The Flaw of Excessive Thought in Hamlet
In Hamlet, Shakespeare has his troubled title character dejectedly sigh the words, "there is nothing either good or bad but thinking makes it so" (II.ii.255). With this line, Hamlet unwittingly defines the underlying theme of the play. The tragedy of Hamlet is based on conflicts produced when Hamlet and another character have conflicting feelings of what is "good or bad." Ophelia dies for the conflict between Hamlet's romantic love and Polonius and Laertes's protective caution. Hamlet himself is torn between whether to consider his father's ghost as an angel or a demon. The prince's final decision rests on the very basic necessity of life itself, and whether continuing to live is worth the pain of living.
Ophelia dies because of the conflict between Hamlet's love and Polonius's paternal concern for his daughter. The young lovers can find nothing bad at all about their relationship, and in fact, Hamlet's mother would love nothing better than to see the two wed (V.i.267-269). Polonius and Laertes, on the other hand, have observed Hamlet's brooding, pensive mood after the elder Hamlet's death, and are wary of his uncertain motivations. Laertes tells Ophelia that Hamlet's love for her is merely "a violet in the youth of primy nature, forward, not permanent -- sweet, not lasting; the perfume and suppliance of a minute, no more" (I.iii.7-10). Both father and brother warn Ophelia that Hamlet's motivation for wooing her are solely, or at least mostly, political, not romantic. "He may not, as unvalued persons do, crave for himself, for on his choice depends the safety and health of this whole state" (I.iii.19-21). Between the opposition from Polonius and the matters of revenge...
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...life itself, is "good or bad". It is the conflict in Hamlet's soul between good and bad that causes the outward conflicts with other characters which lead to his eventual downfall in Act V. No event in itself would have triggered such a devastating shock to young Hamlet without his pondering its implications as he does. Nothing would have been so good or bad, had it not been for Hamlet's thinking which made it so.
Works Cited and Consulted:
Berkeley, George. A Treatise Concerning the Principles of Human Knowledge. 1710. Ed. Kenneth Winkler. Indianapolis: Hackett, 1982.
Berman, Allison. "We Only Find Ourselves." Hamlet reaction papers. Wynnewood: FCS, 2000.
Lugo, Michael. "Thus Conscience Does Make Cowards of Us All." Hamlet reaction papers. Wynnewood: FCS, 2000.
Shakespeare, William. Hamlet. Ed. Sylvan Barnet. New York: Signet Classic, 1998.
First there is the killing of Polonius. When he kills Polonius, the father of his girlfriend, he shows no sign of regret. No guilt. He is so caught up in his own little world of revenge, he doesn't even think of the fact that he just killed an innocent old man and the father of Ophelia. In fact, there is no point in the entire text in which he even mentions Ophelia. This just goes to show that he doesn’t truly care about Ophelia, which as state is the necessary component of love. The second deciding scene is that of Ophelia’s funeral. Hamlet has gone the whole text since the play in act three scene two without a word about Ophelia. Then *bang* Ophelia is dead and he's seeing her funeral. He observes as a distraught Laertes, Ophelia’s brother, throws himself into her grave in grief. Hamlet’s response to this is not a of shared sorrow but of competition. He starts by saying to Laertes “I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum” (5.1.284-287). Rather than just grieve for her, he fights with her grieving brother about who loved her more. While this may seem like a loving gesture, there has been no other proof of his love for her throughout the play which make this seem a bit strange. It is as if he wants to have loved her so that he can have emotions that are more important than everyone else’s. Hamlet even accuses Laertes of just trying “to outface” him “with leaping in her grave” (5.1.295). Hamlet would actually be grieve the lose of Ophelia and not fighting over whose emotions matter more if he had truly loved
Hamlet's actions and words have a "method" to them; there appears to be a reason behind them, they are logical in nature. II, ii.
Upon learning that Ophelia has allied herself with Polonius and Claudius, he loses his head and has an incredibly dramatic episode. He is initially honest and open with Ophelia, but his mood quickly changes when he learns they are being spied on. He questioned Ophelia’s motives by asking whether she was honest and fair. He breaks her heart upon the realization she is not on his side. He tells her that he once loved her, then their conversation spirals into nothing more than Hamlet hurling insults at his former love before storming out.
Lugo, Michael. "Thus Conscience Does Make Cowards of Us All." Hamlet reaction papers. Wynnewood: FCS, 2000.
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
During Hamlet, Polonius and Laertes use Ophelia for their own self-gain not taking her feelings in consideration. In the article “Jephthah's Daughter's Daughter: Ophelia,” Cameron Hunt reveals that Polonius disregards Ophelia’s wants for his ...
Much of the dramatic action of Shakespeare’s tragedy, Hamlet is within the head of the main character, Hamlet. His wordplay represents the amazing, contradictory, unsettled, mocking, nature of his mind, as it is torn by disappointment and positive love, as Hamlet seeks both acceptance and punishment, action and stillness, and wishes for consummation and annihilation. He can be abruptly silent or vicious; he is capable of wild laughter and tears, and also polite badinage.
Hamlet and Laertes share a different but deep love and concern for Ophelia. Laertes advises her to retain from seeing and being involved with Hamlet because of his social status. He didn’t want her to get her heart broken by Hamlet, since he believed that his marriage would be arranged to someone of his social status, and that he would only use and hurt Ophelia. Hamlet on the other hand, was madly in love with Ophelia but it languishes after she rejects him. Ophelia’s death caused distress in both Hamlet and Laertes and it also made Laertes more hostile towards Hamlet.
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Hamlet’s apparent antics with Ophelia prove that their relationship begins to fall apart and become unhealthy. Hamlet mistreats Ophelia when she attempts to return the gifts he has given her, and he responds in a harsh manner, asking about her chastity and beauty, saying “that if [she] be honest and fair, [her] honesty/should admit no discourse to [her] beauty” (3.1.117-118). Hamlet continues to belittle her, calling her two-faced and admitting that he “did love [her] once” (3.1.125), his feelings for her now absent. Hamlet’s facade becomes personal through this. The entire exchange shows how Hamlet prioritizes his revenge, over his love because he eventually figures out that Polonius and Claudius spy on him. Hamlet soon speculates Ophelia’s association in their plan and decides to put on a facade for her too. Claudius’s facade also affects his relationship with Gertrude and Hamlet. After his speech to the court, Claudius approaches Hamlet in a way that appears as if he cares about him, even addressing him as “my cousin Hamlet and my son” (1.2.66), despite being aware of Hamlet’s sensitive and depressive state because of his father’s death. Moreover, Claudius expresses his deceitful love when he admits to Laertes that he won’t put Hamlet on trial because he mentions how much he loves Gertrude, and that she “is so conjunctive to my life and soul/that, as the
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Rahman, Rubina, and Sameera Abbas. "Antic Disposition: Hamlet in the Light of Cooperative Principle." The Journal of Humanities and Social Sciences 21.1 (2013): 51-60. ProQuest. Web. 24 Apr. 2014.