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The graduate cinematography analysis
Important film techniques in the graduate
The graduate cinematography analysis
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The Graduate is a 1967 film that stars Dustin Hoffman. He plays the role of a recently graduated college student named Benjamin Braddock. This film uses an exceptional amount of different aspects of cinematography. It ranges from multiple different camera angles, focal points, lighting, and shot compositions that are all used to allow the audience to create a deeper emotional connection with the move and story rather than just watching it. In the beginning of the movie for example, the camera is zoomed in very closely to Ben’s face allowing the audience to assume he is alone, yet he is on an airplane with many other people. The fish tank becomes a common focal point throughout the film for multiple reasons. A lot of those times the camera is angled to where it is looking …show more content…
There was one scene in particular where the camera remained completely focused on him through the tank while his dad walked in the room. He sat in front of Ben slightly covering him but still unfocused. Ben’s mother walked in shortly after and stood right in front of the camera so that Ben was no longer in view to the audience. When this happened I got the sense that maybe Ben’s parents were always getting in his way. The constant close up angles as well as the camera closely following Ben even makes the audience feel suffocated by his parents. This was just one of the many successful ways a cameras focus could tell the audience so much about how a character is feeling and or one of the issues within the plot. The result of doing his allows the audience to have a sense of sympathy or
Niccol uses long-over-the-shoulder camera shots of Vincent looking up into the sky at rockets leaving for Titan when he is working at Gattaca to showcase his ambition as he is metaphorically ‘reaching for the stars’. This humanizes Vincent making his character more relatable to the audience and allows them to feel empathetic towards him as having ambition is a human ideal. Subsequently, Niccol utilizes close-up facial shots and unfixed camera movements while Vincent is swimming against Anton for the time. The close-up shots of Vincent’s face highlight his struggle as the audience can see the pain and tiredness on his face, causing them to empathize with him. Continuing with this the camera is unfixed, therefore it is positioned to be follow the chaos of the waves and ocean. This positions the audience to experience the same chaos and struggle, Vincent must power through, making them feel as if they will also drown if they do not swim, furthermore making the audience empathize with his character. The non-diegetic sounds of orchestral music using crescendo and layering the texture, builds the tension further and emphasizes Vincent’s struggle and his determination to overcome the obstacles he must face. This causes the audience to experience tension and empathize with his plight.
In American society, violence runs rampage throughout the country that cause its citizens to be afraid and discouraged about their homeland. One of the major parts of American violence is from guns. In the documentary, "Bowling for Columbine", a famous filmmaker, Michael Moore addresses the ubiquitous situation in America. He argues that the use of gun in America co-insides or correlates to the recent massacres and that America, as a whole, should have stricter gun control laws. Throughout the film, Moore uses specific references to it and employs rhetorical and persuasive devices to construct his argument in favor of changing gun laws.
The Graduate is a cult classic. Not only was it a movie for the generation of baby-boomers in the Sixties, but it still remains a symbol of the teenagers today that are searching for something and those that are "a little unsure about their future". Benjamin Braddock, a college graduate comes home only to be seduced by his father's business partner's wife. He then falls in love with her daughter, Elaine, which in turn leads to a rollercoaster of events which end up leading to the final scene of Benjamin taking Elaine away after getting married to another man. This film is a classic example of coming of age; Benjamin is boy in the beginning, and a man at the end. Without the direction of Mike Nichols, acting by Dustin Hoffman and great cinematography this film would have been forgotten and ill represented.
In the film Wit, directed by Mike Nichols, Emma Thompson (Vivian Bearing) is portrayed as a woman professor who had dedicated her life to teaching and studying John Donne and his sonnets. She was about 48 years old and was diagnosed with stage IV ovarian cancer.
Porter, Bruce. Blow: How a Small-Town Boy Made $100 Million with the Medellín Cocaine Cartel and Lost It All. New York: Harper Collins, 1993.
"I don't give a fuck what you know or don't know, but I'm gonna torture you anyway, regardless. Not to get information. It's so amusing for me to torture a cop. All you can do is pray for a quick death, which you aint gonna get."
