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Cinema in our society
Cinema and society
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Any film has the potential to be a largely significant medium among society. Films have the ability to entertain, while proposing new ideas, supporting some, and/or challenging others. Many films have had a major impact on society, and are extremely popular, but does this make them important? I would say that an important film is one that raises important issues, or questions important beliefs, or reminds the audience of what is, or is not, important to society.
Peter Weir is a popular director known for the Australian films Picnic at Hanging Rock and Gallipoli. He has since directed many more popular American films, three of which I believe are important for society to view. The Mosquito Coast (1986), Dead Poets Society (1989) and The Truman Show (1998), each address important factors of the human condition – the experience of living as a human and with other humans. The Mosquito Coast addresses the weakness humans can have when they gain power; Dead Poets Society shows the tragic circumstances of realism versus idealism, while the more recent The Truman Show presents a metaphoric representation of how society can be manipulated by our own creation – the media.
Allie Fox believes in living with only the very basic of needs. He is fed up with society and its dependence on materialism. So he takes his family to the Mosquito Coast, a tropical Latin American country in the Caribbean Sea, to start fresh and seemingly incorruptible life. As he becomes more and more powerful in the small civilisation he created, however, he begins to take advantage of the loyalty of his family and the film ends inevitably with his death.
The film The Mosquito Coast delivers an important message. Power corrupts. Allie Fox wanted to lead the simpl...
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...this is because film has become such an influential part of society, and we must accept this and use it to its advantages, rather than fight it. The message of The Truman Show could easily come across as “media equals bad”, however this is not the case. The film serves an eye-opener to society, and another reminder that we must think critically about what is presented to us. It draws parallels with our society and reminds us that if we do not stay vigilant, we may not be able to make our own decisions in life.
Film could be considered to be the most significant cultural text of the decade. Each of these three films directed by Peter Weir have significance and importance, as they almost force society to look itself in the mirror and get a shock. I encourage readers to watch these films, and think about the importance of their messages.
Works Cited
The Truman Show
Sutherland, Romy. “Commanding Waves: The Films of Peter Weir”. Senses of Cinema website. 2005. Web. 1 May 2014.
...at the various means of propaganda have on the great masses, film is without question the most powerful. The written and spoken word depend entirely on the content or on the emotional appeal of the speaker, but film uses pictures, pictures that for eighty years have been accompanied by sound. We know that the impact of a message is greater if it is less abstract, more visual. That makes it clear why film, with its series of continually moving images, must have a particular persuasive force. Film is a very effective tool in waging a war. With out it, it would be hard to get the people to stand behind you and
Thus, when he saw a light fall from the sky and he heard the director’s voice on the radio, Truman began to become suspicious. He remembered Lauren, an actress who had told him that it was just a TV show and so, he went to find her. He travelled across the sea, talked to Christof and then climbed a flight of stairs in the sky, escaping into the outside world. Unbeknownst to him, Truman Burbank's whole life has been the subject of a hugely popular 24-hour-per-day television show entitled “The Truman Show” (Propagandee, 2012).
The movie, 'The Truman Show' is about a reality television show that has been created to document the life of a man who, adopted at birth by a television network, is tricked into believing that his life, his reality, is normal and the environment that he lives is real. It is set in a town called Seahaven, which is essentially a simulation of the real world similar enough to the outside world that the viewing audience can relate to it. The town is a television studio inside an enormous dome in which the weather, the sun, the sky, and all the actions of the citizens are directed by a team of special effects people. The entire show is directed and produced by the creator of the show, Christof. Truman Burbank, the star of the show, is the only one who doesn't know that he lives in a giant studio and is surrounded by an illusion of reality. The entire world watches Truman's movements twenty four hours a day, seven days a week through the use of thousands of miniature hidden cameras.
Movies distort reality by creating an ideal conflictual ambience, from which all the subtle human emotions and the characters arise. Humans might appear as consensus beings, seeking conformation and avoiding alienation by “society”. However, referring back to Aristotle’s saying, “human beings are by nature political animals” (1999), humans continually strive for power and control inasmuch as they strive for pure oxygen to breathe. Movies unleash these “socially unacceptable” political animals, exposing the hidden moral corruption embedded within most humans. Movies accomplish such a task by distorting reality, by reshaping the truth into a collection of video shots, taken from different angles, creating different meanings to content; the true meaning. The three genres of literature – narratives, poetry and drama – establish the key to revealing the distortion, thus providing humans with the ultimate method of deciphering our reality through the eyes of a glass lens. In the movie Do the Right Thing, these genres come together to paint a “picture” of us.
