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Documentary analysis
Documentary film analysis example
Documentary film analysis example
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The film I choose to do my first film critique on is The Freshest Kids, directed by Israel starring Afrika Bambaataa, Kool Herc, Frosty Freeze, Fab 5 Freddy, and more. The Freshest Kids is a documentary about the story of b-boys. B-boying is more commonly known as breakdancing, which roots were founded in the Bronx of New York. The Freshest Kids portrays b-boys history of how B-boying started, ended, and made a comeback, all surrounding the aspects of break culture. This movie has strength including the many credible sources it referenced and showing how b-boying became a positive outlet for younger kids in low-income regions, but also had some weaknesses such as how there was never an incisive definition of b-boying. The director of The Freshest Kids, brought in a number of credible sources to talk about b-boying, which strengthens the reliably of information in the movie. For example, the father of hip-hop, DJ Kool Herc, talked about how he founded hip-hop and more importantly how he discovered breaking. Herc described how he threw parties that everyone wanted to attend, as he would play music he gained cliental and that’s how the birth of hip-hop came about. GrandMaster Caz went on to talk about …show more content…
how Herc would play records with breaks in them, everyone would wait for the break in the record to dance, he created a sound that no one else was doing, it was new. Another strength of The Freshest Kids was the history of how b-boying started and morphed into what is has become today. The film talked about how b-boying started in the Bronx, as different crews would come out and have a dance battle. The manger of Mr. Freeze found out that the movie producers of Flashdance were impressed with his skills and wanted him to dance in their movie. Once the movie was released b-boying gained nationwide attention. B-boying became popular quickly but then faded out once it’s people who were intricate to its success began to get more involved with crime and would get arrested. In the film, many people expressed how kids from low-income regions would expend so much their inspired energy during the day because b-boying was a positive channel to express themselves. They found a positive side effect of their behavior was that after a full day of dancing the kids would be too tired to fight, rob, or steal from the other crews. In the movie there was no incisive definition or origin of where the word b-boy came from.
Mr. Freeze, Crazy Legs, Mr. Wiggles all had the same definition and origin that the word b-boy started because b-boys would dance when there was a break in the record meaning the “b” stands for breaking. While another person, who was not named, thought the origin came from the street terminology “why are you breakin’ on me,” and Grand Mixer DXT believed the “b” stood for the Bronx due to the fact they were discovered in the Bronx. Later in the film, DJ Herc goes on to tell that the original meaning did not come from breaking records, it came from a mans breaking point meaning “this man broke” and he created an exaggeration of that term to the dancing creating the break
boys. Overall I thought this was an interesting film. It was fascinating to learn about the roots of how hip-hop started and about the original origins of break dancing, how and where it came from. I believe breakdancing is continuing to evolve and gain momentum with popular culture in this day and age. It is becoming a substantial form of dance due to the fact that there are television shows dedicated to this style and showcase breakdancing like So You Think You Can Dance, America’s Best Dance Crew, and music videos. Hip-hop and breakdancing are here to stay and getting strong as more outlets are provided for this art form.
The movie ‘From Mambo to Hip-Hop’ is a great documentary about a revolution in the entertainment industry. It talks of evolution on Salsa music and Hip-Hop culture in suburbs of New York. South Bronx is a ghetto neighbourhood. The people living in the area are challenged economically. There is a record of high cases of violence that exist in the streets due to high crime rate and drugs being traded as a means of survival (Gordon, 2005). Most of the people living in the area are descendants of African immigrants who could trace their origin in the Caribbean islands with a large number Latin American population too.
The film Hip-Hop: Beyond Beats & Rhymes is directed by filmmaker Byron Hurt. The film was released on January 24th, 2006. Hip-Hop: Beyond Beats & Rhymes is a documentary that looks at issues within hip-hop issues such as masculinity, sexism, violence, and homophobia. The problem I see in hip-hop/rap culture is the promotion of violence, sexism, and homophobia. Most artists don’t practice what they preach or rap about. They might rap on a track promoting gun violence to teens but the same rapper never touched a gun and he has a degree. Many artists also down play the effects their lyrics have on the youth.
