There are many different types of trees, each one just a little different to the next. Some are ugly, some are tall, some do not contain any leaves at all. The human personality also holds many branches that live, each dissimilar from the next, each with a separate function that it gives. When all of the leaves are viewed from afar, the combined image is spectacular, but when observed from up close, the flaws are gaping, and even gross. The human personality works the same, for at first glance people are flawless, but when examined deeper and more personally, it can be seen how these flaws define who a person really happens to be for the worst. One sickly imperfection can slowly kill a whole tree, just like one hideous trait can ruin a whole person. Even in literature characters carry flaws, and William Shakespeare in particular is able to skillfully exaggerate and display how imperfections create impact. The clear flaws of Tybalt’s hot headedness, Juliet’s naiveté, and Friar Laurence’s big ego all contribute to the epic conclusion of Romeo and Juliet.
Tybalt’s fervent temper is able to cause a number of plot-changing events in the play. Tybalt consistently proves to be a man of not only aggressive, but violent nature. The first signs of Tybalt’s hot headedness come up while the Capulet family is hosting their luxurious ball. While Romeo is enjoying himself, Tybalt confesses, “This, by his voice, should be a Montague.../To strike him dead I hold it not a sin...” (1.5.53-58). Clearly unhappy about the boy’s attendance, Tybalt makes a statement that reveals how morbid his mind thinks. Outraged, Tybalt proceeds to bring up the issue with Lord Capulet, communicating, “I’ll not endure him” (1.5.74), and an annoyed Lord Capulet who dis...
... middle of paper ...
...us ego all contribute to the cataclysmic conclusion of Romeo and Juliet. Each one of these characters unintentionally, but constantly, inflict harm upon the loved ones around them. The frustrating trouble for these characters is that flaws are consistent, and are arduous to shrug off. Flaws cannot be covered up with makeup or washed away with soap, and will always provide a means of which individuals shall be judged. The challenge for humans is to emulate a tree, so that they may grow off and shed the unpleasing traits, like dead, crispy leaves during an unforgiving autumn. This way, self integrity can be maintained, and the fate of many shan’t suffer from one person’s foolishness. Society must learn to mend and improve the forest they live in, not cut it down, and when this realization of collectiveness is discovered, a harmonious ecosystem will come into existence.
He is prepared to duel, as he believes it is in “honor of my kin, / to strike him dead I hold not a sin” (I.v.58-59). His vicious behavior towards the Montague’s is due to the prolonged feud and not because of a dishonorable act directed towards him. Evidently, Tybalt respects Lord Capulet and the family name. When he goes to inform the Montague’s intrusion, Lord Capulet dismisses the enemy’s presence, ordering Tybalt to “be patient, take no note of him” (I.v.71). Despite Lord Capulet’s calm approach towards the appearance of Romeo, Tybalt`s mind is clouded with hatred and only views Romeo as a threat. Tybalt’s angered reaction at the sight of Romeo, as well as his impulsive decision to warn Lord Capulet in hopes of getting rid of the enemy, is due to the ongoing feud between the Montague’s and Capulet’s and not because of any harm directly caused by
The hot-blooded and furious Tybalt had a grudge against Romeo, which inevitably led to a series of misfortunes, and in the end, the two protagonists died. He had held that grudge, since the day he confronted Romeo at the Capulet’s party, where Tybalt was dishonoured in front of a whole debauchery.
When asked by Benvolio to make peace in the streets, Tybalt bluntly responds,” talk of peace, I hate the word. As I hate hell all Montagues.” This is the attitude of Tybalt throughout the play. He believes he is doing all for the best and uses violence as his tool. He gets angry at the ball with Romeo being there, “villain as a guest,” and believes it best to defend his family’s honor by later taking revenge. When Tybalt finds Romeo, he thinks it best to fight him and when he ends up killing Mercutio he believes he has done his duty by causing Romeo the same hurt he has brought Tybalt, “the injuries that thou hast done me.”
