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Shakespeare and the theme of love
Sonnet 130 critical appreciation
Sonnet 130 analysis essay
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During the 16th and 17th century, many love poems and sonnets were written and most likely circulated for amusement and satire among poets. Though every poem is written about the poet’s undying love for their beloved, they all display different attitudes to love and ways of showing it.
In 130, Shakespeare writes of his dark lady, portraying a real picture of her genuine features. Almost every line at first glance seems like an insult to his mistress, ‘My mistress’ eyes are nothing like the sun;’ however, the reader can understand that he is in fact celebrating her natural beauty. It is known that poems were circulated between poets and the poem attacks other poets who flatter their lovers with false comparisons and ridiculous promises, ‘as any she belied with false compare’. Shakespeare claims that that he loves his mistress so much that he can be truthful about her and not exaggerate a beauty that is not there, which conveys a more sincere and genuine tone than a flattering love poem.
‘And yet, by heaven I think my love as rare,
As any she belied with false compare’
Shakespeare writes with huge emphasis on her less attractive features, ‘But no such roses see I in her cheeks;’ illustrating that in spite of all these flaws, he still loves her for her intelligence and her spirit ‘I love to hear her speak’ and that it is her imperfections that make her perfect for him. He also makes it very clear that he does not appreciate the artificial efforts women make to enhance their appearance ‘And in some perfumes is there more delight’. The phrase suggests that although perfume may have a delightful smell in comparison to his mistress’ breath ‘Than in the breath my mistress reeks’ it is insignificant to him as he is more intereste...
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...ed has betrayed and left him. In comparison to the two Shakespearean sonnets, the poem is incredibly different. It is not flattering at all and does not admit to feeling any love at all for his lover. Instead he reluctantly puts aside any feelings of love for her and wishes to just move on with his life
From the three poems I have looked at, I prefer 130 as it seems to me to be the most genuine and honest yet loving sonnet as opposed to Shall I compare thee…? which is much more flattering and almost artificial. Moreover, I love that fact that Shakespeare has written a love sonnet that is just as romantic and passionate as any, yet is so diverse to the typical love poem. As for Since there’s no help, I think that the poem is quite disheartening, sad and does not convey an atmosphere of deep, genuine love and passion that a love poem should do in my opinion.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
...uty which is impossible for any woman or man to match. Campion's poem reflects this impossible ideal that society inflicts on us. This woman in There is a Garden in Her Face could never really live up to the image that the speaker has created of her. The image is false, and so is his love because he is only focusing on her outward appearance. The speaker in Shakespeare's sonnet clearly is not in love with his mistress' looks. Everything about her is contrary to society's standards, but he understands the absurdity of these standards and rejects them. There is more to his mistress than meets the eye, and that is why he truly loves her.
In this collection of sonnets, love is basically and apparently everything. It 's very prevalent in each sonnet contained. It 's easy to see that loving her beloved, her husband, is the one of the ways actually knows she exists. She tries to list the many different types of love that she so obviously feels, and also to figure out the many different types of relationships between these vast and different kinds of love. Through her endeavors, this seems to become a new way of thoroughly expressing her admiration and vast affection for her
And in some perfumes is there more delight than in the breath that from my mistress reeks." (Lines 7-8) expresses his mistress' dire need for a breath mint. These comparisons give one a vivid description of his mistress' lacking beauty, and sets one up for the couplet at the end of... ... middle of paper ... ... manner, making them focus primarily on the lacking, yet lustful, physical attributes of his mistress.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
Much has been made (by those who have chosen to notice) of the fact that in Shakespeare's sonnets, the beloved is a young man. It is remarkable, from a historical point of view, and raises intriguing, though unanswerable, questions about the nature of Shakespeare's relationship to the young man who inspired these sonnets. Given 16th-Century England's censorious attitudes towards homosexuality, it might seem surprising that Will's beloved is male. However, in terms of the conventions of the poetry of idealized, courtly love, it makes surprisingly little difference whether Will's beloved is male or female; to put the matter more strongly, in some ways it makes more sense for the beloved to be male.
