Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Examples of courtly love in medieval literature
16th century poetry love
Blank sonnet poem analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Examples of courtly love in medieval literature
In the sixteenth century, poems in blazon format were very popular. Blazon is a technique that “described the position and relation of one picture to another”. (The Overview of “Sonnet 130”, Woolway). This technique was to illustrate the main features of the subject, usually a female body. Popular blazon would start from the bottom to the top of the body. For example, like hair, eyes, lips, breasts, and so on. Occasionally, it would start from the bottom to top, starting with feet, legs and so on. Woolway points, “This form was well suited to the style of courtly love poetry that was flourishing at the time, as it allowed writers to project an idea of an idealized and distant woman whose features they could admire from afar” (The Overview of “Sonnet 130”). From the beginning, readers could easily define the subject Shakespeare portrays. The Mistress was detailed in humorous tone, which negates the typical blazon. The striking first four lines of the poem contradict the common blazon. Traditionally, blazon is to compliment and praise the subject’s features, and not to insult, which in this case, the Mistress. However, Shakespeare does not ignore the format and goes forth describing her from head to toe. Shakespeare started the first four lines picturing the Mistress’ eyes, lips, breast and hair. Symbolically, eyes, lips breast and hair are essential cliché features of a female beauty. Nevertheless, from his intense sketch of her features, he portrayed that she does not carry any representation of beauty. From the simile in line one; Shakespeare negates the comparison of the Mistress to the sun: “My Mistress’ eyes are nothing like the sun;” (Woolway). Line two to three mentions the shades like red coral, and “dun”. Coral is a fami... ... middle of paper ... ...simile and metaphor brought enriching imagery to the readers. The poem was written with insults and mockery, but with the unexpected flattery showed the author’s love for the Mistress and his poetic practices of love through volta. Works Cited Napierkowski, Marie Rose. “Overview: ‘Sonnet 130.’” Poetry for Students 1 (1998): n. pag. Literature Resources from Gale. Web. 23 Mar. 2012. Shakespeare, William. “Sonnet 130.” Literature: A Portable Anthology. Boston: Bedford/St. Martin’s, 2009. 467. Print. “Volta.” Merriam Webster’s Encyclopedia of Literature. Springfield: Merriam-Webster, 1995. Literature Resources from Gale. Web. 23 Mar. 2012. . Woolway, Joanne. “An overview of “Sonnet 130”.” Poetry for Students: n. pag. Literature Resources from Gale. Web. 23 Mar. 2012.
Bradstreet, A., & Kallich, M. (1973). A Book of the Sonnet: Poems and Criticism. New York: Twayne Publishers.
Closely related to subversive comparisons, Shakespeare also makes use of exaggerated similes. Unlike his contemporaries, Shakespeare introduces his Mistress in negative conventional terms. “My mistress’ eyes are nothing like the sun / cor...
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
"Sonnet 116." The Norton Anthology of English Literature. 6th ed. Vol. 1. Eds. M. H. Abrams,
And in some perfumes is there more delight than in the breath that from my mistress reeks." (Lines 7-8) expresses his mistress' dire need for a breath mint. These comparisons give one a vivid description of his mistress' lacking beauty, and sets one up for the couplet at the end of... ... middle of paper ... ... manner, making them focus primarily on the lacking, yet lustful, physical attributes of his mistress.
..., D. E. (2009, November 7). The Sonnet, Subjectivity, and Gender. Retrieved October 11, 2011, from mit.edu: www.mit.edu/~shaslang/WGS/HendersonSSG.pdf
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
Steele, Felicia Jean. "Shakespeare's SONNET 130." Explicator 62.3 (2004): 132-137. Academic Search Complete. Web. 22 Nov. 2013.
Spencer, Edmund. “Amoretti: Sonnet 54”. The Norton Anthology of English Literature. Gen. ed. David Simpson. 8th ed. Vol. 1. New York: Norton, 2006. 904. Print.
Steele, Felicia Jean. "Shakespeare's SONNET 130." Explicator 62.3 (2004): 132-137. Academic Search Complete. Web. 22 Nov. 2013.
Bender, Robert M., and Charles L. Squier, eds. The Sonnet: An Anthology. New York: Washington Square P, 1987.
This Shakespearean sonnet consisting of 14 lines can be subdivided into 3 parts. In each part, the poet uses a different voice. He uses 1st person in the first part, 3rd person in the 2nd part and 2nd person in the last part. Each section of the poem has a different theme that contributes to the whole theme of the poem.
The love that a person has for someone is not the same for other people. They can look at their love through nature or just by their beauty. Shakespeare has the ability to explain his love for someone by using nature as a reference. Looking at two of Shakespeare’s sonnets 18 and 130 explore the differences and similarities between one another. In Sonnet 18 and 130, both show Shakespeare’s knowledge in developing his love and respect.
The fourteen line sonnet is constructed by three quatrains and one couplet. With the organization of the poem, Shakespeare accomplishes to work out a different idea in each of the three quatrains as he writes the sonnet to lend itself naturally. Each of the quatrain contains a pair of images that create one universal idea in the quatrain. The poem is written in a iambic pentameter with a rhyme scheme of ABAB CDCD EFEF GG. Giving the poem a smooth rhyming transition from stanza to