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Themes and poetic style of Sylvia Plath
Biography of sylvia plath in brief
Gothic literature and culture
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Sylvia Plath has been one of the literary world’s most controversial figures in the past century, celebrated as well as panned by literati for her enigmatic work. She is well known for the brutality and suffering apparent in the morbid world of her poetry. The prominent poet and critic, Al Alvarez, claimed that the Ariel poems “manage to make death and poetry inseparable” and Charles Newton described Plath as “courting experience that kills.”1 However, in spite of the immense scholarship dedicated to her, the examination of the gothic features in her work has been neglected and as such, this essay will focus on the gothic world of Sylvia Plath.
According to Fred Botting, the Gothic represents a trend towards an aesthetic which is based on emotional response primarily associated with the sublime. It represents the triumph of chaos over order and is typically distinguished by the broad categories of Gothic Excess and Transgression.2
Gothic Excesses are signified by an “over-abundance of imaginative frenzy”, untamed by reason and unrestrained by “neoclassical demands for simplicity, r...
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Kathy Prendergast, further contends, that it is this convergence of the Gothic art style and Romantic genre which was quintessential of the nineteenth century era. Both collided to spotlight terror, valuelessness emotion and vulnerability. Both collided to perpetrate a sense of wonderment in the reader/viewer, a sense of helplessness in the face of some superior force. The Gothic architecture with its peculiarity, mystery and imperilment; the Gothic architecture with its a...
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Camille, Michael. Gothic Art: Glorious Visions. Upper Saddle River (NJ): Prentice Hall, 1996. 12. Print.
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
Farnell, Gary. “The Gothic and the Thing.” Gothic Studies Text 11:1 (2009): 113. JSTOR. Web. 4 Apr. 2014.
Gothic encompasses many genres of expression. Gothic artists speak out through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, one genre of Gothic inspires another, creating fusing parallels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the much broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone.
Goth. A name that has had many meanings over the centuries. Beginning as the name used for Germanic tribes beyond the Rhine that were the adversaries of the ancient Roman empire, to the style of architecture popular in medieval Europe, to the literary subset of Romantic literature, and the children of very concerned parents. D.H. Lawrence while his personal relationship with his mother may concern many a parent, was however extraordinarily influenced by Gothic literary thought evident in "The Rocking Horse-Winner". Gothic literature was once a genre once left untouched, but a resurgence of interest and critical examination in it has been on the rise since the mid-twentieth century. This view is collaborated by Devenda P. Varma M.A. Ph.D in his book The Gothic Flame, "Thus the field of Gothic fiction, long viewed as as uninteresting and barren, has gradually come to be recognized as of distinct artistic and literary importance, and is undergoing a new and more favorable critical survey."(Varma 2). The exact definition of what qualifies as Gothic literature does tend to vary over the centuries as different writers make it their own. Once Gothic literature was purely defined by it's architectural namesake, meaning a foreboding castle of some kind, inducing a fear inherent to man's primitive sensibilities had to be involved in the sequence of events. As Dr. Varma notes "The element of terror is inseparably associated with the Gothic castle, which is an image of power, dark, and impenetrable."(Varma 18). However as the events presented in "The Rocking-Horse Winner" offer no such castles, the additional elements of the genre offered by Dr. Robert A. Harris, an English professor, must come into play. Three of the ten criteria offered by...
Davenport-Hines, Richard. Gothic: Four Hundred years of Excess, Horror, Evil and Ruin. North Point Press: New York, 1998.
Prior to the 1980's, Goth was just a word to describe certain aspects in our society, but at this time no specific group of modern people were called Goth. Many years before this there were dark buildings that are a part of gothic architecture, which spread throughout the country mainly in churches, abbeys and cathedrals. This title was in reference to the barbarous Goths, after they conquered Rome, when they built buildings of the same style. People began to give the label Goth to certain somber music during the late 1970’s, which is known as gothic rock today. In an issue of the library journal Matthew Moyer states, “Few genres are as maligned and caricatured as gothic rock…such an adventurous and vibrant music, whose dark and dramatic sound is borne aloft by brittle, icy guitars and electronics.” This statement shows his opinion of the music clearly as a unique music fit of the label Goth. The Goths from ancient times could be seen as rebellious to structure with their ‘uncivilized actions’, compared to the rest of civilization in that day and age. In relation to the subculture they are a perfect match. These labels by no means were given to a subculture as of yet t...
What is Gothicism some people might ask? Well that in and of itself is not the easiest thing to explain. For many it is the dark themes in literature, but that is not so. Gothic Literature appeared in writings because writers started to delve into the murky past of literature in order to capture the ancient folklore and interesting mysteries. The web that makes of gothic literature stretches far and wide and touches different territories, that many find scandalous, escapism, stalking, outré, and perilous. Gothicism over the years has changed in several ways due to the fact that the writers were devouring French romances, and other things like the Grimm’s Teutonic tales, Grimm’s Brothers Fairy Tales. Joseph Conrad’s Heart of Darkness, one of
Michael Gamer, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge, England: Cambridge University Press, 2000) 15, Questia, Web, 29 May 2010.
Lloyd Smith, Allan. American Gothic Fiction : An Introduction. New York: Continuum, 2004. eBook Collection (EBSCOhost). Web. 22 Feb. 2014.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.