Thunderheart is a movie inspired by the sad realities of various Native American reservations in the 1970’s. This is the story of a Sioux tribe, conquered in their own land, on a reservation in South Dakota. Thunderheart is partly an investigation of the murder of Leo Fast Elk and also, the heroic journey of Ray Levoi. Ray is an F.B.I. agent with a Sioux background, sent by his superior Frank Coutelle to this reservation to diffuse tension and chaos amongst the locals and solve the murder mystery. At the reservation, Ray embarks on his heroic journey to redeem this ‘wasteland’ and at the same time, discovers his own identity and his place in the greater society. Certain scenes of the movie mark the significant stages of Ray’s heroic journey. His journey to the wasteland, the shooting of Maggie Eagle Bear’s son, Ray’s spiritual vision, and his recognition as the reincarnation of “Thunderheart,” signify his progression as a hero and allow him to acculturate his native spirituality and cultural identity as a Sioux. Any heroic quest begins with entering the unknown. At the beginning of the film, Ray is a clean-cut, conservative, by-the-books F.B.I. agent. His hair is cut short and neat, his shirt is buttoned, his tie neatly tied, and he dons a suit jacket. Ray is assigned to the reservation because he is one fourth Sioux, yet is unaware of what to expect from the locals. Through Ray, the audience gets a sense of what reservations are like, beautiful prairies and mountains are disrupted by impoverished housing and extreme poverty. Ray acts as if he is superior to the rest of the natives on the reservation and is initially too focused on his job. He is accordingly portrayed as insensitive towards, and to an extent judgmental of, N... ... middle of paper ... ...rought the ‘boon’ needed or redeemed the wasteland it to its fullest potential, he became more culturally aware of his identity on his own personal quest. Roy somewhat successfully ends his two-fold quest of redeeming the wasteland and discovering his identity. He helps the Native Americans from losing their land to the corrupt F.B.I. agents and relinquishes some of their power and control over the land. The second part of his quest, his personal quest, was far more successful. Ray comes to fully embrace his Native American heritage, letting go totems from his past life, dressing less formally, and most importantly, admiring the traditions, visions, and complete culture of Native Americans. In this way, Thunderheart is a quest for identity, a story of personal development, and a depiction of the issues of cultural development and recognition of Native Americans.
The story is about Pretty-Shield’s youth which were days when a buffalo disappeared making her people adjust their way of living. They had to move to the reservations which were a sad move though nothing bad happened. Buffalo represented the stable life for the Crow people. When the Americans eliminated the Buffalo, the way of life of Crow was destroyed which crushed their spirits (Linderman, Frank. Pretty-shield 2003).
In the article “The Thematic Paradigm” exerted from his book, A Certain Tendency of the Hollywood Cinema, Robert Ray provides a description of the two types of heroes depicted in American film: the outlaw hero and the official hero. Although the outlaw hero is more risky and lonely, he cherishes liberty and sovereignty. The official hero on the other hand, generally poses the role of an average ordinary person, claiming an image of a “civilized person.” While the outlaw hero creates an image of a rough-cut person likely to commit a crime, the official hero has a legend perception. In this essay, I will reflect on Ray’s work, along with demonstrating where I observe ideologies and themes.
America was founded, and has been very successful because of people like Ray, who want to leave their backgrounds or use them to learn from them in order to better their lives in the future; the kind of people that will do anything, whether it is leaving their homeland for a foreign soil in search of a new life and freedom, or tackling the boy with the football. Things have been changed, invented, and made better by people that will not take no for an answer.
The ways in which the author could strengthen the book, in my opinion, is instead all the descriptive, to me meaningless points as how they were coloring themselves, the author should have put a little bit more facts in there to make it more documentary. Anyhow, overall the book has strength in letting the reader understand the history from both sides, whites and Indians. Many people have different views on the persecution of Native Americans, some think that it was all Indians’ fault and that they caused their own suffering, which I think is absolutely ridiculous, because they were not the ones who invaded. And Native Americans had every right to stand up for the land that was theirs.
Can you imagine growing up on a reservation full of people with no hope? The character Arnold in the book The Absolutely True Diary of a Part-Time Indian by Sherman Alexie did. In the beginning of the book, Arnold was a hopeless Native American living on a hopeless reservation. In the middle of the book, Arnold leaves the reservation and finds out that his sister left too. By the end of the book, Arnold experiences a lot of deaths of people who mean a lot to him but he still found hope. Arnold becomes a warrior for leaving the reservation and going to Reardan.