"A Clockwork Orange", directed by the immeasurable Stanley Kubrick, starring Malcolm McDowell, Patrick Magee, Adirenne Corri, Aubrey Morris and James Marcus and produced by Stanley Kubrick in 1971, is, in my opinion, one of the greatest morality plays ever captured on film. It leads viewer in to many different pathways of thought about the time we live in, and about the validity of the concepts of law and morality, and the applications of the two in general society.
Gangsters, violence, murder and corruption !!!!! If these are some of the things that you're into, then this is your kind of movie. Be ready to watch it more than once to be sure to get all the movie has to offer because it jumps from subject to subject and can be a little confusing.
movie. The primary purpose of this shot is to slowly draw the viewer in to the
I am going to explore a gripping scene from the movie Jaws. I will be discussing the Jaws scene “Blood on the Beach”. The scene is important to the plot as it shows that the ocean is no longer safe because of the shark; the scene also reveals how Chief Brody is worried about the shark and is scared of the water. The scene further advances the conflict of the community with the shark. The director makes the scene exciting by focusing our attention on multiple characters. We know the shark is coming but we don’t know where or when, which builds tension in the viewer. One of the framing techniques utilized is a long shot. The long shot is employed when the children are playing in the water and the camera is behind Chief Brody’s
The film begins with a close-up of Benjamin Braddock's face - the white background focuses and draws attention to his steely and motionless gaze. The way this shot is composed accentuates his look of disillusionment to the audience. It seems as if he is isolated, but as the camera steadily zooms out, revealing him to be on an airplane packed with many passengers. By filming his silent bodily movement on the automatic walkway in one slow and extended take, the sense of Benjamin's isolation is heightened even more! Together along with the very popular non-diegetic soundtrack Sound of Silence, Benjamin's mood is perfectly created within the opening
The Godfather is the story of a Mafia family. It follows the rise of Michael Corleone within the family. Michael was once a war hero and did not want to be involved in the family business. When his father is shot though, Michael takes revenge on the people who did it and becomes a part of the Mafia lifestyle. When his older brother is murdered, Michael ascends to become the boss of the family, and proves to be more ruthless than his father and brother combined. The scene that I am analyzing is one where Michael is becoming his nephew’s godfather at his baptism.
The pond is placed here because on page 143, it said “Edwin stopped beside a long rocky slope that roose every several hundred feet to their right above the shallow valley. On their left, the stream flattened out into a large, calm, crystal clear pond. Upstream about a hundred yards, the stream gushed through a rock gorge, calming as it flowed into the still pool.” (Mikaelsen, 143)
The deep focus technique used helped detail the style to enhance the viewer’s experience of authenticity. This can be seen at Kane’s birthday party, where deep focus enables Welles to show Kane and a group of dancers revelling in the background in full detail even as Leland and Bernstein have a conversation in the foreground. This gives the viewers a sense of realism as they can choose to focus on any actions. The technique used can be easily distinguished in The Bicycle Thieves in the market scene when Ricci, Bruno, and their friends were searching for the stolen bicycle. It displays a sense of real life when passer-by’s block the camera’s view of the main
Margin Call depicts a realistic take on what happens inside a Wall Street firm. It is about a company that is downsizing their workers because of a firm’s crisis. One of the victims, Eric Dale, was working on a major analysis when he was laid off. He hands his coworker Peter Sullivan his USB, which contains the major analysis. Peter stays late and cracks the issues and calls his coworkers and bosses in about the financial disaster he had discovered. He had discovered that the company is about the crash. He tries to get ahold of Eric, no luck. He then calls his coworkers Seth Bregman and Will Emerson, who are at a bar and tells them that they need to come back to the office for an emergency situation. After showing the situation to Will, John Tuld, the Chief Executive Officer, quickly hears about it. They all have a conference meeting and decide that the company will sell all of the mortgages, which have little to no value. Once the sale is completed, the company tries to save their reputation by saying that this issue was nonpreventable.