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The story of an hour irony analysis
The story of an hour irony analysis
The story of an hour irony analysis
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This essay will compare and contrast “The Curse,” by Josh Ritter and “The Landlady” by Roald Dahl. “The Curse” is a song about a mummy who falls in love with a lady, then she gets cursed and dies. “The Landlady” is about a dude who goes to a hotel run by an old lady who stuffs dead guests. These stories use irony, but for different reasons. One story is sad, the other is unnerving. Overall, both stories have a similar theme of the death. The difference is that in one, the murder was accidental. Both stories have death by loving someone. For instance, in the curse the lady loves the mummy but gets cursed! Josh Ritter writes, “She stops going out, she just lies there in bed In hotels in whatever towns they are speaking Then her face starts to set and her hands start to fold And one day the dry fig of her heart stops its beating” This tragedy only happened because she loved the mummy. In the landlady, guests love the landlady because she is a cute, old lady on the surface. She takes advantage of this love in order to kills and stuffs the guests. The character foreshadows this by saying, “I stuff all my little pets when they pass away.” It sounds innocent, but she is really admitting that she kills and stuffs all the people who come to her hotel. …show more content…
one difference is that in on of the stories the murder is on purpose,and in the other it’s on accident.Firstly,in the landlady she definitely tries to kill guys.The landlady of the title says herself,“I stuff all my little pets when they pass away.” I felt like this is a ominous clue about her actions.But in the curse,josh
What kind of stories have you read? Have you read of any that in a way have similarities and differences with one another? The two short stories in this essay are "the cask of amontillado" and "the killings". These short stories are ironically the same but with different perspectives. Both authors have a different meaning for why they wrote the stories. One of the similarities are that both stories have to do with killing someone. In "the cask of amontillado the narrator kills due to madness an the narrator in "the killings kills to avenge his sons death. Another difference is that after Montessor kills his "friend", he feels no remorse or guilt and Matt fowler from "the killings" feels empty and remorse after the killing.
The topic at hand for both of these stories is simple, but has many opinions. That being a black man was accused as a murder/murder accomplice and was put on trial for it. Both, Monster and Murder on a Sunday Morning, deal with racial issues and being judged for the color of their skin; their cases are very similar but also have some key differences.
The basic premise of the two plots is the same. Both stories deal with the capture of a young person who is to be groomed to live in a private, controlled environment to make them happy, but where they are never able to leave.
Initially in both stories there is an incident that traps a group of males in a secluded, unknown location. They are forced to work together to survive. As the stories progress we see an instance in each where someone threatens to kill another person. For example, in The 33, one man threatens to murder another man because he uses his iPod. One of the main differences we see is the outcome of the situations.
In Andre Dubus’ “Killings” and Flannery O’Connor’s “A Good Man is Hard to Find” the theme of death is apparent throughout both of the short stories. Both have a plot that revolves around death and murder. They differ because in Dubus’ story the theme of death is obvious because the whole plot revolves around murder, but in “A Good Man is Hard to Find” there are numerous symbols of death as well as a major theme of death. Also, the endings of the stories are of an interesting comparison because they both end in the perspective of a murderer. In “Killings” the reader is left with a depressed feeling and an irresolvable ending, while in “A Good Man is Hard to Find” the reader is left feeling like the story was somewhat resolved even after all the gruesome fatality. The endings of these stories leave the reader with opposite feelings and Dubus and O’ Connor show their different outlooks on the world through these endings.
Edith Wharton’s brief, yet tragic novella, Ethan Frome, presents a crippled and lonely man – Ethan Frome – who is trapped in a loveless marriage with a hypochondriacal wife, Zenobia “Zeena” Frome. Set during a harsh, “sluggish” winter in Starkfield, Massachusetts, Ethan and his sickly wife live in a dilapidated and “unusually forlorn and stunted” New-England farmhouse (Wharton 18). Due to Zeena’s numerous complications, they employ her cousin to help around the house, a vivacious young girl – Mattie Silver. With Mattie’s presence, Starkfield seems to emerge from its desolateness, and Ethan’s vacant world seems to be awoken from his discontented life and empty marriage. And so begins Ethan’s love adventure – a desperate desire to have Mattie as his own; however, his morals along with his duty to Zeena and his natural streak of honesty hinder him in his ability to realize his own dreams. Throughout this suspenseful and disastrous novella, Ethan Frome, Edith Wharton effectively employs situational irony enabling readers to experience a sudden shock and an unexpected twist of events that ultimately lead to a final tragedy in a living nightmare.
Another interesting factor about this story is the irony and tone in this story and how it adds toward each character.
There is knocking sounds inside of her head as much as the outside, she believes: “I am disappearing inch by inch into this house, I am going apart a little bit at a time because all this noise is breaking me; why are the others frightened?” She decides to give up: “I will relinquish my procession of this self of mine, abdicate, give over willingly what never wanted at all; whatever it want of me it can have” (Jackson, 174). She admits her life is something what she could never control. Eleanor scared everyone in the group on her final night at the hill house. he was acting like a ghost, dancing and signing along the hallways, banging the doors.
