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Characterisation In The Wuthering Heights
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The Character of Hareton in Wuthering Heights by Emily Bronte
Wuthering Heights, written by Emile Bronte, is on of the most famous
Victorian novels in English literature. This novel was the only novel
written by her. The novel has the social and moral values in England
in the nineteenth century as the recurring theme. The adjective
‘wuthering’ is used in some parts of rural England to describe stormy
weather. Wuthering Heights is a farmhouse on top of a small hillock,
which is open to all the elements of wind and weather and hence is
synonymous with passion and violence. The other house nearby,
Thrushcross Grange contrasts sharply with Wuthering Heights. The two
groups of people residing here, the Earnshaws in the former and the
Lintons in the latter, are also people with opposing tendencies. Into
this world comes a man alien to both extremes, Heathcliff who is
adopted by the Earnshaws. The whole story revolves around these
characters.
Hareton Earnshaw, son of Frances and Hindley Earnshaw has a small but
important part in the novel. Belonging to the second generation of
characters, he personifies the passionate nature of the Earnshaws and
yet is warm and gentle. Hareton is of a warm and, considering his
situation, a very genial disposition. He owns his own share of the
wild passions that are so common to the Earnshaws, but is forced into
a life of subjugation. He is quite intelligent, but is made to lead a
life of an ignorant by Heathcliff, who after Hindley’s death denied
him any further education. Hareton as a child is wild and unruly,
having a mouthful of foul words. Hareton as young man is still very
rough, though subdued ...
... middle of paper ...
...riendship with
Cathy grows into a strong and mutual love culminating in a marriage.
His love for Cathy is also, like him, pure and innocent. He
transforms, from a shabbily clad ignoramus to a respectably dressed
gentleman. We do not see any of the common Victorian hypocrisy in his
nature. His good character and genial temperament makes him one of the
best characters in the novel.
Hareton’s presence cannot be felt throughout the novel, but he
effectually completes the story. He can be compared to a rough,
unpolished diamond whose shine was not so well perceivable until
another genial soul unearthed it from the mines of ignorance. He is a
shining example of the fact that no matter where the circumstances of
one’s life leads to, they will, sooner or later fall upon the track of
life on which they are supposed to be.
Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.
Although certainly not as complex as the character of Heathcliff, Hareton Earnshaw from Emily Brontë’s 1847 novel, Wuthering Heights, is a compelling character in his own right. He is a character who has been raised to be a massive fuck you to the family that he was born into, nonetheless, he seems to have no issue with this, because he loves the man, as a father, who made him this way. Yet, despite his feeling content with being uneducated and acting as a servant to his father figure, regardless of being born into a wealthy family, Hareton eventually makes an effort to effectively change who he is for love. With this in mind, the focus of this essay will be to evaluate how Hareton came to be who he is, and why him changing for love, even if
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme.
Bronte says, ‘His dress and speech were both rude, entirely devoid of the superiority observable in Mr. and Mrs. Heathcliff; his thick brown curls were rough and uncultivated’. The use of the word ‘uncultivated’ when describing his curls is a metaphor for what Hareton’s nature is. It shows that he lives wild, with no rule. A typical anti-hero does not abide to the typical values and rules that society has put in place. A hero’s typical outer appearance is clean and you can generally tell when looking at a hero that he is superior. Hareton lacks the elegance and charm a hero would typically have; his roughness shows that he lives freely, not abiding to societies norms, which makes him an anti-hero. His outer appearance gives no indication of him being a
The Lintons and Earnshaws are part of the Gentry class of Victorian England; they are both landowning families, fairly high up in the class hierarchy. But the genetic natures of the families are entirely different: the Lintons are well behaved, subdued, spoilt, steady, sensible and arrogant; in comparison, the Earnshaws are strong willed, moody, generous, free spirited, easily influenced, laid back and non-formal. The nurture of the characters is connected very strongly to social status: Heathcliff is denied social status initially by his birth and subsequently by Hindley, which creates great hatred in Heathcliff: this denial of status is perceived much more seriously than what we consider serious today. Catherine chooses Edgar over Heathcliff for reasons of social status, even though she and Heathcliff are so similar. Hareton is also denied social status, which turns his attitudes against the Gentry class and creates rifts between him and other characters: for example, it makes Cathy and Linton, who would be his equals, look down on him.