This aggression is shown when Tybalt insults Romeo (3.1.55-69), calling him “thou art a villain” (3.1.56), and “boy” (3.1.61). In the context of this scene, boy is an insult. Once Romeo shows that he will not fight back (3.1.57-60), Tybalt’s ego takes control. This incident embodies cockiness as Tybalt continually berates Romeo and his friends with insults. He has no real reason to escalate this conflict as he knows that the Prince hates fighting. Despite this, Tybalt shows how cocky and abrasive he is, and perpetrates the tragedy by killing Mercutio and getting killed, himself. Since Tybalt literally beckons Romeo to draw (3.1.62), he further exemplifies cockiness. This results in a tragedy as Tybalt slays Mercutio and is slain by Romeo in turn. Furthermore, Tybalt shows aggression in his aside with Lord Capulet at the party. Tybalt says many threatening things about Romeo, calling him: “a slave” (1.5.52), his “foe” (1.5.59), and a “villain” (1.5.63). In this part of the story, Tybalt shows aggression, by wanting to kill Romeo. This is made evident by him asking his servant to grab his sword (1.5.52-4). Once again, Tybalt shows unnecessary aggression by insulting and threatening Romeo. This moves the plot towards tragedy by establishing a rivalry between Romeo and Tybalt. Later on, this rivalry results in the death of Tybalt and Mercutio. In summation, Tybalt’s aggression and cockiness results in the deaths of himself and Mercutio, making this story a
Tybalt tries to make his family proud, as he wants to end the feud between the Capulet and Montague once and for all in a big fight. Tybalt insults Benvolio by saying, “What, drawn and talk of peace? I hate the word/as I hate hell, all Montagues, and thee/have at thee, coward” (I.i.64-66) initially beginning the fight, and showing his destructive love towards family honour. The fight that is fueled by Tybalt’s destructive love contributes to the Prince’s warning at the beginning of the play. The Prince warns to all Montague and Capulet that any other behaviour such as this would be punished by
Tybalt Capulet’s hot-headedness can be shown through the words, actions, and thoughts that occur throughout the play. In act three, scene one, Tybalt states “Boy, this shall not excuse the injuries that thou hast done me; therefore turn and draw.” He says this speaking to the enemy son of the Montague family, Romeo, even though Romeo has done nothing to harm Tybalt. This proves Tybalt's unforgivingness and habit of finding any excuse to fight. In act one, scene five, Tybalt vows that “Patience perforce with willful choler meeting makes my flesh tremble in their different greeting. I will withdraw; but this intrusion shall, now seeming sweet, convert to bitter gall.” This is another example of Tybalt's unforgivingness, but also his tendency to hold grudges that are the cause of many of his unreasonable fights.
Tybalt’s loyalty towards the family dispute intoxicates him with a quarrelsome nature. After recognizing Romeo at the Capulet Ball, Tybalt persistently rejects his uncle’s remonstrance to stay serene. Even after being restrained by his Uncle Capulet, he vows vengeance on Romeo in the future as he says, “Patience perforce with willful choler meeting Makes my flesh tremble in their different greeting. I will withdraw; but this intrusion shall Now seeming sweet, convert to bitt’rest gall” (1.5.88-90). Tybalt tends to take each and every “insult” towards his family and himself to heart, without even contemplating their true meaning. Furthermore, Tybalt’s aggravating behavior develops into a clear factor leading to his downfall. When Mercutio is found dead as a result of Tybalt, Romeo confronts him directly with a duel to the death. Rather than trying to discuss and come to a harmonious solution, Tybalt further inflamed the already belligerent environment. He does this by saying, “Thou, wretched boy, that didst consort him here, Shalt with him hence” (3.1.128-129). Tybalt’s relentless threatening behavior never fails to make an already hostile environment even worse. His cruel character is perpetual no matter what the
Love is dependent upon the slightest change, but it can cause the utmost drastic consequences. This is the truth of two lovers in William Shakespeare’s furthermost celebrated play, The Tragedy of Romeo and Juliet. In the case of Romeo and Juliet, love is inimical. Romeo comes from the family of Montague while Juliet comes from the family of Capulet. For reasons unknown, these two families are sworn enemies. However, Romeo and Juliet are not. In fact, they are in a secret relationship that only two others know about. The only two that Romeo and Juliet trust, the Nurse and the Friar. While the Nurse, Friar, and Juliet’s father, Lord Capulet, all have good intentions, they are all responsible for the suicides of Romeo and Juliet in the
Someone once said, "All literature shows us the power of emotion. It is emotion, not reason that motivates characters in literature." This means that all literature is an expression of emotion and it is the emotion that is the main character, and often the setting and theme as well. It is not the reasoning within the story that draws you in, but rather how the story deals with the emotions we all have felt. It provides us with a possible scenario of the impact of focusing only on emotion and losing focus on reason. The power of emotion driving literary characters to see their emotions through, make us wish we could feel so strongly about something or someone and the way we would all like to think we would see our emotions through. Atticus Finch, from the novel, To Kill a Mockingbird, by Harper Lee, and Romeo Montague from Shakespeare's drama, The Tragedy of Romeo and Juliet, both are driven only by their emotions. Both are so driven to see their powerful emotions, no matter what might happen to them, that their emotion and the opposite emotions of everyone else around them becomes the main character, setting and theme in these stories. You are drawn in to the emotion by asking would I have the courage to stand up to my home town full of racism to seek justice for a black person as Atticus did in To Kill A Mockingbird? Could I be so in love, as Romeo was, that I would be willing to give up everything I had, my family, my position in society, even my own life, for the love of another person?