Shakespeare and Petrarch, two poets popular for their contributions on the issue of love, both tackle the subject of their work through sonnet, yet there are key contrasts in their style, structure, and in the way, each approaches their subjects. Moreover, it is clear that in "Sonnet 130," Shakespeare in fact parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Shakespeare seems, by all accounts, to mock the exaggerated descriptions expanded throughout Petrarch’s piece by giving an English poem portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, Petrarch's work is full of symbolism. In reviewing "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan work. The leading major contrast between the two poems is the piece structure utilized (McLaughlin).
There is a defining complication in the sonnet. “This centers on the ambiguity of the term “mistress” which could refer to a husband’s wife, or, as the Oxford English Dictionary suggests, could also mean “[a] woman loved and courted by a man; a female sweetheart” or “[a]woman other than his wife with whom a man has a long-lasting sexual relationship” (Gregory, 2). The poem does not specify if “my love” refers to the speaker’s mistress or to the speaker’s love, his feelings. Shakespeare could be implying that his feelings and his love, are equally as sacred as the supposed love of other lovers that his mistress wrongly compares him
Through the form of sonnet, Shakespeare and Petrarch both address the subject of love, yet there are key contrasts in their style, structure, and in the manner, each approaches their subjects. Moreover, in "Sonnet 130," Shakespeare, in fact, parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Through his English poem, Shakespeare seems to mock the exaggerated descriptions expanded throughout Petrarch’s work by portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, upon a review of "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” one quickly perceives that Petrarch's work is full of symbolism. However, Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan style.
Therefore, because William Shakespeare’s “Sonnet 18” and Edmund Spenser’s “Sonnet 75” share the idea that love is sincere and eternal, they can be looked upon as similar in theme. However, although similar in theme, Shakespeare’s intent is portraying the true everlasting beauty of his love, which is already achieved, whereas Spenser concentrates more on trying to entice his desired love, remaining optimistic throughout the entire poem.
...es they create different images, which compare humans to nature. Also, both sonnets create the idea of a courtly love sonnet, but Sonnet 18 has a better explanation or image of that. The speaker’s beloved is way too perfect and cannot be compared to anything, even though it could be the most beautiful day of the year, it still would not give justice to his lovers beauty. In Sonnet 130 it still talks about love, but the speaker is being sarcastic and makes fun of the usual love poem. Regardless, the first part of the Sonnet 130 speaks about his mistress’s unattractiveness; the ending explains that despite her imperfectness, the speaker loves her for who is she is. Although it seems to be difficult to figure out whether the speaker or Shakespeare wants his beloved to be perfect or imperfect, it does reflect that Shakespeare does appreciate beauty, flaws, and nature.
Though ballads and Sonnets are poems that can depict a picture of someone’s beloved, they can have many differences. For instance, a Ballad is a story in short stanzas such as a song would have, where as a sonnet typical, has a traditional structure of 14 lines employing several rhyme schemes and adheres to a tight thematic organization. Both Robert Burn’s ballad “The Red, Red, Rose, and William Shakespeare’s “of the Sonnet 130 “they express their significant other differently. However, “The Red, Red, Rose depicts the Falling in new love through that of a young man’s eyes, and Shakespeare’s sonnet 130 depicts a more realistic picture of the mistress he writes about; which leaves the reader to wonder if beauty is really in the eyes of the beholder.
That means, the approaches of poet’s love remain the same. In one place, he portrays beauty as conveying a great responsibility in the sonnets addressed to the young man. The poet has experienced what he thinks of as "the marriage of true minds," also known as true love, that his love remains strong, and that he believes that it’s eternal. Nothing will stop their love, as in the symbols like all the ships, stars and stormy seas that fill the landscape of the poem and so on what can affect to their love. The poet is too much attracted with the young man’s beauty, though this indicates to something really bad behavior. But in another place, Shakespeare makes fun of the dark lady in sonnet 130. He explains that his lover, the dark lady, has wires for hair, bad breath, dull cleavage, a heavy step, pale lips and so on, but to him, real love is, the sonnet implies, begins when we accept our lovers for what they are as well as what they are not. But other critics may not agree with this and to them, beauty may define to something