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Ancient greek art ap art history
Greek art summary
Ancient greek art
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This statue is the most well known sculpture, made during the transition period between the late archaic and classical period. It allows modern viewers to see the transition between the stoic Kouro and Kourai to the more sensual, defined and human-like figurines of the later periods Sculptures like Kritios Boy filled friezes in elite Roman villas and magnificent buildings like the Parenthon. It is seplucated that this statue was made between 400-480 BCE, by the artist Krito a philosopher, teacher and artist. They're many ideas relating to sculptures representation, most historians agree that it may represent the youth and virility of a victor returning from war. Due to the location the statue was found it is safe to assume that Athenians …show more content…
that passed by the statue considered it a symbol of Athenian society. The style and form of the statue was the first of many figures made during the early classical period. According to Robert Hulbert an art historian “The transition from stocky kuros to the movement filled statues of the early classical period is considered the most iconic image of Athens”(Hulbert,9). This statue is representative of the culture it is from, the purpose it was used for and the class of object it is. The statue is representative of the serenity in early classical Greek art.
Greek art is iconic for their proportionality, balance and harmony. Greek art transitioned very drastically to a more realistic, human Kassim 3 figurines like statues of gods like Zeus. During, the early classical period the Contrapossto stance was very popular amongst revolutionary artist. The Contrapossto stance consist of the figure leaning on one leg, positioning most of their weight on this leg while the hip is lifted higher on the opposite leg. The “S” curvature of the statues body is a component of art during this period, it is more realistic and is favored more than the stocky Kuros. The purpose of this statue was probably as a source of motivation for Athenians. Usually, Early classical statues represented Gods and heroic figures in history. Gods like Zeus or Poseidon represented holy deities, they were built towering over the common man with a very muscular physique. They were also presented usually engaging in battle. The Kritios Boy does not have the Archaic smile the canon common to most Archaic
sculputres. The class of this item is a free-standing statue, today we only have the torso, head and portion of the arms and legs. The statue was found in the old acropolis of Athens, it was partially destroyed and was missing it's head. It is partially understood that this statue was damaged during the Persian invasion of Athens and was later buried along with other destroyed artifacts. This statue was made of marble and initially had bronze eyes and golden leaf lashes. It is safe to assume that the bronze eyes were stolen by the Persian horde. Today, this statue is available for the public at the Acropolis Museum of Athens for only 5 euros a trip.
In this paper I am exploring “Portrait of Augustus as general” and “Khafre enthroned”. From exploring and getting to know the Statues in my Art History Book I have compared these statues (Kleiner, 2013). The first and most obvious similarity between the two is in the artists’ idealization and immortalization of their subjects. Both Khafre and Augustus are portrayed in an idealized manner, designed to give the impression of nobility, timelessness, and divinity. The two statues were the political advertisements of their times that showed the public images of reliable leaders who one
Within a Greek city, in a complex of temples, lays a marble relief panel known as the Nike Adjusting Her Sandal. Famous for its elaborately carved details and high level of skill, this Classical Greek sculpture stands 3 feet 6 inches tall and has been a subject of discussion between art historians for decades. The panel originates from the city of Athens’ Acropolis in Ancient Greece circa 410 BCE. Prior to the sculpture’s carving, the Athenians faced hardship when the Persians destroyed their original temples in 480 BCE. However, this prompted the leader of Athens, Pericles, to rebuild the Acropolis under a new, classical, principal. Pericles was an exceptional orator, general, politician, and patron of the arts. His rule lasted from 495 BCE
There are many similarities between the sculpture of the kouros and King Menkaure and His Queen. Since the Greeks used the same technique as the Egyptians, the statue of the kouros is posed stiffly with his arms straight down at his sides in the same manner that Egyptian pharaohs were often depicted. His left foot is slightly in front of the right, just as King Menkaure’s left foot is. Both figures are looking straight ahead, have their feet planted on the ground, and have long hair. The kouros represented the ideal form of a young male to the Greeks, just as the figures of King Menkaure and his queen depict the ideal notion of beauty to the Egyptians. The kouros emulates the stiff pose
The first glance you’ve taken at those two statues, you just see a man standing there. They are not doing anything in particular, just standing there. That was only in the first glance of course. Now take a good look at each one. In the archaic Greek kouros figure, the pose of the figure is very frontal. The entire figure is relatively stiff with the exception of the left leg, which is in front of the body giving it the early contrapposto pose. Even though it does have a much more natural pose to it with the one leg out, the rest of the body is not in a pose as if the weight of the body was put into one leg. The head is stiff with the hair being geometric and with the hair falling back on the body. The physical stature of the body is moderately realistic. The muscles are not quite as well defined but they are still semi-realistic. They are portrayed as if they were tense. The arms are also at the side.
The Egyptians had influenced Early Greek art for several years; it was during the time of war (Archaic Period) and art was not their top priority. Most of their sculptures were similar to those in Egypt and there was no sense of personal style. However, as peace was approaching, artists started to focus on how to make their work outstanding. They took advantage of their knowledge in anatomy and started applying it to their blocks of marbles. During the early Classical Period, Kritios Boy was sculpted, and it showed the break from the Egyptian style.
