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The Book: Name: The Dark Room Author: R. K. Narayan Number of Pages: 214 Publisher: University of Chicago Press Date of Publication: January 1981 Classification: Fiction Summary: In the quiet town of Malgudi, in the 1930's, there lived Savitri and her husband, Ramani. They lived with their three children, Babu, Kamala, and Sumati. Savitri was raised with certain traditional values that came into internal conflict when she took Ramani, a modern executive, as her husband. Savitri has endured a lot of humiliations from her temperamental husband and she always puts up with his many tantrums. To find solace and escapism, she takes refuge in 'the dark room', a musty, unlit, storeroom in the house. But when Ramani takes on a beautiful new employer, Savitri finds out that her husband has more than a professional interest in the woman. So, at first, she tries to retreat to her dark room. But she realises that hiding in there won't help. So she tries to leave the house. She stayed with a friend in another village. But after staying there for some time, she can't help but think of her husband and their children. What would happen to them? After doing a lot of thinking, she finally decides to go back home. In the end, Ramani has finally stopped seeing Shanta Bai, the other woman, and I guess you could say it's a happy ending. It's now up to you to go and guess the rest. Savitri is very much real. She is basically quite like most people. They treat problems like that. They find ways to escape it. Like booze, drugs, suicide, etc. In Servitor¡¯s case, she stays in the dark room, and finally, leaves her family. As I was reading "The Dark Room¡±, I felt compassion towards Savitri. I can clearly see that she was a confused woman. It was depicted through the first part of the story wherein her son was ill and she told Babu, her son, not to go to school that day. But Ramani intruded upon them and said that Babu has to go to school and that his illness is merely a headache. Savitri didn't know what to do then. She was concerned for Babu¡¯s health, but at the same time, she didn't want to argue with Ramani. In the end, Babu had gone off to school. As for Ramani, I felt like shouting at him while reading the novel because of his bullying.
In Allende’s The House of the Spirits, Esteban Trueba is the principal male character. During the course of the novel, Trueba increases his power in the world as he progresses in status from a conservative landowner to a powerful senator. He is tyrannical, treating his family members and the tenants on his family hacienda, Tres Marías, like subjects rather than intimate community. The basis for most of Trueba's actions is the desire for power, control, and wealth, and he pursues these things at any cost, disregarding his emotional decline and the effects of his actions upon the people in his life.
Joseph Conrad's novel Heart of Darkness uses character development and character analysis to really tell the story of European colonization. Within Conrad's characters one can find both racist and colonialist views, and it is the opinion, and the interpretation of the reader which decides what Conrad is really trying to say in his work.
The faultiness theory can be seen that without order there will be no anarchy, without murderers who kill lacking penitence there will be no need for the ‘hero’ a protector for the people, the common man.
When questioning whether or not Joseph Conrad was an imperialist, a racist or both for that matter, the answer should be quite obvious after reading some of his works, such as, Heart of Darkness. Everywhere you look in this book, there is both imperialism and racism illustrated. Through Kurtz, Conrad's imperialist side breaks through and likewise, through Marlow Conrad's racist views come to life.
1. The protagonist of Heart of Darkness is a person named Charlie Marlow. Oddly, his name only appears once in the novel. Marlow is philosophical, independent-minded, and generally skeptical of those around him. He is also a master storyteller, eloquent and able to draw his listeners into his tale. Although Marlow shares many of his fellow Europeans’ prejudices, he has seen enough of the world and enough debased white men to make him skeptical of imperialism. An example of Marlow being independent-minded and philosophical is when he takes a trip up a river, as a break from working on ships. Marlow describes the trip as a journey back in time, to a “prehistoric earth.” This remark on how he regards colonized people as primitive, which is his philosophical viewpoint.
The Novella Heart of Darkness by Joseph Conrad is about an Ivory agent, Marlow, who is also the narrator of his journey up the Congo River into the heart of Africa. Marlow witnesses many new things during his journey to find Mr. Kurtz. In Apocalypse Now, the narrator is Captain Willard, who is also on a journey to find Kurtz. The Kurtz in the movie however is an American colonel who broke away from the American army and decided to hide away in Cambodia, upon seeing the reality of the Vietnam War. The poem “The Hollow Men” talks about how humans’ “hollowness” affects their lives and often leads to the destruction of one’s life. These three works all deal with similar issues, and are related to one another in many ways, and also share somewhat similar themes.
Heart of Darkness ?gHeart of Darkness?h, written by Joseph Conrad, holds thematically a wide range of references to problems of politics, morality and social order. It was written in a period when European exploitation of Africa was at a gruesome height. Conrad uses double oblique narration. A flame narrator reports the story as told by Marlow, assigned to the command of a river steamboat scheduled to transport an exploring expedition. Kurtz is a first-agent at an important trading post of ivory, located in the interior of the Congo. Both Marlow and Kertz found the reality through their work in Africa. Marlow felt great indignation with people in the sepulchral city after his journey to the Congo region because he discovered, through his work, the reality of the universe, such as the great virtue of efficiency, the darkness in society and individuals and the surface reality. When Kurtz found himself on his deathbed and he said ?gThe horror, The horror referring to his life in inner Africa, which caused him disintegration. Marlow emphasized the virtue of ?gefficiency?h throughout the story because he thought of it as the only way to survive in the wilderness. After seeing the dying natives in the forest of the outer station, Marlow described them as ?ginefficient.?h Under ?gthe devotion to efficiency,?h incompetent people were excluded from society. Only efficient people can survive. For example, since Kurtz was the most efficient agent, with regards to producing ivory, his employers respected his achievement and regarded him as an essential person.
