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Electronic music history and mainstream music
Electronic music history and mainstream music
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Pop culture and mainstream media is a world of constant evolution, and throughout the ages music has been a factor in that said evolution. From the Jazz Movement of the 20’s to the Hip-Hop Revolution of the 90’s and everything in between, trends today and the basis of most Pop Culture revolved around what some would call “the sound of the decade”. Electronic Music has significantly changed the course of mainstream culture, had a remarkable rise in finance and business, all while making it today’s biggest music movement since the decade of Hip-Hop. The impact of Electronic Music on mainstream culture is fairly obvious. Listening to the radio, watching music videos, watching television, and paying attention to who wins which award with what song all point to the same detail. The works of Electronic Music DJ’s and Producers, and the Pop stars they collaborate with. The crossover of Electronic-House DJ’s into pop culture is marked by the domination of Calvin Harris and David Guetta on mainstream radio airplay (Liu) and the awards DJ’s are accumulating for their work. For example, Skrillex, a well-known Dubstep DJ, has won six Grammy Awards as well as being nominated for the Grammy of Best New Artist, with Grammy nominations being just as hard to obtain as the award itself. DJ’s have also impacted mainstream music by being the reason behind some of the big hits of today’s biggest pop artists. One example of this would be Calvin Harris and Rihanna’s song, “We Found Love” that peaked at number one on the billboard charts in 2010 in the beginnings of the Electronic Music movement. Take note that Harris and Rihanna both also won a Grammy for the Best Short Form Music Video with “We Found Love”. Another example would also be Lady Gaga’s song, “Applause” produced by DJ White Shadow has become her biggest radio hit since “Bad Romance” peaking at number four on the billboard
A number of other genres, throughout the decade, maintained a significant following. One genre that was slow to start was Hip-Hop, while it emerged in the 1970’s it didn’t become significant until the late 1980’s. Although Classical music began to lose impetus, it gave way to a new generation of composers through invention and theoretical development. The decade was also distinguished for its assistance to electronic music, which rose in reco...
Music’s role on society has changed drastically through the course of its history as it has become ever so increasingly expansive. Many of the previous musical movements were only for the wealthy as entertainment
Rock and Roll, as a music genre, has evolved greatly with each decade; some of this is attributed to technology. One of the biggest leaps forward made for technology and the music genre is the widespread commercial popularity of the television. Since its introduction, television has caused the growing genre to rapidly reach mainstream audiences. Though it is this day hard to pinpoint the full impact of this invention to Rock n’ Roll, it is hard to argue that it didn’t help shape it into the powerful industry that it is today. From the Rockabilly era, to the British Invasion, all the way to the formation of MTV; television has attributed to these eras and changes seen in this genre. The importance of television is very high as it allowed stars to be made and stars to be pushed aside. Television has also allowed even the most remote people to know what the latest stars were doing. It can be said that Rock n’ Roll would not have gained its social acceptance without television to bring it into the lime light and causing it to rapidly reach the youths of the era.
The up rise results in artists realizing how much the population are interested. This sparks new artists, who have a more natural stance in use of technology. Traditional individuals in EDM have gone from "vinyl", turn tables of "DJ [-ing]" to Mac computers and constant downloading of music as well ...
Historically, popular culture has been seen to evolve along with the era in which it is generated. The analysis of the predominantly popular genre within a given generation can serve, therefore, as a window into that particular generation’s prevailing way of thought. One thing that greatly affects that way of thought is the recent history immediately preceding that time.
MTV, formally known as Music Television, is one of the most viewed networks on television today. Roughly thirty-three years old, it has changed the American culture drastically in more than just one way. Specifically targeting teens and young adults, the MTV network provides all of the most up to date gossip on celebrities, highlights the latest fashion trends, promotes versified lifestyles, and defines the music industry of our generation. However, this so-called “idolized network” has not always been this way. The American culture has been affected by MTV through the creation of the network, the transformation from simply just music television to inappropriate reality shows, and the promotion of inappropriate content.
“Hip hop has been named the most influential musical genre to emerge since 1960, beating the British invasion of the Rolling Stones and The Beatles, soul, punk, prog rock, heavy metal, disco and many more in a new study” (Von Radowitz and Webb).
For example, music is becoming more widely available to the general public with the introduction of mp3 players and the growth of the online music industry. The essay is concluded with my personal feelings towards the use of electronic technology within the live music industry, as well as the recording studio environment. This conclusion reveals that while the use of electronic technology has become crucial in the modern music market, it should not detract from the quality of live music produced. In this way, I feel that the use of electronic technology – namely drum machines and computerised backing tracks – have had a negative effect on the live music industry, because the majority of artists within the ‘pop’ genre now use computer-generated backing for live performances.
In this essay I intend to explore what is meant by the terms popular culture and high culture. I will also look at how the relationship between these two terms has become distorted and blurred over time. In order to reinforce what I am saying about popular and high culture I will be using a range of examples from the music industry to show how the line between high culture and popular culture has become ambiguous. I will also call upon the work of John Storey to give my work an academic foundation. Although Storey is the main academic I will be looking at, I will also include references to a number of other academics who have written about popular culture and high culture.
The rise of electronic music can be traced back to the futurist movement in 1909, initiated by the book of an Italian poet Filippo Marinetti, Manifesto of Futurist Poetry. The objectives of the movement was then outlined by a composer Balilla Pratella, in his publication Manifesto of Futurist Musician. The document called for ‘The rejection of traditional musical principles and methods of teaching and the substitution of free expression, to be inspired by nature in all its manifestation.’
Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but originated as an empowering art form for urban youth and emerging working class.
In today’s evolving and changing society, many people do not appreciate how extraordinary music truly is. Since the birth of the vinyl record, there are less people who own and are interested in them. Even though vinyl records have recently been making a comeback, they are still not as popular as they once were. People take for granted how easily accessible music is today though in the past it was not as simple. Even though vinyl records may be costly and may not have a large quantity of songs, as time progresses and technology continues to develop, the way that people listen to music degrades their appreciation for music due to easier accessibility, weaker sound in terms of quality, and decaying genres.
The connection or the relationship between Electronic Dance Music (EDM) and drug use among youth and examining the ways drug culture is influenced by EDM and vice versa.
With each passing year, technology has become highly involved in our lives, and continues to at a rapidly increasing rate. Technology, in many ways, was designed to help people in various fields of work. However, it has also achieved the reciprocal. Where does music lie? Has technology hurt or helped the field of music, specifically hip-hop? What do these advancements mean for the genre?
With the music being the highly profitable, capitalist enterprise that it is today, it is no wonder that it is controlled and regulated by a few large conglomerates that exist is today’s world. It is important to make clear that although evidence is being presented of the positive aspects of globalization through music that there is overwhelming evidence that cultural imperialism is more than it seems on the outside. One must keep in mind that cultural imperialism, globalization and the creation of a global village is a business. People are profiting at other people’s loss of cultural identity, they are sold a culture and heritage. With the every growing N’Sync fan clubs and Britney clones, the world is turning into a stage for pop culture and its glamorous unattainable standards.