm which connects the oval.The rectangular shape is also shown in the pillar that the eagle is standing on. The circle is symbolism for eternity. This helps emphasize the story the painter is trying to tell. The woman that is shown is the goddess hebe, who is known for having the power to give eternal
The wing of angel Garbriel reflects through the light. The round glass window reflected the grass, the curtain in front of the Virgin Mary looks into the mirror. The architectural interior constructed in the painting makes the vivid images, the closet in the back of the Virgin Mary was old, and well- constructed. The painting was simple used of rough brushes to make the painting smoother, the way they stand as they looked into the mirror are the same, the complex composition, as well as the lyric quality of the drawing and transparency of the colors, are the characteristics of the painting. As shown in the painting, angel was try to look at the mirror carefully, this painting portrayed the scene angel give a seriously look, and the clothes she wears shows the status during that time. The rectangle shape of the parcel was old, they are all stare at the one places. The carpet was very different, and the triangle shape on the ceiling paint very
Greeks are known for many things. We know them for their poetry, for their philosophy, their politics--and also we have come to know them for their childish, petty, lustful, little gods. These gods, vengeful in the extreme, have been a source of much literature. However, not all the gods have the same publicity agent, and have suffered in obscurity for much too long. One of these gods, one of the Twelve Olympians, has been obscure in the least. He is different in most ways from the other gods, and I am here to illuminate him further to you. His name? Hephaistos.
The visual elements in this painting are shape, color and light. The shapes and contours of the mother and child are life like.
This painting consists of regular lines as well as implied lines. Some of the regular lines that have been included are flowing, curved lines, such as the Earth that the woman is sitting on top of. Additionally, the background is made of small scenes that have been outlined by a dotted line, which places emphasis on the scenes. Besides regular and visible lines, there are a few implied lines in this painting. For instance, the woman's eyes are looking forward, so there is an implied line to the audience. Additionally, another implied line would be the woman's right arm, which is pointed towards her headpiece, while her left arm is pointed towards the earth. Nonetheless, this painting is not intense; although it does have splashes of color, this painting does not have a bright saturation. Instead, this painting is slightly dull, which makes this painting appear vintage. Additionally, since this background is a dark color, it makes the rest of painting, especially the headpiece, stand out. Besides colors and lines, even though this is a painting and there is no physical texture, there is invented texture. Upon viewing this painting, underneath the earth where the woman is sitting on, there are roots as well as grass, which give texture and feeling to the painting. In the end, this painting consists of several elements of composition, which Heffernan has done a wonderful job
He also illustrates principles of design. If you were to place a vertical line on the picture plane the two sides would balance each other out. The painting can also be divided half horizontally by the implied divisional line above the horses head and the sword of the man who St. Dominic has brought back to life. Contour horizontal lines that give the expression that the dead man on the ground is sliding out of the picture plane, and dominate the bottom of the painting. On the top of the picture plane, behind the spectators is the brightest intermediate color, which is red orange that gives the impression of a sunrise.
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
The painting has an order and there are different shapes and angles. Rectangular shape is main trend around this piece, including the wooden chest, the leg rest and the canvass. Also things overlap, creating the illusion of the shape look closer to viewer than the shape behind it. The example in this piece would be the chair on which Adelaide Labille Guiard sits be close to viewer than the girls behind it. This adds depth to the space. Also due to linear perspective girls behind the chair are smaller due to being farther away.
The painting is an epic to the daily life of a church at the start of the Renaissance. The painting is done for a little girl who is in the foreground. The sole purpose of the painting is the eagerness and excitement of the future. The people are active in bright clothes. The colors used are bright showing hope for the future. The people in the painting add to the delightful optimism. The forms are delineated like the columns. Apparent details above the columns, retreating into the background. The masses have space and mass. Every stone is perfectly in place. There is a peculiar darkness across the painting that
Her use of primary colors and complementary colors are illustrated in the background, at the top of the fabric and in the outer view of the house and in the front yard. There is shading being shown in the two geometric windows. The entire work presents lines and implied lines as a focal point or as a means to describe a scenery. The texture of the garment is silky and very smooth like bed sheets. Post and lintel are crafted on the rectangular door frame and in the small window inside the door frame. Fine art is depicting in the background of the house; the painting is going in its own direction but still have a meaning behind it. The grass, tulips, and the weeds in the foreground appear naturalistic and lifelike which give the painting a multiple use of variety. The composition of the house is centered and upright. Marisela Esteves uses asymmetrical balance in the pathway and on the walkway to the flower garden. On the left side of the house there is a lot of variety elements and implied lines been demonstrating. Also, there is a lot of space in the background which grabs my attention because the line portrays a billboard in my mind that is covered by the vibrant, bright colors. The material that Marisela Esteves use was probably a knife or paint brush to mix, dye, and print on the fabric
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the right, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines; first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.
I can’t unveil any more of the plot without destroying the readingpleasure, but there is one thing you should carry back in your mind as you read the book; the painting is the main element which most of the story circles round.
The gestural and heavy working of the paint and the contrasting colors make the painting appear active yet are arduous to follow. The defining element of Woman and Bicycle is the presence of the black lines that do most of the work in terms of identifying the figure. Through the wild nature of the brushwork, color, and composition of the painting, it can be implied that the artist is making an implication towards the wild nature of even the most proper of women.
Trojan Women is a depiction of the hardships women faced under postwar conditions. In this tragedy Hecuba symbolizes the archetype of these postwar conditions. One symbol Hecuba represents under these conditions is the archetype of maternal instinct. Hecuba suffers the most because she lost her country, children and husband. Hecuba's story solidifies a woman's defeat as a parallel to Troy's demise.
The painting depicts two figures, the one of a woman and of a man. The dominating central figure is the one of the woman. We see her profile as she looks to the left. Her hands are crossed in a graceful manner. She has blonde hair and her figure is lit by what seems to be natur...