Heart of Darkness is not only the title of Joseph Conrad’s novella, it is also a main theme. This is portrayed through different images of darkness, black and evil throughout his story. The setting is often used with images of darkness; even as Marlow tells his tale, it is night. This ‘darkness’ is inside many concepts of the novella such as Africa, women, black people, maps, the ivory trade corporation and Kurtz. Through these images on his journey, Marlow has a realization about the inner darkness of man, and thus brings out the theme, and title, Heart Of Darkness.
Night is the true story of what Elie Wiesel went through during World War II. this book was first written in french, in 1955 and then translated english in 1958. during world war II, the jews were naive and hoped for better times. Even though the situation was always getting worse. In night, Wiesel describes elements of the war that any survivor knew about. he shows us how before the war nobody could imagine such horrible events occurring. the book sends a message stating that everything bad was happening around them the jews were still hoping for better times. Wiesel shows us that still believed in humanity, they did not think such bad events can occur and how even though they had multiple chance of escaping they did not.
Joseph Conrad uses the literary device of foreshadowing in his work, Heart of Darkness, to set the mood and set the stage for his ironic plot to unfold. The foretelling begins when Marlow, the novel’s main character, narrates a brief reflection “… of very old times, when Romans first came here” to carry out their conquest of England, suggesting that this Roman conquest was similar to the Belgian efforts to colonize Africa (p. 1635). Conrad, a sailor at the young age of seventeen, tells his story through the character of Marlow who recounts the adventures during his quest to retrieve the bones of a murdered sailor. Marlow’s experiences are much like the Roman’s conquest as they both faced the darkness of a treacherous path, overrun terrain, untamed natives, and personal self-doubt.
The world of women was vastly different to modern times. The unsettling truths of the view of men at this time were disconcerting “they—the women I mean—are out of it—should be out of it. We must help them to stay in that beautiful world of their own, lest ours get worse” (80). Ultimately the voice of Marlow thinks that women are naïve, delicate beings that should be sheltered from everything because they are too delicate to handle the truth. As the narrator says, “it’s queer how out of touch with truth women are. They live in a world of their own” ( 28). Marlow frequently says that women are the keepers of naïve illusions but their role is important, because those naïve illusions that he refers to are the basis of societal fiction. The role of women are the justification of European colonial expansion and imperialism. And in return, the women are the benefit from the wealth their men attain, and they become objects upon the shoulders of men that display them as their level of success and status. Kurtz’s Intended represents this particular role, his Intended embodies, faith and naive innocence. She only actually devotes herself to an image of Kurtz instead of the man himself. The woman’s has a sincere character and a high sense of morality. Marlow notices and describes that “she was not very young… not girlish. She had a mature capacity for fidelity, for belief, for suffering” (p. 119). Indeed she represents her culture and race she living in the realm of fiction. “A mystery; and yet the terms of light in which he speaks of it relate this quality to the idealism and faith embodied in a figure who is herself a core of light, Kurtz's Intended” (Ridley 6) She believes that she was in love with Kurtz but she didn’t even know who he re...
a dull grey colour as if it had lost the will to live and stopped
King Leopold II of Belgium is known for being one of the most brutal racists in history. His inhumane treatment of Africans in the Congo was revealed in photographs that surfaced and that were taken to emphasize his cruel behavior over the Africans in the Congo. His motive for this inhumanity was pure greed. Joseph Conrad’s Heart of Darkness, although does not embody the vicious behavior of King Leopold II, contributes to the racism of that period in other ways. Because of this, the novel can be interpreted in different ways from a racism standpoint. In my opinion, I both agree and disagree with Chinua Achebe’s statements concerning Joseph Conrad’s Heart of Darkness, and feel that it can be viewed in some ways as both racist or not racist.
Heart of Darkness. That title rings with agony, loneliness, and the sense of evil. The words produce an image of a black heart entangled with unbreakable vines. To have a heart that is figuratively black and bounded to the ties of evil is a bitter and deathly symbol. Who could possibly have that heart? Joseph Conrad, for example, was a man with a heart of darkness. His life reeked with self deception and inner conflicts. Conrad’s book, Heart of Darkness is based upon imperialism and racism. Racism is cleverly hidden within the text, but imperialism is innocently depicted as the civilization of the Congolese people. Conrad’s writing can be interpreted two different ways. One approach is the reader might interpret his writing as an attack on the Europeans as the imperialists trying to help the Congolese, but the African people refuse their help. In contrast, the other approach might be that they feel sympathetic to the Congolese people. They see the Europeans has cruel and heartless. If we seek to understand the racism and the imperialism of that day and age, we can see racism in between the lines. I agree with many of Conrad’s critics when they say that he is completely racist, however I tend to see that no matter what race we are we all have a seed of darkness inside our hearts. Why are we infected with his powerful bug of a race overpowering any minority that is inferior to us due to any significant difference? In the case of Conrad’s book Heart of Darkness, it seems like Congolese people are nothing more than disposable and insignificant.
Joseph Conrad’s Heart of Darkness does not explicitly deal with a struggle between war and peace: the conflict is a psychological, moral one; however, the text’s implications that society is a thin veil over our innate savagery, the darkness at the roots of Western civilization, reveals disturbing truths about the peaceful, orderly lives we take for granted. The key to understanding Conrad’s novella lies in ascertaining the metaphorical significance of the “heart of darkness,” a search which may yield an answer as complex and obscure than any geographical, sociological or psychological solution.