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Stereotypes of women in cinema
Stereotypes of women in cinema
Stereotypes of women in cinema
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In the early 20th century, as the film industry began its triumph, the role of the female took a step in the wrong direction. In a time when women in America were finally getting the right to vote in 1920, women were also being painted as objects on the big screen. When films were first introduced, the woman was frequently portrayed as “the damsel in distress”. They didn't possess any real characteristics that women acquire in real life. They were tied to train tracks, rescued by the hero at the last second and then rewarded with a marriage in the end. Moving from silent films to movies with a soundtrack, the damsel still remained (mention snow white), but finally, the intelligent and confident woman arose and began to appear more apparent, such as characters played by . …show more content…
By the time the 1970s rolled around, the “damsel in distress” obtained a whole new meaning. In an article from Reap Magazine, Carrie Fisher said about her Star Wars character Princess Leia that, “I was not a damsel in distress. I was a distressing damsel.” The idea of destructing the the damsel in distress gained popularity and still to this day has slowly become less observed, and today the view of the damsel in distress has evolved into a distressed damsel doing the dirty work. This evolution brings me to my next point: displaying a women that is constantly needing to be saved is just not sensible in any way. It’s okay for women to defend themselves and be their own kind of wonder
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
American commercial cinema currently fuels many aspects of society. In the twenty-first century it has become available, active force in the perception of gender relations in the United States. In the earlier part of this century filmmakers, as well as the public, did not necessarily view the female“media image” as an infrastructure of sex inequality. Today, contemporary audiences and critics have become preoccupied with the role the cinema plays in shaping social values, institutions, and attitudes. American cinema has become narrowly focused on images of violent women, female sexuality, the portrayal of the “weaker sex” and subversively portraying women negatively in film. “Double Indemnity can be read in two ways. It is either a misogynist film about a terrifying, destroying woman, or it is a film that liberates the female character from the restrictive and oppressed melodramatic situation that render her helpless” (Kolker 124). There are arguably two extreme portrayals of the character of Phyllis Dietrichson in Double Indemnity; neither one is an accurate or fare portrayal.
Considering that traditional society looked down on women as inferior to men, the female roles in each work challenge the status quo and make their audiences’ eyes wearier to the society they might have previously backed without question.
Some people might say that these movies provide entertainment and transport families into the lives of princes and princesses. Many critics have said that the films have amazing soundtracks and have detailed and interesting plots. Still, however entertaining the films may be, the way women are viewed and treated outweigh any enjoyment that a viewer could have. The subliminal lessons young women learn from these films have lifelong repercussions and negatively affect the female
Gender and the portrayal of gender roles in a film is an intriguing topic. It is interesting to uncover the way women have been idealized in our films, which mirrors the sentiments of the society of that period in time. Consequently, the thesis of this essay is a feminist approach that seeks to compare and contrast the gender roles of two films. The selected films are A few Good Men and Some Like it Hot.
Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.
In the article Construction of the Female Self: Feminist Readings Of the Disney Heroine, Jill Birmie Henke, Diane Zimmerman Umble, and Nancy J. Smith are looking at the female self and how it was developed based on two theories: Standpoint by Parker Follet and the psychological development of girls by Gilligam. That by examines gender identity especially girls and how media exposure affects them through analyzing five of Disney movies: Cinderella, Sleeping Beauty, The little Mermaid, Beauty and the Beast, and Pocahontas. They segmented the article into three titles: The Oxymoron of Power and the Perfect Girl where they introduced the two theories in which they built their critic on, Construction of the Female Self where they talk about the evolution in the female character from Cinderella to Pocahontas, and Construction of Self in Relation to Others where they talk about the evolution of the self in relation to others from power-over to power-with until power-to. Finally they concluded that even if the female character in Disney’s movies was changing to become more
Videogames as a creative media platform has grown greatly in the past 20 years. However as video games grow in popularity, it’s expected that they will develop age old stereotypes along the way. Women in particular are often targeted by video game stereotypes; one of the most popular and well recognized of said stereotypes is the damsel in distress trope. The damsel in distress trope is when a female character is placed in a dangerous situation from which she cannot escape on her own and must be rescued by the protagonist who is usually a male. This plot device can occur in several different ways in video games, whether it be through kidnapping or possession. This cliché acts as a plot device providing a core incentive or motivation for the hero of the story to continue in their perilous quest.
middle of paper ... ... Greenberg, H. R. & Greenberg, H. R. "Rescrewed: Pretty Woman's Co-opted Feminism. " Journal of Popular Film and Television 195605th ser. 19.1 (1991): 1-8.
In the first opening scene, Snow White is referred to as a “lovely little princess.” In her first appearance, she is cleaning and looks as though she is in despair waiting to be saved. Snow White is portrayed as young, virginal, pretty, obedient and incapable of helping herself. This movie having been released in 1937, conveys what the “proper” gender roles of the time were. In Snow White and the Seven Dwarfs, power is segregated between genders and even to this day, the stereotypical gender roles seen in this movie still hold some weight in our society.
Women who did not feel as if their representation in film was just, rejected film entirely. This brings about the feeling of exclusion for women of the
Have you ever seen a movie where a girl is in a problem and someone saves her, or the girls saves someone herself? Children's movies are a great example of archetypes just like the “Damsel in Distress." The definition of the Damsel in Distress is “a young woman in trouble (with the implication that the woman needs to be rescued, as by a prince in a fairy tale).” It’s where the woman gets in some type of dilemma that she needs help getting out of… usually by a man. However, society has made it dissipate throughout the years. As women got jobs and are doing the same things as men the archetype has mostly disappeared. The constant stereotype of women being the “Damsels in Distress” has pushed women to become more independent and stronger in
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
As more people are claiming their rights and being accepted by society, the media is forced to reach the obedience in a modern way. Women are fighting for they equal right and starting to play leading role in movie and TV shows. For example, not so long ago, I watched “She’s the Man” a movie played in 2006 by Amanda Bynes and Channing Tatum. Byrne’s character, Viola been playing soccer in place of his brother who didn’t want anything to do with soccer or any other sports for that matter. Bynes is really good at soccer and loves sport. She didn’t let herself brake by the tough guys in her team who think she was a man. She subsequently shows the absurdity of gender biases by being the best at what she loves. This type of movie prove there is nothing abnormal to our behavior and it do not make us less of a person when do not conform to norm of