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
What are the issues of watching and voyeurism in film? The intention of this essay is to discuss both films (The Truman Show, 1998 and Rear Window, 1954) alongside established theoretical criticism (Laura Mulvey and Norman K. Denzin) in an attempt to demonstrate how the issues of watching and voyeurism, as seen in todays mainstream Hollywood cinema, both engages and entices the spectator and to look at how the definition of the voyeur has changed. Before entering into a discussion about voyeurism in Rear Window and The Truman Show, an understanding of what is meant by ‘the dynamics of voyeurism’ in film must be attempted. The dictionary definition of a voyeur is: (1) a person who gains sexual pleasure from watching others when they are naked or engage in sexual activity, and/or (2) a person who enjoys seeing pain or distress of others. Voyeurism is initially noted for the investigation of the woman, demystifying her mystery, however, I think this definition is a small interpretation of the word voyeur. So the intention of this essay is to explore further the meaning of voyeurism by looking at two films adjacent to, two critics with conflicting opinions of what voyeurism is represented by in film. But to understand what voyeurism means we need to look at the cinematic gaze and two types of looks; scopophilia and narcissism.
The film raises important and difficult questions of brutal racial policies of Australian governments. Baz Luhrmann has found a great way to develop this topic, assigning the role of the narrator, a boy named Metis Nullah (Brandon Walters). The boy begins his narrative with the arrival of the English aristocracy prim (Nicole Kidman) on a ranch Faraway Downs in the north of Australia. According to him, an Englishwoman is a strange woman of all those who have seen him. The heroine of Sarah Nicole Ashley is coming to Australia in September 1939. She inherited a ranch the size of an average U.S. state. Neighbors-landowners immediately laid eyes on her land and livestock. In order to save their property, Sara decides to overtake the 2000 head of cattle in Darwin. She is forced to ask for help Australian farmer (Hugh Jackman) who is an ou...
Neill, Alex. “Empathy and (Film) Fiction.” Philosophy of film and motion pictures : an anthology. Ed. Noel Carrol and Jinhee Choi. Malden, MA: Blackwell Publishing, 2006. 247-259. Print.
While the film focuses mainly on the theme of media responsibility and covers US’s politics in the early 1950s, it also encircles around other crucial themes such as sexism. This essay discusses about how this film is used as a tool for objectivity, agenda setting, stereotyping within gender, and how these has impacted the characters in the movie and viewers.
.... Steven Spielberg is important to the American film industry because he has helped to develop the industry into what it is today.
Truman displays great zeal for life like a lunatic, but he discovers that his life was not real. He then goes on, with the same, undying fanaticism to investigate the living hell that was once his happy life. In his methods, he embodies the Socratic virtues of courage and temperance as he lunges forth like a great tiger somewhere in Africa. He then finds wisdom by realizing the truth, and deciding to leave the comfortable fake-world for the uncertain real world. The cast lacks the courage and the wisdom to tell Truman the truth, the director has all three but in all the wrong ways, and the audience lacks the wisdom to know that by not watching the show they free Truman, lacks the temperance for indulging on the show every day, and lacks the courage to do something more productive with their lives in the time they spend watching the Truman Show. The audience chooses to live in that world over their own, and some grow enough obsession to delude themselves by favoring Truman’s world and living as if they are on the
One of the major differences between the film and the novel is the depiction of the delusional image of reality. However, it still manages to bring forth the dystopian image of both their Utopian societies. In The Truman Show, life is a real life play in an environment that provides comfortable lifestyle and happiness at the cost of reality. The producer of The Truman Show, Christof states, “We accept the reality of the world with which we are presented”. This message is the underlying theme in the story and as such, will foreshadow Truman’s acceptance of a delusional reality in the film. Meanwhile, in the film everyone except for Truman is acting and not living an authentic life. There is no sense of “real”; no real affinity, no secrecy, and no faith, all of which Truman is blindly unawar...
Movies take us inside the skin of people quite different from ourselves and to places different from our routine surroundings. As humans, we always seek enlargement of our being and wanted to be more than ourselves. Each one of us, by nature, sees the world with a perspective and selectivity different from others. But, we want to see the world through other’s eyes; imagine with other’s imaginations; feel with other’s hearts, at a same time as with our own. Movies offer us a window onto the wider world, broadening our perspective and opening our eyes to new wonders.
A theme in, The Mosquito Coast, is Allie Fox’s obsession. His obsession can be seen throughout the novel, starting with the movement of his family to a third-world island. Fox’s obsession can be linked to paranoia that American society was soon to be ruined by the American Cold War. His unhealthy obsession lead him to make decisions that would harm himself and his family. An example of one of these decision would include, when he locked the natives in the icebox, which broke the icebox and killed the men. This action did not directly affect his family