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Write on Victorian age
Short note on victorian age
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The English Bildungsroman
The novel has a strong tradition in English literature. In Great Britain, it can trace its roots back to Daniel Defoe's Robinson Crusoe in 1719 (Kroll 23). Since then, the British novel has grown in popularity. It was especially popular in Victorian England. The type of novel that was particularly popular in Victorian England was the novel of youth. Many authors of the time were producing works focused on the journey from childhood to adulthood: Charlotte Bronte wrote Jane Eyre, George Eliot wrote The Mill on the Floss, and Charles Dickens wrote David Copperfield and Great Expectations. All of these novels trace the growth of a child. In this respect, some of the most popular novels of the nineteenth century were part of the genre called the Bildungsroman.
In the simplest sense of the word, a Bildungsroman is a novel of the development of a young man (or in some cases a young woman). In fact, the Webster's College Dictionary definition of Bildungsroman is "a novel dealing with the education and development of its protagonist". The Bildungsroman as a genre has its roots in Germany. Jerome Buckley notes that the word itself is German, with Bildung having a variety of connotations: "portrait," "picture," "shaping" and "formation," all of which give the sense of development or creation (the development of the child can also be seen as the creation of the man) (13-14). Roman simply means "novel." The term Bildungsroman emerged as a description of Goethe's novel Wilhelm Meisters Lehrjahre. This was the first Bildungsroman, having been published between 1794 and 1796 (Buckley 9). The word "lehrjahre" can be translated as "apprenticeship" (Buckley 10). "Apprenticeship" has many connotations, mos...
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...sroman. It is these differences precisely that make each novel its own story. After all, even though every person's story is different, they must all go through stages of development in order to reach maturity and find their personal niche within the larger world. The basic formula of the Bildungsroman is universal and especially appropriate to the growing world of the Victorian age where the kind of opportunities presented to the hero of the Bildungsroman echoed the actual experiences of those growing up in that era.
Works Cited
"Bildungsroman." Webster's College Dictionary. New York: Random House, 1996.
Buckley, Jerome Hamilton. Season of Youth: The Bildungsroman from Dickens to Golding. Cambridge: Harvard UP, 1974.
Kroll, Richard. "Defoe and Early Narrative." Columbia History of the British Novel. Ed. John Richetti. New York: Columbia UP, 1994.
The Change of Handbridge After 1800 Handbridge is a suburb of Chester. Every day Handbridge changes. I have already been on a site visit around Handbridge, and have looked at several aspects that I will be evaluating in this course work including housing, the industrial side of Handbridge and local shops. From 1800 to 2003 several major differences are noticeable including the extinction of the river Dee mills.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000. p. 2256
Damrosch, David. (Ed.) The Longman Anthology of British Literature 2nd ed. New York: Addison-Wesley Educational Publishers Inc., 2003.
novel gives a new twist to the typical Bildungsroman story, as many might question if
Hader, Suzanne. "The Bildungsroman Genre." The Bildungsroman Genre: Great Expectations, Aurora Leigh, and Waterland. The Victorian Web, 21 February 2005. Web. 6 April 2014.
Abstract — The female bildungsroman, also known as the bildungsromane, is known as a sub-genre of novel where the principle focus of the novel is the education of the protagonist. Literary critic M.H. Abrams defines the bildungsroman as, "the development of the protagonist's mind and character, as [s]he passes from childhood through varied experiences…into maturity and the recognition of [her] identity and role in the world". The character of Elizabeth Bennet from Jane Austen's celebrated novel Pride and Prejudice is one such bildungsroman heroine. The reader is given insight into her psychological development as she matures over the course of the novel. She begins the novel as a clever, but somewhat immature character. While she initially revels in her powers of discernment, she later learns that she has allowed prejudice and her own pride to blind herself to reality. Her education and maturity are the principal foci of the novel and the principle foci of film adaptations of the novel, as well. In order to illustrate this continuing emphasis on development, this paper discusses relevant passages from the novel Pride and Prejudice by Jane Austen. The paper also analyzes how three modern film adaptations deal with the maturation of Elizabeth Bennet-- focusing on the ways they recognize the power of Austen’s coming-of-age narrative and its importance to the plot, independent of the courtship of Darcy and Elizabeth. The three modern adaptations analyzed within are as follows: Pride & Prejudice (2005) directed by Joe Wright, Bride & Prejudice (2004) directed by Gurinder Chadha, and Bridget Jones's Diary (2001) directed by Sharon Maguire.
