Charles Wadell Chesnutt was one of the first African Americans to receive serious and popular attention from the predominantly white literary establishment and audience of his day. He was one of the initial African American writers to be published by a major American magazine and publishing company. His literature was written during a time when the social and economic hopes elevated by emancipation, and the Civil War were debauched as white supremacy was reaffirmed in the South and blacks were committed to a second class citizenship. His writings about slavery and mulattos living on the “color line” carried inherent convictions of slavery while engaging to readers of Plantation fictional works by white authors who wrote sentimentally of the …show more content…
It is during this time that Chesnutt used his literary prowess to establish himself as a well-respected writer and with his literary talents, he used his stories as a way to bring attention to underlining problems of the color line within the black community. The color line was originally used as a reference to the racial segregation that occurred in the United States proceeding the abolition of slavery. Within the African American community, the color line became an issue of light skin or “mulattos” versus darker skinned or obvious blacks. In many of his short stories, Chesnutt takes on these issues through various themes found in his works. Addressing a more common theme found in many of his stories is the use of “passing” or the …show more content…
The story is a two part plot for the grander purpose of criticizing and ridiculing slavery. The beginning of the story involves Dick Owens, who is the son of a plantation owner. Dick is attempting to convince a young lady, Charity Lomax, into marry him. The second and more central part of the plot concerns Dick trying to achieve this by taking a Grandison to the north and providing him the opportunity to escape. Unaware of his son’s intentions the plantation owner Colonel Owens selects Grandison to go up north with Dick. Grandison superficially assures the colonel that being a slave is a wonderful thing, confirming the colonel’s affectionate opinions of slavery. In a very ironic manner, the story manages to hide its conclusion until the final paragraphs that the slave will indeed trick the master. In this story and throughout the setting the societal belief among whites is that the Negro lacks intellectual capabilities in comprehension and
Coates wrote a 176 page long letter to his 14 years old son to explain what the African American society were going through at the time being. In the book, Coates used himself as an example to demonstrate the unjust treatment that had been cast upon him and many other African Americans. Readers can sense a feeling of pessimism towards African American’s future throughout the entire book although he did not pointed it out directly.
“The Passing of Grandison” debunks the stereotypical image of a slave in the 19th Century. The author Charles Chesnutt uses his personal background and ability to pass himself as a white man to tell a very compelling story. Grandison was more than an uneducated farm hand doing his masters bidding. “The Passing of Grandison” provides evidence that while the society of the time thought of slaves as nothing more than property to be bought and abused, slaves could be much more than what was on the surface. In Chesnutt’s “The Passing of Grandison” Grandison is a plantation slave in the early 19th Century who through his actions eventaully escapes and aquires his own freedom as well as that of several family members. Most people have been in a situation where they wish they could outsmart or outwit another. Whether it is a peer or a higher-up, many wish they had the ability or courage to get the better of others. Is it possible for a subordinate to really fool their superior and eventually gain what they really wanted in the end? This is accomplished through the actions of an trickster figure. A trickster is a character in literature who attempts to outwit and outmaneuver his or her adversaries. The trickster uses whatever means necessary to reach whatever goals they might desire. , Trudier Harris states, “tricksters achieve their objectives through indirection and mask-wearing, through playing upon the gullibility of their opponents” (Harris, 1). In “The Passing of Grandison”, Chesnutt uses a trickster figure to achieve that one-ups-man ship and plot twists while providing social commentary to present part of his own belief system as it relates to the treatment of slaves in the 19th century. Two characters in “The Passing of Grandis...
Ethnic group is a settled mannerism for many people during their lives. Both Zora Neale Hurston, author of “How It Feels to Be Colored Me; and Brent Staples, author of “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” realize that their life will be influenced when they are black; however, they take it in pace and don’t reside on it. They grew up in different places which make their form differently; however, in the end, It does not matter to them as they both find ways to match the different sexes and still have productivity in their lives.. Hurston was raised in Eatonville, Florida, a quiet black town with only white passer-by from time-to-time, while Staples grew up in Chester, Pennsylvania, surrounded by gang activity from the beginning. Both Hurston and Staples share similar and contrasting views about the effect of the color of their
Charles Chesnutt was an African American author who was born on June 20, 1850. Chesnutt was well known for his short stories about the issues of social and racial identity in post- reconstruction south. Chesnutt’s well-known example of his collection of short stories “The Wife of his Youth: And other Stories of the Color Line” examines issues of discrimination that permeate within the African American community. His most anthologized short story “The Wife of his Youth” explores the issue racial passing. The character Mr. Ryder attempts to assimilate into the white majority in a post- reconstruction American society. Mr. Ryder’s hopes to assimilate becomes an obsession. His opportunity for assimilation arrives through a widow name of Mrs. Molly Dixon,
Emancipation was a persistent issue in the twentieth century as was the problem of the color line. Many writers like DuBois argue that in both a conscious and sub conscious way the color line denotes limitations but also sets standards for African American people during this time. Through the use of the main characters and secondary characters as well as foreshadowing Chestnut in his book The Marrow of Tradition depicts the color line in Wilmington, North Carolina. The theory of the color-line refers fundamentally to the role of race and racism in history and civilization. Through the analysis of The Marrow of Tradition readers can recognize and understand the connection of race and class as both a type of supremacy and as an approach of confrontation on a domestic level during the twentieth century for African Americans.
