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Critical analysis of the Rocking Horse Winner by DH Laurence
Influence of gothic literature today
Importance of gothic themes in literature
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Goth. A name that has had many meanings over the centuries. Beginning as the name used for Germanic tribes beyond the Rhine that were the adversaries of the ancient Roman empire, to the style of architecture popular in medieval Europe, to the literary subset of Romantic literature, and the children of very concerned parents. D.H. Lawrence while his personal relationship with his mother may concern many a parent, was however extraordinarily influenced by Gothic literary thought evident in "The Rocking Horse-Winner". Gothic literature was once a genre once left untouched, but a resurgence of interest and critical examination in it has been on the rise since the mid-twentieth century. This view is collaborated by Devenda P. Varma M.A. Ph.D in his book The Gothic Flame, "Thus the field of Gothic fiction, long viewed as as uninteresting and barren, has gradually come to be recognized as of distinct artistic and literary importance, and is undergoing a new and more favorable critical survey."(Varma 2). The exact definition of what qualifies as Gothic literature does tend to vary over the centuries as different writers make it their own. Once Gothic literature was purely defined by it's architectural namesake, meaning a foreboding castle of some kind, inducing a fear inherent to man's primitive sensibilities had to be involved in the sequence of events. As Dr. Varma notes "The element of terror is inseparably associated with the Gothic castle, which is an image of power, dark, and impenetrable."(Varma 18). However as the events presented in "The Rocking-Horse Winner" offer no such castles, the additional elements of the genre offered by Dr. Robert A. Harris, an English professor, must come into play. Three of the ten criteria offered by... ... middle of paper ... ...of a suspenseful atmosphere, Paul's supernatural ability, and the the emotional turmoil of Paul's mother Hester in to a tale about a boy playing the sport of kings, only to find the horror within himself instead. Works Cited Varma, Devendra P., Dr. The Gothic Flame; Being a History of the Gothic Novel in England, Its Origins, Efflorescence, Disintegration, and Residuary Influences. New York: Russell & Russell, 1966. Print. Harris, Robert A. "Elements of the Gothic Novel." Elements of the Gothic Novel. N.p., 20 Dec. 2013. Web. 14 Apr. 2014. Thornton, Weldon. D.H. Lawrence: A Study of the Short Fiction. New York: Twayne, 1993. Print. Kearney, Martin F. Major Short Stories of D.H. Lawrence: A Handbook. New York: Garland Pub., 1998. Print. Moynahan, Julian. The Deed of Life; the Novels and Tales of D.H. Lawrence. Princeton, NJ: Princeton UP, 1963. Print.
Gothic texts are typically characterized by a horrifying and haunting mood, in a world of isolation and despair. Most stories also include some type of supernatural events and/or superstitious aspects. Specifically, vampires, villains, heroes and heroines, and mysterious architecture are standard in a gothic text. Depending upon the author, a gothic text can also take on violent and grotesque attributes. As an overall outlook, “gothic literature is an outlet for the ancient fears of humanity in an age of reason” (Sacred-Texts). Following closely to this type of literature, Edgar Allan Poe uses a gloomy setting, isolation, and supernatural occurrences throughout “The Fall of the House of Usher”.
Dubus, Andre. "Killings." Meyer, Michael. In The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 107 - 120.
Key Elements of Gothic Literature Jasmine Giles People enjoy reading gothic literature due to its heart rate exciting nature. Without having to engage with any real danger, it is common for the reader to feel anxiety and impaitence when reading gothic fiction. In order for the reader to feel these emotions, the author uses certain elements, such as a gloomy setting and old-fashioned dialoge. In the stories “The Black Cat” and “The Tell Tale Heart”, by elgar allen poe, and “The Landlady”, by Roland Dahl, there are many similarites that remanticize the idea of horror and mystery. Some elements, however, bring out the disbolical horror of gothic literature: the setting, characterization, and the motif of suspense.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Studies In Short Fiction 18.1 (1981): 65. Literary Reference Center. Web. The Web. The Web.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
Bibliography:.. Works Cited Meyer, M., Ed., (1999). Bedford Introduction to Literature, 5th Ed. Boston: Bedford/St. Martin.
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Ringe, Donald A. American Gothic: Imagination and Reason in Nineteenth-Century Fiction. Lexington KY: The University Press of Kentucky, 1982.
Many authors are recognized by a reoccurring theme found throughout their works. The author D.H. Lawrence can be classified into this group. He is well known for his reoccurring theme that romantic love is psychologically redeeming. He wrote “The Horse Dealer’s Daughter” , a short story that exemplifies this theme quite accurately, in 1922 (Sagar 12). Through excellent use of symbolism in “The Horse Dealer’s Daughter”, Lawrence renders his theme of romantic love being psychologically redeeming through the emotional development of the two main characters, Mabel and Dr. Fergusson.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Camille, Michael. Gothic Art: Glorious Visions. Upper Saddle River (NJ): Prentice Hall, 1996. 12. Print.
the elements of a gothic novel as it is not set in a remote place or a