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Research on gender roles in literature
Twelfth night as tragedy
Research on gender roles in literature
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The Function of Different Settings in A Doll's House and Twelfth Night
The setting comparison and deliberation in this essay is between Henric Ibsen's "A Doll's House" and William Shakespeare's "Twelfth Night". "A Doll's House" deals with the social life and duty, the woman's proper place and role within the family and the society. "Twelfth Night" is about illusion, deception, disguises, madness, and the extraordinary things that love will cause us to do and to see.
The plot of the "Twelfth Night" takes place in Illyria, the unreal, fairy-land, the land of illusions and dreams. The beauty and the lighthearted atmosphere of Illyria influence the characters of the play. Orsino, Duke of Illyria, doesn't care about his country's concerns. The only thing that interests him is his love for Olivia, he listens to the music and dreams about her.
When Viola comes to the sea-coast of Illyria, she is also influenced by its special atmosphere. Seeking for adventures, she disguises herself as a young man and falls in love with Orsino. Her actions are not applicable for a woman of the Elizabethan period, who couldn't travel alone, but only with a chaperon.
Woman's mobility as well as her status and rights were very restricted. The only "way out" for her was
marriage.
In "A Doll's House" Italy symbolizes the good, but false image of Nora's life and Norway ymbolizes
the reality. In the first act Nora is seemed to be under total control of her husband. She can do what she wants only in his absence, which points to the similarity in family values and norms in both periods. When she demonstrates a lack of reverence for money, Helmer responds: "Nora, Nora, you are a woman!". This statement shows his bias when it co...
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.... On the other hand, doors are the ones that keep him away from revealing the secret of Nora's crime.
In the "Twelfth Night" Olivia also tries to keep in secret her love for Viola/Cesario by closing the garden's door ["Let the garden door be shut, and leave me to my hearing." (Act 3, scene 1)], because of her mourning for recently dead brother and Cesario's lower status. It wasn't socially accepted for a noble lady to marry somebody from the lower class in that period. After Krogstad's visit, Nora also fears not to be socially accepted.
The setting of these plays shows us various cultural values and society norms in the Elizabethan period and in the modern one. Settings also enable the various interpretations and better understanding of the devices and images, reveal and develops the relationship between the characters, show their feelings and concerns.
Sebastian, the twin brother of Viola who was lost at sea after a shipwreck, and Lady Olivia are the first to marry, but things are not as they seem. During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just as Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beaut...
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
Nora Helmer was a delicate character and she relied on Torvald for her identity. This dependence that she had kept her from having her own personality. Yet when it is discovered that Nora only plays the part of the good typical housewife who stays at home to please her husband, it is then understandable that she is living not for herself but to please others. From early childhood Nora has always held the opinions of either her father or Torvald, hoping to please them. This mentality makes her act infantile, showing that she has no ambitions of her own. Because she had been pampered all of her life, first by her father and now by Torvald, Nora would only have to make a cute animal sound to get what she wanted from Torvald, “If your little squirrel were to ask you for something very, very, prettily” (Ibsen 34) she said.
Viola, alone in a strange land, disguises herself as a man in order to gain access to Duke Orsino's palace. She plays the role of Orsino's servant, Cesario, to be near him for she knows that he is the man who can help her in Illyria. On first hearing Orsino's name, Viola says: "Orsino! I have heard my father name him: He was a bachelor then." This reaction suggests that Viola already respects Orsino as a ruler before she begins to love him.
The protagonist of Twelfth Night is Viola, the central character in the play, a likeable, resourceful and attractive young woman. At the beginning of the story, Viola is shipwrecked with her brother Sabatian. Fearing that Sebastian is dead, she decides to dress like a man in order to get a job with Duke Orsino. Viola, in love with Orsino, is asked by Orsino to court a woman for him. She finds herself in an unusual love triangle.
