Analysis Of Dubois's The Marrow Of Tradition

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Emancipation was a persistent issue in the twentieth century as was the problem of the color line. Many writers like DuBois argue that in both a conscious and sub conscious way the color line denotes limitations but also sets standards for African American people during this time. Through the use of the main characters and secondary characters as well as foreshadowing Chestnut in his book The Marrow of Tradition depicts the color line in Wilmington, North Carolina. The theory of the color-line refers fundamentally to the role of race and racism in history and civilization. Through the analysis of The Marrow of Tradition readers can recognize and understand the connection of race and class as both a type of supremacy and as an approach of confrontation on a domestic level during the twentieth century for African Americans.
Many of the issues of the color line are a direct derivative of colonialism in the colonies. On one hand through the idea of the problem of the color line DuBois calls our attention to the uncultured imbalances of authority, capital, opportunity and access between whites and African Americans. It also nurtures Du Bois’ right to argue that the oppressed, of necessity, will rise up in confrontation. Certainly, he anticipated wars of emancipation like the riots in Wilmington more aggressive than the imperialist wars of conquest (which in a way is a direct imitation of the time of colonialism).
In The Marrow of Tradition, Dodie symbolizes the forthcoming of the White race in the United States. During many different instances Dodie’s life is exposed. Most of the times that his life is threatened it is in his parents’ efforts to preserve the rigid color line that separates White and Black races. His parents regul...

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...he post reconstruction era and for continuing to bring awareness to the gap the was created by the color line.
The Marrow of Tradition brings awareness to many issues of race, class and power. The most fascinating aspect of this book is the depiction of racial as well as interracial struggles. Chesnutt made most of the inconsistencies inherent. Through his use of main characters and secondary characters, foreshadowing and conflict Chesnutt depicts the contradictory standards for who is white. This is still apparent today although in very different forms and it is often disregarded. But this is present more through the oppression of race of certain people that identify as things they are not. Through his use of the definitional dilemma of what is the White Man Chesnutt brings to light an issue that years later (today) is still alive although slowly being conquered.

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