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Character development introduction
Character development introduction
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Fury, directed by, David Ayer, starting Brad Pitt as Sgt. Don Collider, is a fictional film that portrays how hard life can be for a soldier during war. The film takes place in around April 1945 in the ending stages of World War II. Sergeant Don Collider has the mission to lead his 5 man team in a Sherman tank to a final push against the Nazi’s. The platoon faces many obstacles on the way, and one of the major ones they face is having a young rookie soldier in the platoon. The young soldier, Norman Ellison acted by Logan Lerman, is scared and lost and doesn’t know what to do in time of action. He puts the whole platoon at risk not only once, but multiple times.
Fury focuses more on the bad side of war it shows the gruesome deaths, the dead bodies of fallen soldier scattered everywhere, and even the frustration a soldier has in the worst of times. The film depicts what war is really about and doesn’t fall into the same cliché many war movies do. The first scene in Fury starts with Sgt. Collider getting out of his tank and killing an enemy soldier in sight, while in the background you can see the result of a warfare with destroyed tanks and dead
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bodies everywhere. As they reach camp, the first thing they see is dead bodies of fallen U.S soldiers being buried. It breaks the platoon down and even Sgt. Collider goes aside to shed some tears. Showing not only that even the bravest men break down at times, but the frustration a solider carries. It keeps its realism to a point by showing what really happens in war. Such as what soldiers have to deal with on a daily basis when in war. However, the film does lack some creativity and realism in some parts. For example the rest of the platoon is made up of 3 men that just try to act hard, but can be easily broken down. Boyd Swan (Shia LaBeouf) is a fighter, but in his head, he is very religious, Trini Garcia (Michael Pena) is a Mexican-American that, loves to drink, and Grady Travis (Jon Bernthal) is just another hillbilly that is aggressive and just wants to kill. The platoon can be seen as just another stereotype, lacking originality in each of the solider and showing the very little creativity the directors put into them. Nevertheless as the platoon continues its journey in the tank “Fury”, after they secure a town they stop for a rest. Sgt. Collider takes Norman under his wing and takes him into an apartment. They find two women who openly decide to cook for them without a problem. Norman falls in love with one of them, and falls apart seeing her die after the platoon get attacked by an air strike. This scene is all over the place and shows no realism at all, not only because Norman falls in love in less than an hour, but because the German women were so generous and helpful while the rest of the Germans only want to kill the Americans. It doesn’t depict what would really happen or the dialogue they would have in between them. After the death of the German woman the emotional part of it was very poor, even knowing how vulnerable Norman is, it doesn’t feel sad watching him break down crying in front of everybody. As the film goes on the dialogue in between the platoon seems very realistic, the tension and frustration is growing in them.
For example Sgt. Collier told Norman, “I started this war killing Germans in Africa then France then Belgium now I’m killing Germans in Germany, it will end soon, but before that a lot more people got to die,” as he stared into a burning city. It is very easy to tell they’re getting tired of war and killing people, as for Norman he finally starts to develop the character he needs to be in war. This is a very good turning point in the movie, it makes his character more mature and therefore it is easier to connect with us. Thanks to his maturity, he starts making the right decisions under pressure. It makes us wonder if he will actually step up to the plate, or if he will just break apart any
second. As the platoon advances, the tank gets hit with a proximity mine and the tracks break. Sgt. Collider and his men have nowhere to go with German soldier’s coming their way. This is a major point in the plot, Norman makes a decision that is maybe too good to be true. He decides to stay back and fight off the German soldier’s, his act of heroism feels a bit unrealistic, but nevertheless it’s what brings the movie back to life. In a dramatic ending Sgt. Collider and his men die except for Norman, who gets saved by a German soldier. That is what made the ending so good, it caught the viewers by surprise making us feel even more touched by the death of the rest of the characters. Although Fury sometimes does lack some realism, it doesn’t fail to portray how hard it is for a soldier during war. And that’s what makes it great, it makes us connect with the film and feel sympathy for all the soldier’s out there fighting in war. Fury is one of the few movies out there that shows that war really never ends quietly, and this is the big message director Ayer wanted to show.