Twenty-eight days…six hours…forty-two minutes…twelve seconds, that is when the world will end. The movie Donnie Darko, Frank tells Donnie that the world will end in just a short time. Throughout the movie, different literary devices are experimented to give the movie a deeper meaning. This provides the audience with a hidden message that gathers the viewer’s attention while keeping them entertained. Donnie Darko is a movie that has imagery, symbolism, and foreshadowing and by merging these devices creates a film that holds their audience’s attention.
The novel Their Eyes Were Watching God is considered to be a bildungsroman (SparkNotes Editors). A bildungsroman is a coming-of-age story, often dealing with a character’s “moral and psychological growth” (Marriam-Webster.com). Janie’s growth as a person is discernable from the beginning to the end, and follows a different formula than that of most coming-of-age characters. When people are young, they often try to do adult things, and when they are an adult, they often take pleasure in doing things children enjoy doing; Janie follows a similar model , as exemplified in her attitude and actions as a child, as an adult, and in her relationship with Tea Cake.
them and gave them a huge silver cross to carry with them to show that
Abrams, M.H., The Norton Anthology of English Literature. Sixth Edition, Vol. 1. New York: W.W. Norton & Co. Inc., 1993
The novel The Strange Case of Dr Jekyll and Mr Hyde was written by Robert L. Stevenson and first published in 1886. The years from 1837 to 1901 are considered the Victorian Era, so the novel is considered a Victorian novel. Dorian Gray by Oscar Wilde is written in the same era as Dr Jekyll and is a Victorian Novel as well.
The Secret Life of Bees, written by Sue Monk Kidd is a very good example of a bildungsroman novel, as throughout the book, Lily learns to love and forgive herself as well as figure out who she really is. The main reason that her maturity grows so dramatically is partly due to change of location. When she lived in Sylvan, all she saw in life was shielded by white prejudice. When she escaped to Tiburon and lived in a house full of black women, she began to see past race and realized how bad things are for people of color. The idea that surroundings shape the psychological or moral traits in a character can be supported by Pauline Hopkins, who once said “And, after all, our surroundings influence our lives and characters as much as fate, destiny or any supernatural agency.”.
Defoe, Daniel. Robinson Crusoe. Ed. Thomas Keymer. Oxford: Oxford UP, 2008. Print. Oxford World's Classics.
"Daniel Defoe achieved literary immortality when, in April 1719, he published Robinson Crusoe" (Stockton 2321). It dared to challenge the political, social, and economic status quo of his time. By depicting the utopian environment in which was created in the absence of society, Defoe criticizes the political and economic aspect of England's society, but is also able to show the narrator's relationship with nature in a vivid account of the personal growth and development that took place while stranded in solitude. Crusoe becomes "the universal representative, the person, for whom every reader could substitute himself" (Coleridge 2318). "Thus, Defoe persuades us to see remote islands and the solitude of the human soul. By believing fixedly in the solidity of the plot and its earthiness, he has subdued every other element to his design and has roped a whole universe into harmony" (Woolf 2303).
The roots of the novel extend as far back as the beginning of communication and language because the novel is a compilation of various elements that have evolved over the centuries. The birth of the English novel, however, can be centered on the work of three writers of the 18th century: Daniel Defoe (1660-1731), Samuel Richardson (1689-1761) and Henry Fielding (1707-1754). Various critics have deemed both Defoe and Richardson the father of the English novel, and Fielding is never discussed without comparison to Richardson. The choice of these three authors is not arbitrary; it is based on central elements of the novel that these authors contributed which brought the novel itself into place. Of course, Defoe, Richardson and Fielding added onto styles of the past and writing styles of the period, including moralistic instruction and picaresque stories. Using writing of the time and the literary tradition of the past, Defoe first crafted the English novel while Richardson and Fielding completed its inception.