The Comparison Of General Belmont And The Raabble-Operative Major Carteret

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The self-professed "Big Three" (52) together represent a class trichotomy of Southern white supremacy: the political magnate General Belmont, the press operative Major Carteret, and the rabble-rouser Captain McBane. The role of each can be seen to correspond to that of one or more of the novel's black characters: the aristocratic Belmont to the black servants—especially Major Carteret's obedient porter Jerry, his servility an antebellum relic; the professional Carteret to Dr. Miller, each a pillar of his community in a time of a middle-class ascendant; and the brutish McBane to the impassioned radical Josh, the latter orphaned by the former's hand, both conditioned by hard physical labor and disposed to violence. The dynamic relationships among these characters anticipate the development of post-Reconstruction Southern society, in the wake of the Plessy v. Ferguson ruling. It is at the novel’s climax that McBane and Josh succeed in killing each other (184), and Carteret and Miller reach their painful truce …show more content…

With experience in state, local, and even international politics, Belmont understands that in the project of restoring white supremacy they must court Northerners, "avoid[ing] even the appearance of evil" (52)—equal and opposite to the waxing but precarious respectability of uplift-minded blacks such as Miller, "staggering under a load of obloquy" from his perspective (72). Jerry hears in Belmont's idiosyncratic pronunciation "‘niggro'—a sort of compromise between ethnology and the vernacular" (26), reflecting the folding of the old order under the advance of both blacks and poor whites, including the ambitious McBane. But Belmont is sophisticated enough to recognize that "‘we can get more out of the free negro, and with less responsibility'" (56); and so he is content to pursue the campaign in the

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