The Statue of a kouros and the Portrait statue of a boy both depict similar subjects, however are greatly different in how they accomplish this task. Through detail, or lack there of, the Greeks and Romans are able to display a certain value they have in its members. These two statues were made about 500 years apart and approach the sculpting process quit differently. The Greek statue seems to use geometric exaggerated lines to form the body while the Romans use a more realistic approach and sculpt the body with a more rounded finish. Statue of a kouros, from about 590 B.C and Portrait of a boy, from about the first century, do not share any great technical aspects and are basically nothing alike.
In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.
He discusses that Roman statues appear greatly similar to those of Ancient Greece, both in material and in style. The statues both from Greece and Roman Republic were made from slabs of marble and bronze. In both cultures, portraits were used as expressions of honor to both the living and the dead. They were often used in funerary spaces and sanctuaries. Stewart supports the same principle that the other critics have stated, that portraits and statues were used primarily by the wealthy and elite members of the republic. They decorated the public spaces of the people, as a reminder of leadership within the community and as a way to honor the authority’s power. Imperial portraits were used as a symbol of devotion and established the presence of a powerful empire, bringing the devotion towards the emperor
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
"Greek artists…explored people’s experienced, interactions with the natural world,and human relations to the gods. Everyday people were represented in Greek art…" (Emory)
Sculpture is one of the most important parts of Greek art since it is almost the only art form that has survived in some quantity. The ancient Greeks were especially known for their sculpture because their sculptures were extremely life like and beautiful. It was important to the ancient Greeks to combine passion and reason in their sculpture. Greek sculptures were mostly of the human form since they looked at their gods as having a human form. All of the sculptures were nudes of males because society looked down upon female nudity until latter on in time when you started to see sculptures such as the Venus di Milo, which was modeled after Aphrodite (Wikpedia the free encyclopedia. Wikpedia.11 Nov 2004. 12 Nov 2004 http://www.wordiq.com/definition/Greek_art ). One of the most amazing sculptures is the colossus sculpture of Zeus in Olympia it was one of the 7 wonders of the ancient world. Ancient writers said that it stood 12.40 meters high, 6.65 meters long and 9.76 meters deep the body of Zeus was made of ivory followed by a robe made of gold topped with a silver olive wreath and his throne was decorated with mythological scenes painted by Panainos and Kolotis the statue itself was created by Phidos. Michael Lahanas. 25 Dec 2002. 11 Nov 2004 (http://www.mlahanas.de/Greeks/Arts/ZeusStatue.htm). Another great sculpture is the colossus Athena Parthenos. This sculpture just like the colossus statue of Zeus was made of gold and ivory and had various mythological engravings in her shield, helmet and pedestal.
Perhaps one of the most defining and easily identifiable aspects of the ancient Greek culture was the immortalization of humans and gods in sculpture. Sculpture had existed in the world for thousands of years before the ancient Greeks made their stake in the art, but the Greeks added an entirely new set of aspects to their sculptures. Unlike the Egyptian and Mesopotamian sculpture centuries earlier, the Greeks set forth not just to capture the image of a man but to capture that which made him a man. The Greeks set in place three base tenants to display the tone of a sculpture. Through the use of Humanism, Realism, and Idealism the ancient Greeks were able to capture humans and gods forever in marble.
While they might be in the same stiff stance, the Kritios boy is looser and more realistic. The Kouros Youth is thinner and very sharp. If you look at the legs of the Kouros Youth, you can see that the edges of the muscles are sharp in comparison to the very round legs and body of the Kritios boy. The Kritios boy is looking much more realistic and round. The hair between the two statues is also very different. While the Kouros Youth has long, stylized hair, the Kritios boy has shorter, fuller hair. We are getting closer and closer to the idealized Greek body with even the face on the Kritios boy, with the lips showing a Greek ideal. You can tell that the eyes in the Kritios boy would have been inlaid while the Kouros Youth would have
Many art works such as statues are placed throughout the world in different settings. The most common setting for statues is found in funerary settings. The importance of statues in funerary settings is that they are use to project the power the person had before his death. The seated statue of Khafre enthroned from Gizeh, Egypt, illustrates the idealized pharaoh. Another sculpture is Kouros, from Anavysos, Greece that depicts the heroism of Kroisos dying in battle. The Kouros and Khafre are similar in the way that they both radiate power and serve the purpose of honoring the dead men, yet Khafre has a greater significance because it illustrates the pharaoh in a flawless form and the audience can tell that he was a great ruler by the perfect cut sculpture.
Throughout history, there have been several significant architectural movements. The last, and perhaps most enduring movement is that of Classic Greece. Although for centuries, the architecture of ancient Greece has been admired, mimicked, and replicated, its beginnings are somewhat surprising to one unfamiliar with the history of the region. It is important to understand the history and mechanics of Classic Greek architecture in order to fully appreciate its form, function, and beauty. “Ancient Greek architects strove for the precision and excellence of workmanship that are the hallmarks of Greek art in general. The formulas they invented as early as the sixth century B.C. have influenced the architecture of the past two millennia” (metmuseum.org).