In The Narrative of Frederick Douglass by Frederick Douglass, an African American male describes his day as a slave and what he has become from the experience. Douglass writes this story to make readers understand that slavery is brutalizing and dehumanizing, that a slave is able to become a man, and that he still has intellectual ability even though he is a slave. In the story, these messages are shown frequently through the diction of Frederick Douglass.
Slave narratives were one of the first forms of African- American literature. The narratives were written with the intent to inform those who weren’t aware of the hardships of slavery about how badly slaves were being treated. The people who wrote these narratives experienced slavery first hand, and wanted to elicit the help of abolitionists to bring an end to it. Most slave narratives were not widely publicized and often got overlooked as the years went by; however, some were highly regarded and paved the way for many writers of African descent today.
The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.
In Douglass’s Narrative, Douglass uses his eloquent storytelling skills and provocative rhetoric to both display the horrors of slavery for Whites and Blacks as well as convince the public that slavery undermines the values of the nation and Christianity. He uses his former mistress, Mrs. Auld, as an example of how slavery corrupts White women, who embody Christian values and nurturance in the home. She transforms from a kind, idealistic exemplar of a proper woman to a complete monster. Furthermore, Douglass appeals to his White audience by distinguishing true Christianity by the one practiced by slave owners. Slavery turns White owners into violent, greedy, and blind hypocrites to the message of God. Finally, he also compares the perils slave escapes are similar to the those of the forefathers who fought for this nation by referencing Patrick Henry. His own bravery for choosing between slavery and potentially fatal consequences for escaping reflects how the American people were willing to die for their their liberty, and this analogy make abolitions a more recognizable and patriotic crusade for American rights. His entire narrative is the epitome of a Transcendentalist, American success story of self-reliance and organized principles to success -with the additional white stamp of
...about the effects slavery had on blacks even after it was over, and how living in its shadow made it hard to be a man. The situation between Dave and Mr. Hawkins illustrates how he could not be a man because Hawkins was basically making him a slave for the next two years. Dave jumping on the train going someplace else illustrates his hopes of leaving his poor, miserable life in hopes of a new better life where he can be a man. On the surface the story seems to be a simple story about childhood disobedience, but it is much more than that.
In the middle of the night, four white men storm into a cabin in the woods while four others wait outside. The cabin belongs to Alice and her mom. The four men pull out Alice’s father along with her mom, both are naked. Alice manages to scramble away. The men question Alice’s father about a pass, which allows him to visit his wife. Her father tries to explain the men about the loss of the pass but the men do not pay any attention to him. Instead they tie him to a tree and one of the white man starts to whip him for visiting his wife without the permission of Tom Weylin, the “owner” of Alice’s father. Tom Weylin forbid him to see his wife, he ordered him to choose a new wife at the plantation, so he could own their children. Since Alice’s mother is a free woman, her babies would be free as well and would be save from slavery. But her freedom “status” does not stop one of the patroller to punch her in the face and cause her to collapse to the ground.
...e reader into the story. It is this detail, however, that made the story get off track during several scenes. In his story-writing Jones has a tendency to be talking about thing and then suddenly tangent off into another direction for a few pages. All of these different directions that the story is going can make it difficult to differentiate between past and present time as well as it may confuse the reader about which character is being described at a given time. The vocabulary of the novel was not difficult to comprehend and even jargon of the slaves, which can be difficult to translate, was easy to understand. Overall, as long as "The Known World" is read carefully enough and differentiation can be made between tales of the past and present, the novel successfully sheds light of aspects of pre-Civil War slavery that novels of the past have failed to do.
Margolies, Edward. “History as Blues: Ralph Ellison’s Invisible Man.” Native Sons: A Critical Study of Twentieth-Century Negro American Authors. J.B. Lippincott Company, 1968. 127-148. Rpt. in Contemporary Literary Criticism. Ed. Daniel G. Marowski and Roger Matuz. Vol. 54. Detroit: Gale, 1989. 115-119. Print.
In “The Passing of Grandison” by Charles Chestnut, various perceptions are examined. As Dick Owens wishes to fulfill the “heroic” image perceived by Charity Lomax, this motive transcends the plot of the story. Through his attempt to win her heart, Dick Owens devises a plan in order to help one of his father’s slaves escape. The slave, Grandison, is chosen due to the perception that he is more trustworthy and loyal than the other slaves. Despite these preconceptions, it is revealed at the conclusion of the story that Grandison's loyalty sided with his family.
In “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” by Brent Staples has a different perspective of the people who is discriminated against by their appearance. This short story gives the audience an overview of a young African American male who is categorized as a criminal. Although, Staples was discriminated against he sees the perspectives of White Americans’, and tries to go out of his way to ease their concerns. Staples created this short story to give people an outlook of his life with the color of his skin. Staples accomplishes this through figures of speech such as Point of View, Hyperbole, and Idioms.