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The glide six bits zora neale hurston
The glide six bits zora neale hurston
Zora Neale Hurston and her The Gilded Six-Bits characters
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When one thinks of the general concept of home, a house, a family, or a general sense of belonging may appear in one’s mind. However, in Frost’s poem “The Death of Hired Man” and Zora Neale Hurston’s short story “The Gilded Six-bits,” home is not restrained to being just a family or a certain place; it is a place or person that shows unconditional care, love, or forgiveness. Home is expressed not only through words, but also in actions. The character of Mary is the one who shows unconditional care for Silas, and Joe shows unconditional forgiveness and love for Missie May even after she betrays him. Also, unconditional grace is widely shown to both Silas and Missie May. Either person does not earn this grace; this grace is freely given. In …show more content…
There is nothing Missie May could have done to redeem herself of cheating on her husband. Even the night after Joe catches her cheating with Sessums, she does every little thing she can to redeem her betrayal of him. She “rushed hot biscuits to the table,” and when his coffee is empty, “She sprang to refill it” (949). However, Joe loves and forgives her unconditionally. Joe never raises his voice to Missie May after he catches her cheating; he only subtlety reminds her of what she has done with the gilded coin. Joe seems to be punishing her for her betrayal, but his pain does not come from the fact that he hates her; he is in pain because he loves her. Although there is never a hiatus to Missie May being his home, he keeps her at a distance for a while because he is inwardly hurt by what she has done. Her pain also stems from how much she loves him, and the thought of him not loving her gives her pain. While Missie May is crying, Joe asks, “’Missie May, whut you cryin’ fo?’” and she replies, ”‘Cause Ah love you so hard and Ah know you don’t love me no mo’’”(948). After Missie May says he will not love her anymore, he says, “’You don’t know de feelings of dat yet”’(948). Joe says this to show how he is going to give this situation time. He punishes her with guilt, but in the end, their marriage goes back to what it was before Sessums. Both are hurt by Missie May’s betrayal because both love each other so much. Because Joe’s …show more content…
“The Death of a Hired Man” shows how home is a place where family is not required and care is given. “The Gilded Six-Bits” shows that home can be a person, has unconditional love, or has forgiveness. However, both the poem and short story show that unconditional grace is also present in a home. Neither Silas nor Missie May did anything to merit the grace they were both shown. The grace they were both shown was given in a time that both Silas and Missie May are at their lowest. Silas did nothing to earn the care of Mary and Warren just like Missie May did nothing to earn the forgiveness and love of
The character Mrs. Wright is portrayed as a kind and gentle woman. She is also described as her opinion not being of importance in the marriage. It is stated by Mr. Hale that “ I didn’t know as what his wife wanted made much difference to John” .(745) Her neighbor, Mrs. Hale, depicts her as “She─come to think of it, she was kind of like a bird herself─real sweet and pretty, but kind of timid and─fluttery. How─she─did─change”. (752) It appears that Mrs. Wright is a kind and gentle woman, not capable of committing a murder. But, with the evidence provided and the description of Mr. Wright’s personality it can also be said that the audience will play on the sympathy card for Mrs. Wright. She appears to be caught in a domestic violence crime in which she is guilty of, but the audience will overlook the crime due to the nature of the circumstances. By using pathos it will create a feeling that Mrs. Wright was the one who was suffering in the marriage, and that she only did what she felt necessary at the
W.E.B. DuBois, in The Souls of Black Folk describes the very poignant image of a veil between the blacks and the whites in his society. He constructs the concept of a double-consciousness, wherein a black person has two identities as two completely separate individuals, in order to demonstrate the fallacy of these opinions. J.S. Mill also describes a certain fallacy in his own freedom of thought, a general conception of individuals that allows them to accept something similar to DuBois’ double-consciousness and perpetuates the existence of the veil.
In Zora Neale Hurston’s short story “Sweat” the author not only focuses on portraying different gender roles but also focuses on the theme of good versus evil within the marriage of Sykes and Delia. Hurston portrays Delia as the good in the marriage and Sykes as the evil. The use of religious symbolism and imagery is the support that makes this theme so strong and influential. As the short story progresses you witness the transition of a clean, moral woman who overcomes evil.
In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the main character Janie struggles to find herself and her identity. Throughout the course of the novel she has many different people tell her who she should be and how she should behave, but none of these ideas quite fit Janie. The main people telling Janie who she should be is her grandmother and Janie’s 3 husbands. The people in Janie's life influence her search for identity by teaching her about marriage, hard work, class, society, love and happiness.
... Maggie ultimately garners respect for herself and her husband- “You're a backward lad, but you know your trade and it's an honest one,”- with her will. The challenge to overcome her father’s oppression garnered her ‘good life’ alongside the respect her father and his family business (Hobson). The search for our definition of the good life is wrought with trials and tribulation, working to overcome deep seeded trends of oppression within society and family.
