Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of women in literature
The role of women in literature
Gender and roles of women in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Character Vasia in Boris Pasternack's Doctor Zhivago
The character Vasia Brykin, in the novel Doctor Zhivago by Boris Pasternack, is created and developed as a symbol of the rampant and chaotic times during the turbulent Russian Revolution. His significance in relation to the overall plot is minor because of his only two sub-chapter appearances, but thematically he works to show the breakdown of the Russian economic and social infrastructure in the country, and the lasting effects it has on the generation of lives that were swept up in its political turmoil.
Vasia is introduced in chapter seven, on the train to the Urals, where Yurii Andreievich Zhivago learns of his depressing story. Vasia Brykin's father was killed in the war, and his mother had sent him to be apprenticed to his uncle at age sixteen. One day his uncle was called in by the local soviet authorities to answer some questions, and accidentally walked into the Bolshevik's labor recruitment office, where he was conscripted into forced labor and herded off to a train. Vasia and his aunt went to say farewell the next day, and his uncle pleaded with the guard, Voroniuk, to let him out of the car to see his wife for one last minute. Voroniuk, fearing for his own position, allowed him to leave only if Vasia stayed in his place for insurance. Vasia's uncle never returned, and he cried and pleaded with Voroniuk, but it was to no avail.
Physically, Vasia appeared "an attractive boy with regular features who looked like a royal page or an angel of God in a picture" (223). He has red hair, and an unspoiled innocent look to him. On the external, he is a very enthusiastic person, full of compassion and emotion, especially when he speaks of his family and life back in his home village of Veretenniki:
That's what I say-Buisky-Buisky village. Of course I know it, that's where you get off the main road, you turn right and right again. That's to get to us, to Veretenniki. And your way must be left, away from the river, isn't it? You know the river Pelga? Well, of course! That's our river. You keep following the river, on and on, and away up on the cliff...(224-225)
Lina Vilkas is a fifteen year old girl who is the protagonist of this story. She was taken, by the NKVD, from her house with her mother and brother to exile. Later in the story she meets Andrius and falls in love with him. She marries him after the war while moving from place to place. Andrius uses his misfortune as a fortune to help others. He takes care of Lina and her family as best he can. Nikolai Kretzsky is a young NKVD officer who helps Lina and her mother even after Lina insulted him. Mr Stalas is a Jew who is deported with the other people. He wanted to die with dignity. He is often referred to as The Bald Man. He confesses that he was liable for the deportation. Janina is a starry-eyed young girl who likes to help others and to talk to her "dead" doll. When few selected people are brought to the North Pole for more suffering, dozens of people die from cholera and pneumonia. Lina however, survives and manages to save Jonas and Janina with the help of Nikolai Kretzsky.
In describing the setting, the general locale is the prison in the coldest part of Russia- Siberia, geographically but socially depicting the social circumstances in the prison, but draws analogies to the general social, political and economic circumstances of Russia during the Stalinist era (form 1917 revolution up to 1955). The symbolic significance of the novel and the film (genres) reflects experiences, values and attitudes of the Russian society. The genres reflect the origins of the Russian social disorders and massive counts of political misgivings which watered down real communism in Russia. We are constantly reminded of the social and cultural heritage and originality of Russian ethnic groups through those different levels of meanings
Both Jan van Eyck and Fra Angelico were revered artists for the advances in art that they created and displayed for the world to see. Their renditions of the Annunciation were both very different, however unique and perfect display of the typical styles used during the Renaissance. Jan van Eyck’s panel painting Annunciation held all the characteristics of the Northern Renaissance with its overwhelming symbolism and detail. Fra Angelico’s fresco Annunciation grasped the key elements used in the Italian Renaissance with usage of perspective as well as displaying the interest and knowledge of the classical arts.
Pascal’s Wager was a major strength of his theory on God and Religion. The argument made in Pascal’s Wager is an example of apologetic philosophy. It was written and published in Pensées by the 17th century French philosopher Blaise Pascal. Pascal’s Wager claims that all humans must bet their lives on whether God exists. He argues that rational people should seek to believe in God. If God does not exist the loss is minimal, but if God does exist there is an infinite gain, eternity in Heaven. It was a ground-breaking theory because it utilized probability theory and formal decision theory. Pascal’s Wager is applicable both to atheists and theists. While other philosophies may
The genre of the film is how we know what kind of film it is. Genre is a French word which literally means type; it shows what category a film comes under. There are certain factors in a genre which will identify it. Things like settings, characters and themes can all be similar in one specific genre.
