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The power of literary analysis
The power of literary analysis
Why do you consider literary analysis
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William Wordsworth rejected all the traditional assumptions about the proper style, words, and subject matter for a poem during the Romanics period. When explaining his writing Wordsworth said, “There will be found in these volumes little of what is usually called poetry diction; I have taken as much pains to avoid it as others ordinarily take to produce it.” (Marshall) Because he took such a different approach to his writing, many people criticized his poems. Literary critic Harold Bloom said, “The fear of mortality haunts much of Wordsworth’s best poetry, especially in regard to the premature mortality of the Imagination and the loss of its creative joy.” Wordsworth does in fact express fear of mortality in the poems The World is too much with us, London, 1802, The Prelude, and Lines composed a Few Miles above Tintern Abbey.
To begin, Wordsworth shows fear of mortality throughout the lines in the poem The World is too Much with Us. He explains that we continue to waste our lives by only being concerned with material things. Once we start caring more about money, we are lost! The speaker claims that our obsession with "getting and spending" has made us insensible to the beauties of nature. "Getting and spending" refers to the consumer culture accompanying the Industrial Revolution that was the devil incarnate for Wordsworth .(Shmoop Editorial Team) We lose our chances to do better and accomplish things when we give away our hearts because we become enthralled with love. Soon we become blind from what really matters in life and drift away from Nature. We take for granted the little things in life and become out of tune.
In addition, London, 1802 Wordsworth also expresses fear of mortality. To start off, he references Milton, ...
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...Web. 10 Mar. 2014. .
Notari, Debbie. "London, 1802 by Wordsworth." Educational Portal. Educational-Portal, n.d. Web. 10 Mar. 2014. .
Phillips, Jonathan. "Lines Composed a Few Miles above Tintern Abbey." GradeSaver.com. Grade Saver LLC, n.d. Web. 10 Mar. 2014. .
Rush, Tayna. "The Prelude: William Wordsworth - Summary and Critical Analysis." BachelorandMaster.com. N.p., n.d. Web. 10 Mar. 2014. .
Shmoop Editorial Team, ed. "The World is too Much with Us." Shmoop.com. Shmoop University, Inc, n.d. Web. 10 Mar. 2014. .
Wordsworth, William. “The Prelude: Book Fifth.” Abrams 341-2. - - - “I wandered lonely as a cloud.”
Despite his position, Wordsworth can hear the “soft island murmur” of the mountain springs. As “five long winters” suggests, Wordsworth is cold and dreary—London, we must remember, is a bitter place. He longs for the islands: the sand, sun, and warm waters that those murmurs suggest. The coldness of winter could be brought about by Rebecca’s distance from her brother; they had been, at the time of the poem’s writing, separate for five long years. But he can hear reconciliation coming just at the edge of hearing: he can spot the horizon of friendship. But no sooner does friendship appear in the poem than it is thwarted by these lines:
Initially, Wordsworth exhibits what could be called an ‘anxiety of influence’. In Book III of The Prelude, he incorporates Milton into a scene that comes to a troubling conclusion:
Peters, John G. “Wordsworth’s TINTERN ABBEY” The Explicator(Washington) , Winter 2003, Vol. 61, Iss. 2, pg. 77 : eLibrary. Web 05 Mar 2002
Moreover, searching for the different mechanics in each of these poems makes it easier for the reader to analysis and interpret them. To begin, in “The World is Too Much with Us” the way the punctuation is fit into the poem is different since there are many semicolons between each line and one period suggesting that the poem is actually one long sentence. Then I believe the speaker to be someone who acknowledges that he too has lost connection with nature since he’s been preoccupied with other things in the world. This is proven throughout the whole poem since he talks in first person using the word “I.” The tone of this poem is angry, frustrated, and dissatisfied because of how the world has changed. The rhyme scheme is also another appealing mechanic here too since Wordsworth only uses fou...
Wordsworth begins the journey into "Tintern Abbey" by taking the reader from the height of a mountain stream down into the valley where the poet sits under a sycamore... ... middle of paper ... ... together even after his death. Over two hundred years after it was written, "Tintern Abbey" continues to uphold the essence of William Wordsworth's beliefs and continues to touch the emotions of its readers. Even though, here in the twenty-first century, the term real-world has a connotation of life in the fast-lane, the real world - the natural world - of Wordsworth's time still holds a place of eminence both in literature and in the hearts of its readers.
The Influence of Nature in Lines Composed a Few Miles Above Tintern Abbey by William Wordsworth
William Wordsworth's Expostulation and Reply and Strange Fits of Passion Have I Known William Wordsworth is well known for his great works of poetry, spawned from his unique idea of how good poetry should be written. Wordsworth was a firm believer in using simple language, and more importantly emphasized the need to have a reflective component to his poetry. As a result of his writing poetry in the Romantic era, elements such as nature and spirituality have a more profound effect on the poem. In two of his own poems, “Expostulation and Reply” and “Strange fits of passion have I known,” Wordsworth demonstrates the use of nature and spirituality combined with his more reflective style to create stunning poetry.
Lines Composed a Few Miles Above Tintern Abbey, authored by William Wordsworth, is a 160 line poem. Written in 1798, this poem reflects upon William Wordsworth’s second visit to the valley of the River Wye and the ruins of Tintern Abbey. Mainly, the poem is about how the poet describes what he hears and sees again five years after he last visited this scene. He describes things that be both sees in real life and things he imagines were there, however this time he is accompanied by his sister. More specifically, in lines 25-35 he focuses on his true memories of the ruins; how he remembers the peaceful scenes and escapes nature has to offer while being in a crowded city.
In Percy Shelley's poem, "To Wordsworth", Shelley addresses Wordsworth's diminishing connection with his past. As age progresses, memories grow dim along with their ability to inspire new poetry. Shelley does not fault Wordsworth for that. Shelley writes, "Poet of Nature, thou hast wept to know /That things depart which never may return /These common woes I feel."(701 lines 1-5) Shelley is sympathetic to Wordsworth in regards to his declining ability to be inspired by past experience. It is a common experience shared by other poets, as Wordsworth asked himself in "Ode: Imitations of Immortality", "Whither is fled the visionary gleam? / Where is it now, the glory and the dream?"(288 lines 56-57)Wordsworth feels something is missing, as Shelley notes, something has "fled like swee...
"The Poetry of William Wordsworth." SIRS Renaissance 20 May 2004: n.p. SIRS Renaissance. Web. 06 February 2010.
William Wordsworth, The Prelude (1805 text), in William Wordsworth: The Major Works edited by Stephen Gill (Oxford World’s Classics)
William Wordsworth is a British poet who is associated with the Romantic movement of the early 19th century. Wordsworth was born on April 7, 1770, in Cockermouth, Cumberland, England. Wordsworth’s mother died when he was seven years old, and he was an orphan at 13. This experience shapes much of his later work. Despite Wordsworth’s losses, he did well at Hawkshead Grammar School, where he firmly established his love of poetry. After Hawkshead, Wordsworth studied at St. John’s College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry.
Jones, John. The Egotistical Sublime, A History of Wordsworth’s Imagination. London: Chatto & Windus, 1960.
He is writing the poem as if he were an object of the earth, and what it is like to once live and then die only to be reborn. On the other hand, Wordsworth takes images of meadows, fields, and birds and uses them to show what gives him life. Life being whatever a person needs to move on, and without those objects, they can't have life. Wordsworth does not compare himself to these things like Shelley, but instead uses them as an example of how he feels about the stages of living. Starting from an infant to a young boy into a man, a man who knows death is coming and can do nothing about it because it's part of life.