The war had a lot of emotional toll on people it destroyed their personal identity, their moral/humanity, the passion to live was lost and the PDS they will suffer post war, resulting in the soldiers to understand what war is really about and what is covered up. There are scenes that support the thesis about the war like "As for the rest, they are now just names without faces or faces without names." Chapter 2, p. 27 which show how the soldiers have emotional detached themselves from life. Also, when the novel says “I saw their living mouths moving in conversation and their dead mouths grinning the taut-drawn grins of corpses. Their living eyes I saw, and their dead eyes still-staring. Had it not been for the fear that I was going crazy, I would have found it an interesting experience, a trip such as no drug could possibly produce. Asleep and dreaming, I saw dead men living; awake, I saw living men dead.” Which to me again shows how the soldiers are change throughout the war losing the moral and humanity. Lastly what he says “ I’m not scared of death anymore and don 't care whether I live of die” is the point where I notice Phillips change in
Boyd talks about how everyone was very eager to volunteer to join the military to have fun and to make some money and it seemed to be very easy because the war was expected to be very short. Things started to look a bit different even when, the volunteers got to the first destination to be sworn into duty. They started to wonder why they were being sworn in to service for 3 years when they all thought the war was going to be very short. Boyd and the rest of them figured that the government must know something more than everyone else knows. Even during the beginning of the service the conditions for the service did not look as good as they had expected, and the officer had seen that the volunteers started having second guesses about doing it so they put them into more comfortable quarters to keep them from going home. During the war most of the time the conditions were horrible. There were many problems with the soldiers during the war. Many died from being wounded, being shot, and the worst of all was the disease. The conditions were so horrible that many men couldn't get enough sleep and even when they did get sleep they were sleeping in the rain or in the snow.
Simply existing in a happy-go-lucky setting, their dreams of wartime glory are hovering over the horizon, but the reality of the war they are about to fight in has not yet appeared.
Imagine being in an ongoing battle where friends and others are dying. All that is heard are bullets being shot, it smells like gas is near, and hearts race as the times go by. This is similar to what war is like. In the novel All Quiet on the Western Front, the narrator, Paul Baumer, and his friends encounter the ideals of suffering, death, pain, and despair. There is a huge change in these men; at the beginning of feel the same way about it. During the war the men experience many feelings, especially the loss of loved ones. These feelings are shown through their first experience at training camp, during the actual battles, and in the hospital. Training camp was the first actuality of what war was going to be like for the men. They thought that it would be fun, and they could take pride in defending their country. Their teacher, Kantorek, told them that they should all enroll in the war. Because of this, almost all of the men in the class enrolled. It was in training camp that they met their cruel corporal, Himelstoss.&nbs most by him. They have to lie down in the mud and practice shooting and jumping up. Also, these three men must remake Himelstoss’ bed fourteen times, until it is perfect. Himelstoss puts the young men through so much horror that they yearn for their revenge. Himelstoss is humiliated when he goes to tell on Tjaden, and Tjaden only receives an easy punishment. Training camp is as death and destruction. Training camp is just a glimpse of what war really is. The men do not gain full knowledge of war until they go to the front line. The front line is the most brutal part of the war. The front line is the place in which the battles are fought. Battles can only be described in one word- chaos. Men are running around trying to protect themselves while shooting is in the trench with an unknown man from the other side. This battle begins with shells bursting as they hit the ground and machine guns that rattle as they are being fired. In order to ensure his survival, Paul must kill the other man. First, Paul stabs the man, but he struggles for his life. He dies shortly after, and Paul discovers who he has killed. The man is Gerald Duval, a printer.&n Having to deal with killing others is one of the horrors of war. The men who are killed and the people who kill them could have been friends, if only they were on the same side. The other important battle leaves both Paul and Kropp with injuries.
War changes a person in ways that can never be imagined. Living in a war as well as fighting in one is not an experience witnessed in everyday life. Seeing people die every time and everywhere you go can be seen as an unpleasant experience for any individual such as Henry. The experiences that Henry had embraced during the Vietnam War have caused him to become an enraged and paranoid being after the war. It has shaped him to become this individual of anxiety and with no emotions. The narrator says:
War always seems to have no end. A war between countries can cross the world, whether it is considered a world war or not. No one can be saved from the reaches of a violent war, not even those locked in a safe haven. War looms over all who recognize it. For some, knowing the war will be their future provides a reason for living, but for others the war represents the snatching of their lives without their consent. Every reaction to war in A Separate Peace is different, as in life. In the novel, about boys coming of age during World War II, John Knowles uses character development, negative diction, and setting to argue that war forever changes the way we see the world and forces us to mature rapidly.
He remembers the times before the war. When he used to drive around the same lake with his friends from high school. He recalls the girl he once dated, Sally Kramer, and the carefree fun they used to have. That was before the war, before he won seven medals, and before he almost won the Silver Star. Now Sally Kramer was Sally Gustafson, married with her own house set on that lake. He thought of what he would say to her if she were to listen to what he would like to say. He thought of how she would react to what was said, as if things were as they had once been before he had gone off to war. He thought of his best friend Max who had drowned in the lake before the war. Imagining what Max would have said if he was there to listen to Norman tell the tales he would like to tell. He would have told about how he almost won the Silver Star. Norman would have told this to his father too, if his father hadn't been so into baseball. There is so much he would have said...