Through the flaws in the characterization of his characters, Shakespeare allows their weakness to manipulate and cloud their judgment. This fundamentally leads to the outcome of Romeo and Juliet, with each weakness presenting a conflict that alters the characters fate. Being especially true with the star-crossed lovers, William Shakespeare leads their perfect love into tragedy with these conflicts. In Romeo and Juliet, Juliet, Friar Lawrence, and Tybalt all contribute to conflicts that enhance the plot. From destructive flaws in their characterizations, Juliet, Friar Lawrence, and Tybalt are all consequently controlled by their weakness, therefore affecting the outcome of the play.
By illustrating the negative effects of deception in relationships in the play Romeo and Juliet, Shakespeare shows how important honesty is in
Romeo and Juliet by William Shakespeare is often referred to as a classic love story. It is a story of love at first sight and fighting between families. The classic is a true tragedy because of the way it is created. Romeo and Juliet is an Aristotelian tragedy because it clearly follows the model shown by Aristotle. All aspects of the plot and characters perfectly follow way Aristotle defined. The plot follows the events that need to occur and the main characters have a flaw. Pity and fear is felt for the characters throughout the play. Romeo and Juliet by William Shakespeare is a true Aristotelian tragedy because of the characters, plot, and the fact that it triggers pity and fear.
Ultimately`, William Shakespeare shows in many different ways throughout the play, ‘Romeo and Juliet’, that love is the more powerful force than hate. The readers see how the characters continuously forgive one another, even when the conditions are tough. The friendships between specific characters display a loving bond that cannot be broken with hate. Shakespeare demonstrates that Romeo and Juliet’s love can overpower the hate of many events in the play. He shows that their love can even overpower the death of one of their own family members. Romeo and Juliet’s love brings friendship between their feuding families. This story is a true example of how love can conquer all.
...s, and present a continuation of Shakespeare's struggle. The question is how can it be possible that the world has reached the point of destroying itself? It is hard to understand the psyche of people who would risk not only their well-fare but their own bare existence. The situation today seems to exceed Shakespeare’s fictional violence and corruption. One thing is certain, the brain-washing done by the system which is highly criticized in his works, is now even more enacted. However, an individual is never to blame, the fault lies on the corrupt system and culture that starts shaping us almost from the moment we were thrown in this world. People are not evil in their nature but are able of committing tremendous cruelties fighting for the “right” causes, regardless of the nature.
A mother and her two children, Emma and Rose, are playing on the swings in a neighborhood park. Suddenly, Emma does a flip off of the swings, landing on her knees by an old man who is sitting on one of the park benches and glaring at Emma. Consequently, Emma’s mom, who is anxious because of the look that this man gave her younger daughter, makes an impulsive decision to leave the park and spend their afternoon at a nearby Chuck-E-Cheese instead. Throughout Romeo and Juliet, by William Shakespeare, a recurring theme is that society, not fate nor an individual’s decisions in life, is the ultimate determiner of a personś future. In Romeo and Juliet, William Shakespeare made good use of personification, an oxymoron,