In the story “The Children Couldn’t Wait” by Tomas Rivera, he speaks of a family that is working, and can’t get water whenever they want. They have to wait for their boss to come back to ranch in order to get some water to drink. Which that lead to a dramatic cause. Also in the story “Unknown” the family is poor and doesn’t have enough money for many things. In order to get them, they go to school because they know that it will give them a better future. The theme for this is “ Hard work is the price we must pay for success.” For me this felt like a story taught me to keep working hard because no matter how hard you work, you will get paid back with a positive. action.
“Blacking Up” is an inspirational and eye opening film that looks at racial identity through hip hop and its culture. The film explores the tensions that surround white identification with the hip hop culture. Typical white people identify hip hop with responses that are uncharacteristic. They are termed as a “wigger” or “wannabe” who think they can become part of a strong culture. The film clearly identifies these people as those trying to connect with others who usually won’t accept them. I have watched this film before for my Hip Hop class in high class and was happy to watch it and learn more about the hip hop community.
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
In The Smartest Kids in the World and How They Got That Way, Amanda Ripley investigates the education systems of three of the world’s highest performing countries offering insight into the components necessary to raise education in the United States from its current mediocre place on the world stage. By involving three teenage American exchange students, Ripley gained access to firsthand experience of the familiar US system as compared to the highly competitive systems in Finland, South Korea and Poland. The author proposes that, although the systems vary greatly, commonalities in cultural valuation of education, rigor and teacher quality have made students from these three countries the “smartest kids in the world.”
Even before the party in the Bronx rap music made a mark. Some say it originated in Jamaican under th...
People say hip hop originated from the south Bronx of New York, but really it came from Jamaica. One man named DJ Kool Herc moved from Jamaica to America too starts a new life. In the 1970’s, he introduced the type of music into a style we know now as rap. He used turn tables and used other records to make longer segments. Soon deejays started to work with other rappers and talk in rhythmic sayings, this became to be known as hip hop. For years popular styles of club deejays like Herc, and Afrika Bambaataa, rapped originally in African American neighborhoods in New York.
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).
This will then open up the discussion about the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music. Hip hop originated in the ghetto areas of New York during the 1970’s and is a mixture of DJ, MC, B boy and Beat boxing. In his studies of defining hip hop, Jeffries concluded that these mixtures of art forms do not define hip hop but rather that hip hop itself is a culture of these elements. “Hip-hop is like a culture, it’s a voice for black people to be heard. Our own style, our own music” (Jeffries). 2011; 28).
Through the progression of the last several decades, Hip Hop has transformed into a culture and artistic phenomenon that has impacted youth culture throughout society. Hip Hop and the academia surrounding the culture reflects the social, cultural, political, and historic truths of the hip hop generation, speaking to these young individuals in a dialect that they understand. The studies of the hip hop culture influence society to understand the perspectives that are not necessarily considered to be traditional within a standard curriculum.
So for eight months I’ve been learning the skills of hip hop and breakdancing by going to at a hip hop club at every week where I learned the basic skills of breaking like how to top-rock and six-step. B-boying is a form of hip hop dancing which is popularly known as breaking. It consists of top or up rock, footwork, spinning moves (power moves), and freeze. B-boying came from Bronx, NY. The term "B-boy" or "B-boying" was created by Kool Herc who was a DJ spinning at block parties in Bronx back in the days. B-Boys means break boys and they were called so because they dance to the break part of music. Later, by repeating this break part done by DJ, "breakbeats" was born. Although people tend to pick up only power moves, real b-boys should master the all elements of b-boying. There are controversy between people who emphasize on style and power moves. One puts his emphasis on power moves and their combination and the other shows their style and individuality by footwork and freeze. Rock Steady Crew has been the one who emphasizes styles to show dancer's individual flavor. Even though power moves have a great impact and very energetic, it is hard to put individual flavor...
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
As young girl with big dreams I imagined my senior year of high school to be one of the best years of my life. I imagined going to homecoming with all of my friends, being the captain of the varsity soccer and cheerleading teams, going to Friday night football games, going to Prom with my perfect date, and going on a senior trip with all of my best friends. I never imagined my senior year to be the way that it is. I am the new kid.
Schloss, Joseph G. (2009). Foundation: B-boys, B-girls and Hip-Hop Culture in New York. Oxford University Press