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The effect of religion in society
The effect of religion in society
The effect of religion in society
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Just as it is human nature to feel desire, it is also human nature to long for an understanding of Earth’s unanswerable questions. Prior to scientific discoveries, humans developed their own means of understanding- religion. Although religion originally served as a means to explain natural phenomenona as well as spiritual ones, as science began to answer those kinds of questions, religion evolved to explain what science could not. Questions about the meaning of life and the mortality of man were answered in various formats. Unfortunately, as it is human nature to desire knowledge, it is also human nature to physically see manifestations of this knowledge. By creating immutable answers to mutable questions, mankind accidentally created …show more content…
He tells us that we “trust that somehow good/ Will be the final goal of ill” (LIV 1-2). By believing that everything served a purpose in his life, Tennyson unwillingly created room for disbelief once something in his life goes terrible wrong. In this case, Hallam serves as a catalyst, his untimely death causing Tennyson to wonder if there is a divine purpose in life and why, should there be such a purpose, someone so close to him died so young and without such a purpose. Unfortunately, the idea of “life’s grand purpose” robs the idea that humans have free will or control over their life. This ultimately makes one feel extremely helpless. This helpless feeling manifests itself and Tennyson reports feeling like “an infant crying in the night […] with no language but a cry” (LIV 13-16). By comparing himself to a human in its most venerable state, Tennyson is commenting on how believing in the idea of religion may provide temporary comfort, it ultimately leaves the believer feeling just as helpless as a …show more content…
Nature. While many people view God and Nature as either two separate entities or intertwined, Tennyson takes a somewhat different stance. Tennyson originally portrays Nature as selfish and harsh while God is kind and loving. Tennyson writes that Nature is “so careful of the type she seems/ So careless of the single life” (LV 7-8) while God is described as “the larger hope” (LV 20). Tennyson also writes about how Nature cares “for nothing, [all species] shall go” (LVI 4). By writing these statements, Tennyson undercuts his previous idea that God is cruelly robbing young people’s lives as part of the “larger plan”, in favour of Nature being cruel. Although she created man, she cares not whether he lives or dies. Such an idea is a common interpretation of God, especially of how he is depicted in the New Testament as a loving and forgiving God. Another interesting aspect of this interpretation is how Tennyson chooses to assign masculine pronouns to God and feminine pronouns to Nature. This could be a call-back to the story of creation wherein Eve is often interpreted as a careless woman while Adam is a man aspiring to be good in cruel world. By writing God and Nature as echoes of Adam and Eve, not only is Tennyson referring to the creation of religion for humans, he is also adhering to the traditional Victorian values wherein the man was created to be stronger
Life drives us to inevitable places, places where we must cross the metamorphic bridge towards the inescapable. We are not fixed individuals. We hit upon experiences for the sole purpose of change, hence, the “metamorphic bridge”. However, there are certain conditions that all living breeds are destined to encounter overtime, while abiding to a divine plan that many claim was arranged from the moment of birth. Those conditions can be considered fixed; we cannot avoid their occurrences. The ultimate one is death, and the certainty of it provokes religious ambivalence. The crossing of that bridge symbolizes various climactic points in which one results
implacability of the natural world, the impartial perfection ofscience, the heartbreak of history. The narrative is permeated with insights about language itself, its power to distort and destroy meaning, and to restore it again to those with stalwart hearts.
When the terrorist attacks of September 11, 2011 rocked New York City, Pennsylvania, and Washington D.C., the word “tragedy” was used on a grandiose level around the world. For the people who lived close enough to experience the events first-hand, they may not have even called it a tragedy; perhaps they called it a misfortune, retaliation, lack of a strong government, unreal, or maybe even rebirth. In the coming years after the attacks, everything between standing united as a nation to declaring a war had flourished; but how has that left us - the land that has no distinct ethnicity - feel about each other? Why is it that fear is usually missing in the affective mnemonics of memorial sites, which, after all, are signifiers of some of the most horrific violence in human history? Do memorials dedicated to these attacks bring us together in terms of understanding, or is it just continual collective grief? This paper will cover the global complexity of the 9/11 attacks, the Empty Sky 9/11 Memorial in Liberty State Park, NJ, and factors and theories that memorials do influence a sense of complexity. The ground of public memory is always in motion, shifting with the tectonics of national identity. I chose the Empty Sky 9/11 Memorial as my topic of observation as I, personally, visit a few times throughout the year to pay respects to people I personally knew who perished in the attacks to the World Trade Center. I was in the 5th grade when this happened, and had absolutely no clue what was going on until my father did not return home until two days later with a bandage wrapped around his head and his devastating recollection of what happened just before he arrived to his job. The emotions that I feel within myself compared to others will...
William Cullen Bryant wrote a poem regarding the passing of people from this world into the afterlife which he called “Thanatopsis”. The word Thanatopsis is actually a Greek word meaning ‘meditation on or contemplation of death’. It is the opinion of some readers that this poem expresses a traditional religious view of afterlife in heaven where as others who read it see it as a process that only involves our rejoining with nature. Bryant made references to heaven, nature and spirits which contribute to the discussion on both sides of the argument. Poetry, just like every other form of art, is subject to interpretation. After taking a closer look at Thanatopsis it will be easier to see just why these people cannot seem to agree. Bryant made
Human beings stand alone in the ability to meditate; to think about one’s own thinking. While humans view this as a positive aspect or even a dominant trait of their own species, this same ability can lead the thinker down a dark and depressing path. Found in the Exeter Book of Old English poetry, “The Wanderer” displays how this same ability that allows humans to grasp meaning and reason, feel a purpose and use their imaginations can also resurface memories of sadness as well as remind one of better times.
