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The role of the media in politics
The impact of media in politics
The impact of media in politics
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Dante Alighieri writes that “ the darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis.”1 They say that ignorance is bliss, but ignoring something in the hope that it might resolve itself is not the most suitable path for everything, specially things that are within our power. Dante maybe a bit too vicious in expressing this idea but perfectly encapsulates its urgency. The current American presidential race may possibly give rise be one such crisis. Americans need to be aware of the repercussions of Republican candidate Donald Trump becoming the president of one of the most powerful nations of the world.
When Donald Trump announced he was running for president on June 16, the idea seemed faintly ridiculous. The Washington Post said that he faced “an uphill battle to be taken seriously by his rivals, political watchers and the media.” The New York Times described it as an “improbable quest for the Republican nomination.” He was polling at less than 3 percent.2 But as the summer of Trump lingers into autumn, the real estate magnate remains the front-runner in the Republican presidential primary. The political establishment is flummoxed, and at least one of its members has concluded that Trump 's supporters are just insane.
Over the course of his campaign Trump has stated and pledged some outrageous and contentious views and policies. But I would like to focus on his immigration reform policies, his xenophobic ideologies, and how this could effect America’s relation with the rest of the world. *
1 Gallagher, Joseph. A Modern Reader 's Guide to Dante 's The Divine Comedy. Liguori, 10 May 1999. Print.
2 DelReal, Jose A. “Donald Trump Announces Presidential Bid”. The Washingt...
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...spaper, but the content hierarchy would remain the same. The PSA would display Trump’s policies and statements and then show its effect on a different Americans in every ad, for example, a mixed immigration status family being separated from their loved ones facing deportation, having to decide whether or not to stay in the country. Another approach would be to counter each policy with a fact, for example, the PSA would start by stating —“ Trump wants to ban Muslims in America,” below this statement would be a fact countering this policy “ The US wouldn’t look the way it does if it weren’t for a Muslim, Fazlur Rahman Khan. He pioneered a new structural system of frame tubes that revolutionised the look of American cityscapes.” The PSA would end with Trump’s campaign slogan—“ Make America Great Again” but with a question mark at the end provoking the reader to think.
Alghieri, Dante. "The Divine Comedy: Inferno." The Norton Anthology of World Masterpieces: Expanded Edition In One Volume. Gen. Ed. Maynard Mack. New York, NY: W.W. Norton & Company, 1997. 1032-1036.
Fantastic elements occur in both Dante’s Inferno and The Tales of Sinbad but it is obvious that Inferno uses a lot more of the fantastic than Sinbad. In Dante’s Inferno, there are several fictional creatures (Cereberus, the Furies, Geryon) in the realms of hell, which all serve a specific purpose in hell and in Dante’s journey through the depths of hell. Through Sinbad’s journey, we see a lesser quantity of fantastic creatures, but, similar to Dante’s Inferno, the creatures that appear in Sinbad’s voyages all serve a purpose to the plot of the story. The main connection that both Dante and Sinbad have in relation to the use of the fantastic in their journeys is the purpose of the fantastic creatures themselves—they serve to cause death among others, but oftentimes are the sources that help advance the plot of the poem forward.
Dante Alighieri, The Divine Comedy I: Hell, trans. Dorothy Sayers. New York: Penguin Books, 1949
The Inferno is the first section of Dante's three-part poem, The Divine Comedy. Throughout Dante's epic journey into the depths of Inferno he encounters thirty monsters and five hybrid creatures. The most significant of these monsters are of central importance to his journey and to the narrative, as they not only challenge Dante's presence in Inferno, but are custodians of Hell, keeping in order or guarding the "perduta gente". In this essay I am concentrating on these prominent beasts, namely Minos, Cerberus, Plutus and Geryon, establishing why they feature in Dante's eschatological vision and discussing the sources which influenced his inclusion of these particular creatures. These four monsters all fulfil important functions as well as representing important themes in Inferno, establishing them as symbols which reinforce Dante's allegory.
In The Divine Comedy by Dante Alighieri there are two main guides who help Dante on his journey to salvation. These guides help demonstrate the consequences of sin and teach him how to overcome the temptation of it. These guides are each a crucial part in Dante’s transformation to allow him to fully grow and learn to be pure on his own.
Because Donald Trump wanted to become a Presidential Candidate to shake up America and our way of choosing a Commander in Chief he has taken the focus off of other candidates. To me, he has done just that. In turn, he has also showcased a lot of his ignorant behavior and poor attitudes towards others. Eventually, this will affect how America votes; against Donald Trump. Furthermore, Donald Trump lacks a Presidential form of social interaction. This candidate appears to be impatient when others challenge his position on facts versus his opinions. When he dislikes someone politically or personally, Trump uses his popular attack-mode tactics to make his point. Repeatedly Donald Trump fails to be intellectually stimulating as a Presidential Candidate. Often he has a habit of stating his offensive
Alighieri, Dante. The Divine Comedy of Dante Alighieri: Inferno. Trans. Allen Mandelbaum. Notes Allen Mandelbaum and Gabriel Marruzzo. New York: Bantam Books, 1980
Immigration is an immeasurable problem here in the U.S., Trumps outlook for this issue states “They're bringing drugs, they're bringing crime, they're rapists,” Trump said of undocumented Mexican immigrants while announcing his candidacy last June. Building the border stronger end immigrants and refugees who don’t through rigorous vettings.
Donald Trump, a current Republican front-runner, is well known for his presidential campaign and its harsh policies on illegal immigration between Mexico and the United States, which are largely similar to the 1930’s repatriation movement. His policy on Mexican immigration states, “The influx of foreign workers holds down salaries, keeps unemployment high, and makes it difficult for poor and working class Americans… to earn a middle class wage.” This is almost identical to a claim that was made during the Great Depression, and his plans for solving the crisis are also identical to the efforts made during the Repatriation; welfare refusal to immigrant families, job denial, and mass deportation of roughly 11 million Mexican immigrants. Though the thought of these plans going through may seem unachievable, history shows that they can be --and have been --
Examining Trump’s rhetoric and past actions, it becomes clear that Trump’s ability to be the leader of America, especially in today’s already heated world climate, becomes questionable. When even the members of his own party refuse to endorse him and claim that he is not qualified to run a country, the general public needs to sit back and question his integrity. In Trump’s past, he has proven to be an insensitive, racist, greedy business man. Why would he prove to be any different once elected to office?
Alighieri, Dante. The Inferno of Dante. Trans. Robert Pinskey. New York: Farrar, Straus, and Giroux, 1994. Print.
Alighieri, Dante. "The Inferno." The Divine Comedy. Trans. John Ciardi. New York: First New American Library Printing, 2003.
Priest, Paul. "Allegory and Reality in the "Commedia"" Dante Studies With the Annual Report of the Dante Society.96 (1978): 127-44. JSTOR. Web. 09 May 2014. .
Alighieri, Dante. The Divine Comedy, Inferno. New York: W. W. Norton & Company, 2009. Print.
The Divine Comedy, written in the 14th century by Dante Alighieri, is a heroic epic. Throughout Dante’s literary work, he outlines his scientific understandings of the world, his political views and provides the reader with a moral compass and spiritual map of which to follow. This poem is written in three parts, Inferno, Purgatorio, and Paradisio, each of which is broken down into individual cantos. Inferno includes 34 cantos, whereas Purgatrio and Paradiso each contain 33 cantos, however, the first canto of Inferno is really an introduction to the poem.