The documentary, The Interrupters, is a film that tells the ongoing journey of three ‘violence interrupters’ who’s goals are to stop and prevent violence from their South Side Chicago, Illinois neighborhoods, which they once took part of. An interesting aspect of this film is that Ameena Matthews, Cobe Williams and Eddie Bocanegra, the three ‘violence interrupters’, reflect on their experiences with violence in the streets of Chicago in order to better help these young men and women avoid the community violence. These three ‘violence interrupters’ work intensely with a number of people (mostly young adults) who are prone to acting out and violent behavior.
It is apparent that during war time emotions are checked at the door and ones whole psyche is altered. It is very difficult to say what the root causes of this are due to the many variables that take play in war, from death of civilians to the death of friends. However, in "Enemies" and "Friends" we see a great development among characters that would not be seen anywhere else. Although relying on each other to survive, manipulation, and physical and emotional struggle are used by characters to fight there own inter psychological wars. Thus, the ultimate response to these factors is the loss and gain of maturity among Dave Jensen and Lee Strunk.
Kurt Vonnegut's novel Slaughterhouse-Five; or The Children's Crusade: A Duty-Dance with Death is, as suggested by the title, a novel describing a crusade that stretches beyond the faint boundaries of fiction and crosses over into the depths of defogged reality. This satirical, anti-war piece of literature aims to expose, broadcast and even taunt human ideals that support war and challenge them in light of their folly. However, the reality of war, the destruction, affliction and trauma it encompasses, can only be humanly described by the word “war” itself. Furthermore, oftentimes this term can only be truly understood by those who have experienced it firsthand. Therefore, in order to explain the unexplainable and humanize one of the most inhumane acts, Vonnegut slants the hoarse truth about war by extrapolating it to a fantasy world. Through this mixture of history, reality and fantasy, Vonnegut is able to “more or less” describe what he believes truly happens in war yet, at the same time, reveal a greater truth about humanity's self-destructive war inertness. Vonnegut's use of fantasy in Slaughterhouse-Five unveils mundane war misconceptions as it rallies action against war through a comparison and contrast between the Tralfamadorian world and philosophy and Billy Pilgrim's existence and war experiences.
This whole story is based around the horrors and actions which take place during war, and we therefore get involved in the scenery of war and become very familiar of what the characters must feel.
The Hurt Locker is a war film that is set in Iraq during the Iraq War and fits in the adventure and action genre. The plot is about a three man bomb defusal team consisting of James, Sanborn, and Elridge finding themselves is extreme, life-threatening situations where they must defuse explosives over the violent conflicts. The director, Kathryn Bigelow, has done a good job with the mise-en-scene, making the setting overall extremely believable, giving a sense of realism in the film. The film’s mise-en-scene creates a believable Iraq War settings with the use costumes, weaponry, and all the grime and dirt present in places which sells the idea. Sounds and symbolism is used to show heavy tension amongst the soldiers .The film also contrasts James’s time in Iraq and his life back in America using the Supermarket scene. The idea portrayed in this film is the addiction to war which can be seen in James.
In the name of glory, soldiers meander deep into foreign territory only to find that war is woe and hell. In Slaughterhouse-Five, Kurt Vonnegut writes an antiwar novel centered on the bombing of Dresden with Billy Pilgrim as the protagonist. From his capture to his release, Billy witnesses soldiers defecate into their helmets and Dresden, the cultural center of Germany, be reduced to rubble. A baffling oddity though is that Billy, an oblivious buffoon of a soldier, walks out of the war and the bombing of Dresden with minor physical injuries, while men of all sorts die around him. Edgar Derby, a middle-aged teacher, is executed for petty thievery and Roland Weary succumbs to gangrene. Death is everywhere. Vonnegut, however, refuses to glorify such deaths because war is hell. By revealing the bleak lives of the soldiers, Kurt Vonnegut asserts that war is not heroic.
The film, which is set in 1968, is structured in two main parts. The first takes place in a Marine boot camp, while the second shows the situation on the battlefield in Vietnam. The movie is quite atypical. In fact it does not homologate to the convectional conception of the classic war film. This particular aspect is evident once that the stylistic elements, both aesthetic and thematic, are analyzed. First of, it is pretty much impossible to identify a single protagonist, the hero whose
When American Sniper opened in theaters January 2015, the world was shocked and excited that a film about a war has finally shown the emotional and psychological pain a soldier goes through. To many this was a new concept but, what the public did not realize, was in 2014, a World War II film, Fury was released. Fury is an insightful film about a tank crew surviving through World War II through the emotional and psychological hardships. The film takes place in April 1945, five months before WWII ends (Fury, IMDb). There are many key points to which makes Fury a modern war film from the extent of backstory each character has, to the prescreening prep and training, to the research of the props. Though American Sniper and Fury differ in wars and