From being isolated in the moors of England, with only the two houses-Wuthering Heights and Thrushcross Grange. And those are placed 4 miles apart from each other. Having grown up at Wuthering Heights, Catherine, Hindley, and Heathcliff all suffer from a lack of love and structure. Wuthering Heights is a very bleak and dark place, that isn’t too happy. None of them found happiness until they fled from that dreary place that they call home. Heathcliff is grumpy and mean, and wants to inflict that on everyone else around him. Hurt people, hurt people. As opposed to Thrushcross Grange, which is more structured. Edgar and Isabella are more compassionate people, because of the love that they received from their parents. It also leaves them vulnerable to Catherine and Heathcliff’s aggressive nature, as well as a ploy in Heathcliff’s plan. Knowing this, Catherine is only stuck with two options-marry Heathcliff or Edgar. Based on the decision she made (good or bad, depending on the person) it started a spiral of events that currently effects Linton, Hareton, and Cathy. The same thing is to be said about Cathy. Cathy is still in the same environment. Though she is growing up at Thrushcross Grange, and be raised by her father and Nelly. Hareton is growing up at Wuthering Heights, under the wrath of Heathcliff, which is not pleasant. He is becoming mean and malicious, something Heathcliff wants. Then you have Linton who grew up
of all[society’s]wishes”(232).Hareton was also a lower status than Cathy, but their love union was cherished unlike Catherines, and Heathcliff's love which shows Bronte’s view of love.Her view seems to prefer the domestic,stable,and serene love of the second generation to the eccentric love of the first generation lovers.
Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff. Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27).
the novel as a whole ends on a note of hope, peace, and joy, with
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
The sympathetic part of Heathcliff shows through when he sees Catherine in the beginning stages of her sickness after childbirth. “He neither spoke, nor loosed his hold, for some five minutes, during which period he bestowed more kisses than ever he gave in his life before, I dare say…” (159). The sympathetic part of Heathcliff kicks in when he sees the woman he loves dying right before him. Heathcliff began to ask Catherine the questions he had not been able to ask her before, whether it had been due to his pride or to his absence - was insignificant., “‘...You loved me - then what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton?” (162). When the novel begins, it is mentioned that Heathcliff is shouting, “‘Come in! Come in!’ he sobbed. ‘Cathy, do come. Oh do - once more! Oh! My heart’s darling, hear me this time - Catherine, at last!’” (28). Heathcliff attempts to get Catherine’s ghost to speak to him, because his main goal is to be united with her in death. Heathcliff’s character changes relatively fast when he sees Catherine dying in her bed. There is a sympathetic side shown that has not been quite expressed before, and also the feelings that Heathcliff kept bottled
In Wuthering Heights by Emily Bronte, the Earnshaws, a middle class family, live at the estate, Wuthering Heights. When Mr. Earnshaw takes a trip to Liverpool, he returns with an orphan whom he christens “Heathcliff”. During their formative years, Catherine, Mr. Earnshaw’s daughter, plays with Heathcliff on the moors and becomes close with him. As a result, they form a special bond and Heathcliff and Catherine fall in love, unlike Hindley, Mr. Earnshaw’s son, who does not get along with Heathcliff. While Heathcliff benefits from his relationships, his connections are disadvantaged in terms of status, reputation, financial stability, and happiness.
is alone and he had to stay in the farm because of the snow. He is
Bronte's Use of Language and Setting in Wuthering Heights Between pages 15 and 18 there are identifiable ways in which 'Bronte' uses 'language and setting' to establish the characters and create a distinguishable atmosphere. In this essay, themes, genres and styles will be discussed to show how 'Bronte' establishes the characters; there will also be a discussion of the 'gothic' elements which Wuthering Heights contains. Many people would argue that the style of 'Wuthering Heights' is peculiar and complex, the power of Wuthering Heights owes much to its complex narrative structure and to the device of having two conventional people relate a very unconventional tale. Bronte importantly introduces the element of 'the supernatural' into chapter 3 which is an important technique as it grips the reader. Lockwood has come into contact with the ghost of Cathy, who died 18 years before, Some might argue that she is a product of Lockwood's imagination, and it is clear that Bronte has presented these facts in this way so that the reader can make up their own mind on the subject.