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American gothic grant wood
Note on western art
Grant Wood’s American Gothic analysis
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The Regionalism movement was spearheaded by Grant Wood and his world famous work American Gothic, a ranch style home with gothic upper window, and Wood’s sister and family dentist as the happy farm couple. The Regionalism movement is an American Scene movement that was created in the early 1900’s. The Regionalism movement focuses on landscapes in the United States. Before the Regionalism movement many of these artists painted in the modernism and impressionism movements. Artists such as Andrew Wyeth took what they have seen on a daily basis and made beautiful art out of it. Grant Wood started the movement that would be followed by greats such as Thomas Hart Benton, John Steuart Curry, and Andrew Wyeth. All four of these artists have a piece …show more content…
In approximately 1920 Benton began to shed his modernism ways for a regionalism style. In 1924 Benton began to drive across the Midwest and paint the people and landscape that he was seeing. This was the main change in Benton’s art style which is seen in his work Ploughing it under. Ploughing it under, is a great representation of the west and the farm community. Showing a distinct American mule being mushed by an African American ploughman. I think that Benton does a great job incorporating all of the aspects of a great landscape that is capped off with a working ploughman with his and his mules head down. Wither Benton purposely painted the picture with the mule and ploughman going uphill or not, to me I see an uphill battle of the farm community at a time during the Great depression. The title Ploughing it under, came from legislation that was passed that caused the already planted cotton crops to be …show more content…
My favorite work by Curry is Ajax, this work is of a large prize bull in a field. It is said that Curry painted Ajax, to show people that even though the dust bowl had affected the country and that the Great Depression was hanging like a black cloud that out west there was still life flourishing. The style that is shown in Curry’s Ajax, is another example of Regionalism in the Midwest. Andrew Wyeth was born on July 12th, 1917 in Chadds Ford, Pennsylvania. The son of N.C Wyeth, a well known illustrator, who was also his mentor. In 1937 Wyeth was featured in an art show in New York City, at the Macbeth Gallery. Wyeth sold every painting that he had brought to the gallery, kick-starting his career and his fan base. After Wyeth’s career start at the Macbeth Gallery he continued to paint from two main areas, around his hometown of Chadds Ford, Pennsylvania and Cushing, Maine. Many years later came my favorite piece by Wyeth, Young Bull, his work much like the previous three artists shows a very stylistic landscape and people/animal connection. Young Bull, depicts a Bull on the Kuerners Farm in Chadds Ford. The Bull is standing in front of a fence near the gate to the farm. Wyeth is well known for his attention to detail and it shows in all of his work to do with the Kuerners Farm, looking at his work you can very easily and visually see that he modeled his work over scenes that he had seen. Another
Another example of how art represented in the Native North America exhibit is a painting by David Paul Bradley, a Chippewa artist, titled Greasy Grass Premonition #2. It depicts a scene from the Battle of Little Bighorn, but the tombstone explains that Native Americans know it as the Battle of Greasy Grass Creek. By providing that information for the audience, the MFA is allowing them a glimpse into the minds of Native Americans and their culture instead of presenting it as another example of Western bias.
Grant Wood was a Regionalist artist who continually endeavored to capture the idyllic beauty of America’s farmlands. In 1930 he had been roaming through his hometown in Iowa searching for inspiration when he stumbled upon a house that left him spellbound. From this encounter came America’s iconic American Gothic. Not long after Wood’s masterpiece was complete the once ideal countryside and the people who tended to it were overcome by despair and suffering as the Great Depression came to be. It was a time of economic distress that affected nearly every nation. America’s stock market crashed in 1929 and by 1933 millions of Americans were found without work and consequently without adequate food, shelter, and other necessities. In 1935, things took a turn for the worst as severe winds and dust storms destroyed the southern Great Plains in the event that became known as the Dust Bowl. Farmers, who had been able to fall back on their crops during past depressions, were hit especially hard. With no work or way or other source of income, many farms were foreclosed, leaving countless families hungry and homeless. Ben Shahn, a Lithuanian-born man who had a deep passion for social injustice, captures the well-known hopelessness of the Great Depression through his photograph Rural Rehabilitation Client. Shahn and Wood use their art to depict the desperation of everyday farmers in America due to the terrors and adverse repercussions that the Great Depression incited.
Andrews wanted to express black experience through his art, but he found it very difficult thing to do. He was using nonfigurative expressionism which became a personal movement for him. Andrews wanted to convey himself in a different way from other artists in order to make his own exclusive personality. I think his works are delicate, and cherished. He is a visual artist, writer, and teacher.