During Russia’s transition to communism in the early 20th century, conflict and unease permeated every part of life. Nothing was stable and very little of what the Bolsheviks had fought for had come to fruition by the time the USSR disbanded in 1991. The “classless society”, which was to work together for the prosperity of everyone, never became a reality. In the end, the majority of Russia’s 20th century was an utter failure on a grand scale. However, there were many amazing products of the system do to the great importance of education in Russian culture. Priceless novels were written, timeless movies were made, and great scientific endeavors were realized despite the rigid control placed upon Russian persons by the government. In fact, some of the most memorable written works of the time were written protests to the creativity-stifling situation many writers found themselves in. Because of the danger to their lives should the wrong people be upset by their writings, Yevgeny Zamyatin and Mikhail Bulgakov wrote their most popular, Soviet-life condemning novels under the guise of satire. Even though they’re satirizing the same subject, in both We and The Master and Margarita respectively, they take very different paths to do so.
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
...nown reason Pascal seemed to think it was not necessary to acknowledge that there are more belief systems then Agnosticism, atheism, and Christianity. It is this lack of reasoning of why we should make a wager on the existence of the Christian god over the gods of Hinduism or the god of Islam that makes Pascal’s argument so weak. The only conclusion I think one could reach from Pascal’s argument is that it is more beneficial for one to believe in at least a higher power than it is to be an agnostic or atheist. Even if one did acknowledge the existence of some sort of higher being or beings it would still not benefit an individual because the chance of selecting the true belief system out of an infinite number of possible belief systems makes it very unlikely for someone to ever make the right choice. In conclusion I feel that Pascal’s Wager is a very weak argument.
...s tale turns into an attack on the ridiculous, heartless nature of Russian society – especially Russian in civil service. Gogol portrays the trivialness of this through the use of distinct contrasts, mostly between how the poor official in this tale sees his prized overcoat, and how his fellow workers view it, and him, with scorn and mocking laughter. It is not a pleasant tale, and there is no happy ending. But it is effective in how well it presents the absurdities of life at this time in St. Petersburg.
Pascal’s argument “The Wager” says that it is more reasonable to believe in God than to not believe in god. There are many objections to “The Wager” argument, but William G. Lycan and George N. Schlesinger defend Pascal’s argument. This response will give a brief overview of Pascal’s wager and an overview of Lycan and Schlesinger’s argument while it is being evaluated.
Despite Russia being unstable during the 1860s due to political conflicts, class conflicts, and various revolutionary ideologies shaking up traditional customs, women were still constantly trapped in their own state of oppression. Women were faced with inequality everywhere - from their community, to even their own family. Compared to men, they were subordinated legally at every social level and weren’t allowed to participate in occupations outside of their domestic work. In What is to Be Done?, Nikolai Chernyshevsky implements much of the intelligentsia’s ideas for transforming the subordination of women. The novel centers on Vera Pavlovna, a woman who escapes a suffocating lifestyle and forced marriage, becomes an entrepreneur, and finds her own true love with the help of her new found independence. Chernyshevsky uses Vera’s journey as an example of how a woman is oppressed and how she is able to be liberated from that oppression.
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
Pascal’s wager is the name given to an argument that was present by Blaise Pascal who was a French mathematician, physicist, and philosopher. Pascal had a strong belief for God’s existence. The argument hypothesizes and attempts to prove that there is more to be obtained from venturing on the existence of God rather than the rejection of the existence of God. Pascal’s wager states that man loses nothing in believing in God instead of reason through a game of chance. “You must either believe of not believe that God is – which will you do?” (Bailey, 99). Here, Pascal argues that reason and intellect cannot decide the question of whether God exists or not. Therefore, it makes logical sense to choose the option that would benefit us most even if it were considered to be right. Pascal states four options: one may live a religious and moral life and be rewarded by eternal happiness; one may live a pleasure – seeking life and be denied eternal happiness; one may live a holy live but there is actually no God or eternal life; and one may live a pleasure-seeking but it makes no difference because there is no God. The first of these options is the most important one because it represents the maximum gain and loss. If the turn out proves that there is no God, then the sheer risk of deciding against such a possibility warrants that we should take that option (99).
In the second part of this essay expanding upon my reading of nineteenth century Russian authors, the short stories of Anton Chekhov, “The Lady with the White Dog” and the “Medical Case” will be compared. These two great authors’ whose stylistic qualities often create problems in interpretation for non-Russian speaking readers like me that I’ve thoroughly enjoyed.