In Shirley Jackson’s “The Lottery” irony is an underlying theme used throughout the story. The setting is introduced as a “clear and sunny” day, but ends with the brutal death of a housewife (715). The two people who essentially run the town, Mr. Graves and Mr. Summers, also have ironic names. In addition, the characters and the narrator make ironic statements throughout the story.
...nal family. The second poem uses harsh details described in similes, metaphors, and personification. The message of a horribly bad childhood is clearly defined by the speaker in this poem. Finally, the recollection of events, as described by the two speakers, is distinguished by the psychological aspect of how these two children grew up. Because the first child grew up in a passive home where everything was hush-hush, the speaker described his childhood in that manner; trying to make it sound better than what it actually was. The young girl was very forward in describing her deprivation of a real family and did not beat around the bush with her words. It is my conclusion that the elements of tone, imagery, and the recollection of events are relevant to how the reader interprets the message conveyed in a poem which greatly depends on how each element is exposed.
...montillado", Edgar Allen Poe tells us two very different stories with a similar theme. Poe seems quite comfortable writing about death in different situations, and recommends to us that death and revenge more often then not go hand in hand. This seems to be his most common theme in not only these two pieces, but in much of his work as well. He treats revenge more as a rule than exception, and that it is a normal part of life. Poe seems to write easier about death than life, and he addresses it with more dexterity and technique than most writers.
It is clear that the author, Roald Dahl, utilizes a variety of literary devices in order to create an element of suspense in the text, “The Landlady.” An example of this would be Dahl’s use of foreshadowing in the text. The Landlady states in the text, “But my dear boy, he never left. He’s still here. Mr. Temple is also here. They’re on the fourth floor, both of them together” (Dahl 5). It is evident how this would contribute to the component of suspense for the reader. The use of foreshadowing throughout “The Landlady” is meant to hint towards Billy’s impending doom, and thus would compel readers to anticipate Billy’s fate, creating suspense. Foreshadowing contributes a great deal to the dark humor/mysterious aspect of Dahl’s style of writing.
Early on, poetry was often used with rhyme to remember things more accurately, this still rings true today, even though its use is more often to entertain. However, although it appeals to both the young, in children's books, and the old, in a more sophisticated and complex form, people are bound to have different preferences towards the different styles of poetry. Dobson’s poetry covers a variation of styles that captivate different individuals. “Her Story” is a lengthy poem with shorter stanzas. It’s free verse structure and simplistic language and face value ideas might appeal better to a younger audience. This poem includes quotes with informal language that children or teens would better understand. It’s narrative-based style is easy to follow, and although the poem covers very basic concepts, it’s message is still communicated subliminally. This particular poem is interesting because it focusses on the universal experience of pain and it’s relation to time. Similar to this is “The Householder”, written in a cyclical style, opening with a “house” and ending with a “home”. With only three stanzas, it is
The speaker reflects on the teenage girl’s childhood as she recalls the girl played with “dolls that did pee-pee” (2). This childish description allows the speaker to explain the innocence of the little girl. As a result, the reader immediately feels connected to this cute and innocent young girl. However, the speaker’s diction evolves as the girl grew into a teenager as she proclaims: “She was healthy, tested intelligent, / possessed strong arms and back, / abundant sexual drive and manual dexterity” (7-9). The speaker applies polished language to illustrate the teen. This causes the reader not only to see the girl as an adult, but also to begin to grasp the importance of her situation. The speaker expresses what the bullies told this girl as she explains: “She was advised to play coy, / exhorted to come on hearty” (12-13). The sophisticated diction shifts towards the girl’s oppressors and their cruel demands of her. Because of this, the reader is aware of the extent of the girl’s abuse. The speaker utilizes an intriguing simile as she announces: “Her good nature wore out / like a fan belt” (15-16). The maturity of the speaker’s word choice becomes evident as she uses a simile a young reader would not understand. This keeps the mature reader focused and allows him to fully understand the somberness of this poem. The speaker concludes the poem as she depicts the teenage girl’s appearance at her funeral: “In the casket displayed on satin she lay / with the undertaker’s cosmetics painted on” (19-20). The speaker elects not to describe the dead girl in an unclear and ingenuous manner. Rather, she is very clear and
In the poem, “The Chimney Sweeper” by William Blake, the author attempts to educate the reader about the horrors experienced by young children who are forced into labor at an early age cleaning chimneys for the wealthy. The poem begins with a young boy who has lost his mother but has no time to properly grieve because his father has sold him into a life of filth and despair. The child weeps not only for the loss of his mother and his father’s betrayal, but also for the loss of his childhood and innocence. Blake uses poetry in an attempt to provoke outrage over the inhumane and dangerous practice of exploiting children and attempts to shine a light on the plight of the children by appealing to the reader’s conscience in order to free the children from their nightmare existence.