Although the work is 40 years old, “Custer Died for Your Sins” is still relevant and valuable in explaining the history and problems that Indians face in the United States. Deloria’s book reveals the White view of Indians as false compared to the reality of how Indians are in real life. The forceful intrusion of the U.S. Government and Christian missionaries have had the most oppressing and damaging affect on Indians. There is hope in Delorias words though. He believes that as more tribes become more politically active and capable, they will be able to become more economically independent for future generations. He feels much hope in the 1960’s generation of college age Indians returning to take ownership of their tribes problems and build a better future for their children.
Although the work is 40 years old, “Custer Died for Your Sins” is still relevant and valuable in explaining the history and problems that Indians face in the United States. Deloria book reveals the Whites view of Indians as false compared to the reality of how Indians are in real life. The forceful intrusion of the U.S. Government and Christian missionaries have had the most oppressing and damaging effect on Indians. There is hope in Delorias words though. He believes that as more tribes become more politically active and capable, they will be able to become more economically independent for future generations. He feels much hope in the 1960’s generation of college age Indians returning to take ownership of their tribes problems.
Throughout this movie you see portrayed reluctance by all parties. John Dunbar, who is played by Kevin Costner, is reluctant to meet the Sioux for fear of getting killed. He believes in the view that all Indians are bad and they are going to kill him. His view is drastically changed as the movie goes along. You notice this particularly when he goes hunting for buffalo with the Indians. He sees the whole tribe getting excited about the prospect of food for the winter. And then when the buff...
The film Braveheart directed and starred by Mel Gibson is based on the First War of Scottish Independence against England and is led by the Scottish warrior, William Wallace. This film depicts the life and the influence William Wallace had in 13th-century Scotland. Mel Gibson dramatizes the story so that the American audience will feel excitement and satisfaction with the film. Through the film’s inaccuracies’, Braveheart reveals the American view of masculinity, a desire for action and excitement over reality, importance of freedom and a desire to see the underdog. The film shows this with Edward II portrayed as a homosexual, the inaccuracies’ of battle scenes, and the inaccuracies with William Wallace’s upbringing.
As a result, both films represent Native Americans from the point of view of non-Native directors. Despite the fact that they made use of the fabricated stereotypes in their illustrations of the indigenous people, their portrayal was revolutionary in its own times. Each of the films adds in their own way a new approach to the representation of indigenous people, their stories unfolding in a different way. These differences make one look at the indigenous not only as one dimensional beings but as multifaceted beings, as Dunbar says, “they are just like us.” This is finally a sense of fairness and respect by the non-native populations to the Native Indians.
When a native author Greg Sams said that the reservations are just “red ghettos”, the author David disagree with that. He thinks there must be something else beyond that point. After his grandfather died, he somehow changed his mind. Because he could not think anything e...
He’s committed to his identity and proud of it; he lives as a traditional Navajo and he takes pride in Navajo ways. On the other hand, Chee is practical enough to see that many Navajos live in poverty, and that his own career could be much advanced by leaving the Reservation and living in the larger, dominant-culture world. Matters are complicated by the fact that Chee’s girlfriend, Mary Landon, is a white woman. For much of their relationship, she envisions Chee leaving the Reservation and taking a position with the FBI or the Bureau of Indian Affairs, so that they can raise their children in the “white world. There are a few FBI agents, some members of the Los Angeles Police force and a mentally twisted paid assassin who aren’t particularly engrossing. Margaret Billy Sosi, the Navajo teenager who runs away to find her grandfather and shows more quick thinking bravery than the other characters. They hold clues to the mystery surrounding him, and what’s especially interesting is that at first, no-one wants to listen to them because they’re elderly and some of them are not always
The story chronicles situations that illustrate the common stereotypes about Natives. Through Jackson’s humble personality, the reader can grasp his true feelings towards White people, which is based off of the oppression of Native Americans. I need to win it back myself” (14). Jackson also mentions to the cop, “I’m on a mission here. I want to be a hero” (24).
Whilst making their way to a British Fort, Major Heywood and his party are attacked by Indians. Three men come to their rescue, two of them Indians, and another is a white man whom was raised by the eldest Indian. This man, Hawkeye, his brother and father rescue the Major and the two women that are in his party.
“Dances with Wolves” is a movie that seeks to deliver a message of the need for cultural diversity. The story follows the main character Lt. John James Dunbar, played by Kevin Costner, from the battlefields of the Civil War to the barely touched western frontiers that house the Sioux people. Once Dunbar arrives at his post, Ft. Sedgewick, he sets out to find his place in his new home. However, due to two plot moving events, the suicide of the officer who dispatched Dunbar to Fort Sedgewick and the murder of the coach driver who took him there, no one else is alive that holds knowledge of Dunbar’s placement.