This essay will also compare the work of Thomas Moran, another Hudson River School artist working with the same subject matter, and will attempt to clarify the artist’s similarities and differences in regard to both technique and contributions. The work of Winslow Homer, a contemporary of Church, will be briefly discussed in relation to the impact the Civil War had on subject matter in relationship to nati...
Joseph Mallord William Turner, 1775-1851, born the son of a London Barber and Wigmaker, is considered one of the greatest European artists of the 19th century. Turner, the English romantic landscape painter, watercolourists and printmaker, was regarded as a controversial and revolutionary figure by his contemporaries despite his training being similar to other artists of the time. His work ‘Walton Bridge’, Oil on Canvas 1806-10, reflects much of his training as a young artists as well as his well-known Romantic style. In this essay I will follow the beginnings of Turners artistic life, showing how his influences, training and opinions surrounding landscape painting have influenced his work ‘Walton Bridge.’ I will further explore how art critics, fellow artists and the wider public of the 19th Century received ‘Walton Bridge’ and his Landscape paintings in general.
Abram attempts to justify any issues with the industrialization by addressing the new, more spacious cotton mill and the lower sickness and mortality rates. Abram describes the positive forces that arose during the industrialization to outweigh the mass concerns people had about the laboring class’s working conditions. This positive opinion is counteracted by an image included in a magazine from the 1870’s that shows the visual of a bridge and its surrounding factories at the time (Doc 7). The Graphic, a weekly magazine that dealt with social issues, included the view from Blackfriars bridge over the River Irwell that contained the numerous factories concentrated in the one location. The Graphic was famously influential within the art world for its use of imagery and attempt to conquer grand social issues with art.
Jacob Lawrence painting the “Blind Beggars” shows an elderly blind couple walking down the street. It is assumed that they are a married couple. The blind woman is holding on to the blind man who is holding a begging cup in his hand. Children play around the couple, going about their own business as the couple walks past them. The “Alabama Plow Girl” photographed by Dorothea Lange shows a young child from the bottom.
beautiful works of art. Douglas reached Harlem and instantly fell in love with the culture and
O. Henry’s "Art and the Bronco" tells the story of Lonny Briscoe, a cowboy who is also an aspiring artist. It follows his quest to sell his first painting to the state legislature; to have it hung in the capital building. Lonny sees the sale of the painting as validation of his talent and worth as a painter. What he ends up learning is that the actual value of the painting turns out to be secondary to what other feel they can gain from it.
Grant Wood’s American Gothic is one of the most famous paintings in the history of American art. The painting brought Wood almost instant fame after being exhibited for the first time at the Art Institute of Chicago in 1930. It is probably the most reproduced and parodied works of art, and has become a staple within American pop-culture. The portrait of what appears to be a couple, standing solemnly in front of their mid-western home seems to be a simplistic representation of rural America. As simple as it sounds, when looking deeper into this image, it reveals something much more complex.
Pioch, N. (2002, Jul 16). WebMuseum: Pollock, Jackson. Retrieved 3 30, 2014, from Pollock, Jackson: http://www.ibiblio.org/wm/paint/auth/pollock/
Archibald Motley Jr. was born in 1891 in New Orleans. Ever since, Archibald was a child he had the desire to be an artist. His family moved to a Chicago neighborhood in the 1890’s, but the family would take frequent trips back to New Orleans in the summer. Later we find out that these two similar settings were the determining factor for Archibald’s paintings. He decided to study art at the Institute of Chicago and was recognized by being one of the few African American artists during that time.
Benton was born April 15th, 1889, to an affluent family in Missouri. His father, having already served in Congress, maintained that patriotism compelled the United States forward. In 1906, he went to school at the Art Institute of Chicago, where he became part of the cosmopolitan movement of the early twentieth century, drawing inspiration form artists such as Picasso and Klee. What distinguished Benton, however, from the elitism that embodied these early movements was his reluctance to abandoned rural America. In 1924, he began traveling the Southwest corners of America, sketching people and rural landscapes. If Benton’s father
Donald has raised his pole above his head and caught his dark blue coat. Mickey, however, is giggling at his friend. The cubism movement started in 1908 and was the first abstract style. This movement was popular during the early 20th century and largely ignored perspective and shows all of the possible viewpoints of a person or object.
During the 19th century, a great number of revolutionary changes altered forever the face of art and those that produced it. Compared to earlier artistic periods, the art produced in the 19th century was a mixture of restlessness, obsession with progress and novelty, and a ceaseless questioning, testing and challenging of all authority. Old certainties about art gave way to new ones and all traditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and sculpture came around the age of 19th century. Art originated in Paris and other different European cities. However, it became more popular in United States around 19th century.