Nora 's character is a little bit complicated. she is a representative of women in her time and shows how women were thought to be a content with the luxuries of modern society without worrying about men 's outside world. However, Nora proves that this idea is entirely wrong. Nora is not a spendthrift as all people think specially her husband. on the contrary, she has a business awareness and she is mature
The play “A Doll House” by Henrik Ibsen starts in the Helmer’s home on Christmas Eve. At the beginning of the play, the audience is introduced to Nora Helmer, the woman of the household. Nora is completely delighted with her life, and feels favorable for the way her life is coming along. She looks forward to the New Year when her husband starts his new job as a bank manager, where he will “have a big salary and earn lots and lots of money” (Ibsen 1350). Torvald Helmer, her husband, teases her and treats her like a child who is incapable. Nora responds to her husband’s actions with pure affection and does not seem to mind her controlled doll-like life. In the play Ibsen creates the setting in the late 1800s where women took care of the household, family, and children. Men saw women as delicate, innocent, unknowledgeable, and uneducated in the business world. Symbolism plays a large role in comprehending the play. The Christmas tree, the Tarantella, and the New Year are symbols that unveil the life of the characters and what they stand for.
Referring to the last night of Christmastide celebrations, the title of Twelfth Night in itself deems in its opening scenes Illyria as a world of privilege and leisure. According to Goddard “Illyria is a counterfeit Elysium”(302) where enjoyment evokes pleasure but not happiness and attraction invokes lust but not love. Illyria acts as a playground for revelry and limitless self in... ... middle of paper ... ... House Pub, 1987.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Through characters such as Nils Krogstad and Torvald Helmer, one sees how those living in this society worried primarily over their social standing and reputation, while through the character of Mrs. Lindie the reader sees how even women fell into the trap of behaving as “dolls”: doing everything that is expected of them while remaining obedient. Though some of these characters may seem cruel, they have a huge impact on Nora’s character and help push her towards the realization that she is not living as she wants to live. Brunnemer says, “There is an evolutionary process whereby the mini-Nora of the opening scenes becomes the super-Nora of the close” (1). In the beginning of the play, Nora is portrayed as an obedient wife who would never stray from her husband’s wishes, and subsequently society’s expectations. By the end of the play, we see her blossom into an individual who wishes to make her own decisions and follow her own path. Brunnemer also says that, “Nora in having her worst fears materialize, is freed from them” (1). This statement summarizes the ultimate push for Nora’s transformation, by mentioning that she does not fully realize her lack of freedom until her husband discovers the forgery. After the situation passes, and her worst fears are brought to light, she realizes that she does not enjoy the life that she
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
Viola causes gender confusion in the play by cross dressing as a man. First, Olivia falls in love with Cesario and is attracted to her feminine features. Orsino also notices Cesario’s androgynous features by commenting, “that say thou art a man: Diana’s lip/ is not more smooth and rubious” (I,iv). Orsino describes Cesario’s features in a provocative manner in this scene which demonstrates how he thinks of Cesario in a sensual way. These instances demonstrate that gender is a blurred concept and love does not depend on gender. Viola is able to deceive her peers that she is a male because gender is not a fixed state in society, it can be fluid. When all is revealed, Orsino says to Viola, “Give me thy hand; / And let me see thee in thy woman’s weeds” (V, i). Orsino jumps at the chance to propose to Viola. He quickly switches from being in love with Olivia only moments before, to now being in love with Viola. Orsino knows Cesario’s true identity, but still refers to Viola as “boy” and “Cesario” until the end of the play. Once Viola retrieves her woman’s clothes back, Orsino states that they will get married. Orsino also comments that while Viola is still in men’s clothing she will be seen as a man but “while in other habits you are seen, Orsino’s mistress, and his fancy’s queen.” This shows how clothing plays a significant role in the perception of one’s gender. Even though Viola is a woman, she is not recognized as so until she is dressed as one. Gender can be blurred through cross dressing. Olivia pursues Cesario as her object of attraction which shows how love is not based upon gender. Olivia falls in love with Cesario and cannot tell that he is actually a woman, showing that gender is not bound by set features, it can be misconstrued. Throughout the play, the characters demonstrates how gender can be blurred and that it is not set in
Ibsen, Henrik. A Doll's House. In Four Major Plays. Trans. James McFarlane and Jens Arup. Oxford: Oxford University Press, 1981.
“A Doll’s House” is a play written by a Norwegian playwright, Henrik Ibsen. The play was published in 1879, and is a literary piece that triggered almost vigorous reactions from the audience. Moreover, the play was considered Ibsen’s masterpiece and he was determined to provoke a reaction from the public. His intention was to bring awareness to the problem of gender roles in the 19th century society: the role of women who were used as decorations of the household. The title this play, “A Doll’s House”, foreshadows the play’s protagonist, Nora Helmer, and her role in the household. The title of the play suggests that Nora is a doll in her own home.
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...