Ralph Waldo Emerson and Emily Dickinson were two of America’s most intriguing poets. They were both drawn to the transcendentalist movement which taught “unison of creation, the righteousness of humanity, and the preeminence of insight over logic and reason” (Woodberry 113). This movement also taught them to reject “religious authority” (Sherwood 66). By this declination of authority, they were able to express their individuality. It is through their acceptance of this individuality that will illustrate their ambiguities in their faith in God.
In the midst of all of Ralph Waldo Emerson’s essays, “Circles,” is undoubtedly a piece which masterfully incorporates Emerson’s philosophies of etymology with the spiritual. Etymology, down to its core, deals with the origin of certain phrases, words, or examples used to describe an object of meaning. Emerson uses this technique to craft a spiritual essay that pushes the reader to see the universe from a different perspective, and to tear away from the social norms of what is expected of religion to follow his or her own path. To do this, however, Emerson stresses the importance of understanding and reason. To understand is to classify, differentiate, and compare. To reason, on the other hand, exceeds understanding by serving as the intuitive facility to the soul. To do this, one must become a poet as described by Emerson.
In society today, people tend to go with their feelings instead of reasoning or recalling situations to have happened to them before for insight. The reasoning behind this is due American Romanticism, created in 1800 and lasting through 1860. In this period literature, music, and art was created on how the writers and artists felt instead of logic and reasoning. American Romanticism is clearly shown in Herman Melville’s Moby Dick and Edgar Allan Poe’s “The Masque of the Red Death”. Both Moby Dick and “The Masque of the Red Death” show the struggle of everyday life with vivid use of the five senses, the all-being truth of the cycle of nature, and the wonder, awe, and fear of supernatural beings.
William Penn, an English philosopher and founder of the Province of Pennsylvania, once said that, “For death is no more than a turning of us over from time to eternity.” He is saying that death is not the end of our lives, but just another stage. In the poem “Holy Sonnet 10” by John Donne, the poet talks to death itself and gives his opinion on his view of death and others’ views: it is something that cannot control anything, can be replaced by other things, and is not the end of a person’s life. Through the use of his figurative language, Petrachan form, and tone and language, Mr. Donne expresses the message that death is not to be feared because one lives in heaven. John uses many examples of figurative language in his sonnet.
Death is a controversial and sensitive subject. When discussing death, several questions come to mind about what happens in our afterlife, such as: where do you go and what do you see? Emily Dickinson is a poet who explores her curiosity of death and the afterlife through her creative writing ability. She displays different views on death by writing two contrasting poems: one of a softer side and another of a more ridged and scary side. When looking at dissimilar observations of death it can be seen how private and special it is; it is also understood that death is inevitable so coping with it can be taken in different ways. Emily Dickinson’s poems “Because I Could Not Stop for Death” and “I Heard A Fly Buzz When I Died” show both parallel and opposing views on death.
In poem 378 the reader is introduced to the mental world of a speaker whose relentless questioning of metaphysical “truths” has led her to a state of complete “faithlessness”: l...
In addition to the individual level, religious identity (achieved identity) for understanding consumer behavior becoming more and more attention has been paid. It in relation to religious communities which is personal belongs. Currently, the vast majority of the world 's religions are held for consumption a critical attitude, born of greed in their opposition to consumption, waste, and self-indulgent hedonism (Ross, S A. 1991)Since the 21st century, in-depth development of economic globalization and multinational companies, not only provides to the worlds economy a huge boost, but also brought to the worlds economy many uncertainties. In response to these changing marketing environment, many scholars began to try from a cultural perspective
The poem In Memoriam by Alfred Lord Tennyson comprises sections that differ in emotion, tone and appearance but are all unified by the speakers confusion about religion and new discoveries in science. Charles Darwin wrote The Origin of Species, which had many theories of evolution which include, the survival of the fittest and natural selection. These scientific developments characterized the Victorian age and confused the foundation of the Christian faith among people. The stories of the bible conflicted with the scientific facts and the people could no longer accept many of the things that the bible once said. There are many sections of the poem where the confusion is present such as in 54, 55, and 56. In the prologue the speaker confesses to god and asks for forgiveness for his loss of faith which is a foreshadowing of the events in these sections. This is where the speaker is most confused about his faith and his faith in god has completely fallen apart. The Victorian society draws a very similar connection with the poem because it not just the speaker but all of society that was facing these problems with fitting science into their own religion. In Memoriam seeks to represent the speaker’s journey to understand suffering, love, and his purpose.
During Tennyson’s childhood and maturing adulthood he endured tempestuous events which altered the course of his life and the essence of literary career. The death of his best friend, Hallem, threw him into a phase of darkness, solitude and despair. It was “a period referred to as his ‘”ten years silence”‘(Napierkowski and Rose 270); he was extremely affected by the death “for it shattered all his life and made him desire to die rather than live” (Napierkowski and Rose 270). The potent emotion surrounding death was modeled in his poem Tears Idle, Tears. The poet identified “the source of his poems emotion as rising from his feelings about the death of his college friend…H...
“In Memoriam A. H. H.,” a large collection of poems written by Alfred Lord Tennyson, is an extended expression of the poet's grief for the loss of his beloved friend Arthur Hallam. The poem takes the speaker on a journey that describes an individual’s struggle through the stages of grief. In 1969, Elisabeth Kübler-Ross first proposed five stages of grief which include denial, anger, bargaining, depression and finally acceptance in her book titled, “On Death and Dying.” Elisabeth Kübler-Ross’s universal stages of grief are expressed in Alfred Lord Tennyson’s poem “In Memoriam A. H. H.”