When Janie was a young girl, she allowed her grandmother’s opinions and beliefs on happiness dictate how she lived her life, which ultimately led to her misery. When Janie was caught kissing Johnny Taylor under the pear tree at the age of sixteen, Nanny told Janie how she wanted her to live her life: “Ah wanted yuh to school out and pick from a higher bush and a sweeter berry. But dat ain’t yo’ idea, Ah see” (Hurston 13). Since she was young, Janie had been mesmerized with the pear tree, the emblem of natural harmony and contentment. She had come to the realization that her dream was to wrestle with life, and just as she was experiencing this freedom, Nanny, the only family she was in contact with, challenged her plans. Nanny took her own experiences as a malnourished slave and condemned Janie to the life in which she was never able to have; Nanny wanted her granddaughter to marry a man with money so that he could support her; she believed that whatever Janie’s assertion of happiness was, was wrong and pointless. When Nanny told Janie that she wanted her to marry a rich man, she spoke with a superior tone that revealed her belittlement towards Janie. She claimed that Janie didn’t know what was best for herself,...
In “The Gilded Six-Bits,” Zora Neale Hurston uses several techniques to characterize Joe and Missy May, the main couple throughout the story. Hurston uses her own life experiences to characterize Joe and Missy May and their marriage. She also shows their character development through her writing styles and techniques, which show reactions and responses between Joe and Missy May to strengthen the development of their relationship. Hurston supports her character development through her writing style, her characters dialect, and includes experiences from her own life to portray a sense of reality to her character’s personalities.
The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.
Like most peoples families there is a dynamic of people involved, although all from the same environment and teachings, it is ultimately an accumulation of personal experiences that shape us and defines how we perceive our existence. “Everyday Use” is a story of conflict of right and wrong and also family values. Walkers’ narrator, “Mama”, struggles with her disrespectful daughter ‘Dee”. Though “Mama” was quoted to have worked hard like a man to send her to school gratitude is never mentioned. “Clearly, Dee privileges language over silence, as she demonstrates in her determination to be educated and in the importance she places on her name” (Tuten). Since “Dee” had been out of the house and to school in the city she had lost touch with where she came from and had little respect for the family heritage. Maggie having been burned in a house fire had learned to love the shelter that only a family can provide. Being burned makes you like no one else, everywhere you go you feel eyes looking. Since she had not been out of the house and had the time to learn the value of family she regarded the quilts as a part of her heritage.
Even with the pain of bearing children, raising them, doing household and even farm chores, their efforts have never been truly appreciated. Mrs. Wright was “…real sweet and pretty, but kind of timid—and fluttery…” as Mrs. Hale, her neighbor, describes her (22). This would all soon change after her wedding day. With Mr. Wright’s insipid character and lack of patience of any joyous sound, Mrs. Wright’s spirit dwindled to nothing. It seems she spent hours at a time focusing on her quilts, preserves, and caring for the only life there was in the house, her canary. Even when Mr. Hale offered to get a party telephone, Mr. Wright responded, “…folks talk too much anyway…”(5). This silence he preferred also applied to his spouse. There were no hugs given out much less a smile. He failed to give her even the most minimal sing of appreciation much less the emotional warmth she hungered for.
Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that journey is not the same for every individual. Media often leads its viewers toward a “one size fits all” version of success that may help themselves, but will rarely help the viewers. This is seen in Arthur Miller’s Death of a Salesman. Miller includes multiple instances of symbolism and personification to reveal to the reader the situational irony in Willy’s life, underlining the theme of self-deception in regard to the American Dream. This American Dream, fueled by money, is the main source of anxiety in Willy’s life. The anxiety of income is reflected today in the issue of minimum wage. James Sherk, a writer of the Tribune News Service, plots thoughtful points against raising the minimum wage. However, his use of over-exaggeration and odd comparisons leave his argument less than convincing.
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.
Mood helps in creating an atmosphere in a literary work by means of setting, theme, diction and tone. Throughout the book To kill a mockingbird the author wanted the mood to be sorrowful or vexed or just fret about how the people are acting because seeing how things were being treated or how people acted would be enough to make you feel angry or sad or worried for the people who were in the book. You always wanted to know what was going to come next or how something would end. Vex was a very prominent mood in this story and is definitely the most relevant.
During her marriage to Joe, Janie reflects on how Nanny’s strict upbringing has influenced her life and concludes that “Nanny had taken the biggest thing God ever made, the horizon-- for no matter how far a person can go the horizon is still a little way beyond you, and pinned it in...” (89). Hurston emphasizes the vastness of the horizon as a way of alluding to the countless possibilities it holds. In saying that Nanny “pinned it in”, Hurston argues that Nanny was too narrow-minded to appreciate the opportunity held by the horizon, scared of the freedom it held. Nanny breeds this fear in Janie by imposing her own values on her without allowing Janie to discover what was important for her. Clogging the horizon provided the control she inherently craved, a desire implanted in her by the materialistic beliefs she held. A smaller horizon made Nanny feel as though she was closer to achieving her dreams, but in reality, all it did was narrow her options. By clogging the horizon and its limitless possibilities, Nanny clogged her “veil” as well, making it more difficult to sift through (what she valued in life?) good and
Nelle Harper Lee’s novel To Kill A Mockingbird has been considered one of the classic works of American literature. To Kill A Mockingbird is the work ever published by Nelle Harper Lee, and it brought her great fame. However, Nelle Harper Lee has published several other articles in popular magazines. Nelle Harper Lee is not an individual who desires to be in the light and little is known about her personal life. At the time it is believed she is possible working on her memoirs. The fictional work of To Kill A Mockingbird plots many elements close to real events in America’s struggle over civil rights.