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Dostoevsky analysis of crime and punishment
Dostoevsky analysis of crime and punishment
Dostoevsky analysis of crime and punishment
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Having recently completed several Books by Fyodor Dostoevsky’s “Crime and Punishment,” the “Idiot” and the Possessed. The complicated nature of his writings, much of which admittedly present some difficulty in one’s understanding of them. Discussing the material certainly helps expand one’s thinking of these subjects not before given much thought. Politics of the time, religion and social awareness are some of the issues so detailed by the author make me want to read more. The following paragraphs briefly describe the Novels read. Between the years 1866 and 1880, Russian author Fyodor Dostoevsky completed several well-read novels, including Crime and Punishment, The Idiot and The Possessed plus a long list of other outstanding works. In the second part of this essay expanding upon my reading of nineteenth century Russian authors, the short stories of Anton Chekhov, “The Lady with the White Dog” and the “Medical Case” will be compared. These two great authors’ whose stylistic qualities often create problems in interpretation for non-Russian speaking readers like me that I’ve thoroughly enjoyed. In The Idiot Dostoevsky attempted to give form to what he called "the idea of the positively beautiful." However, he found that he was unable to present a fully confident person, although he recognized the possibility of the existence of such a figure and found proof of it in the historical existence of Christ. Thus, the hero of The Idiot, is weak- minded, epileptic, and ultimately defeated by the real world, even though he occupies a position of social advantage and has considerable wealth. The Possessed, a band of wannabe radicals creates chaos in the Russian provinces. There are several subplots concerning love, murder, atheism, and ... ... middle of paper ... ...es writers were involved in documenting and analyzing the revolutionary processes, in Russia, it was the realist movement in literature and art itself which initiated the revolutionary wave and carried it forward. From around the 1830s underwent an astounding golden age, beginning with the poet and novelist Alexander Pushkin and concluding in two of the greatest novelists in world literature, Fyodor Dostoyevsky and Leo Tolstoy and the short story writer and playwright Anton Chekhov. Since this was only my first experience in reading Russian literature it is difficult to accurately compare and connect Authorship, Genre, and Theme of the author’s selected. My writing skill is somewhat analysis limited. As for the Literature period, the Nineteenth century was the Golden era for Russian writers and is beyond being obvious in the writings of Dostoyevsky and Chekov.
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
Russian author Fyodor Dostoevsky was among those philosophical thinkers who grappled with the task of explaining why evil exists in a world created by a perfect god. Despite the powerful influence of Christianity in his early childhood and throughout his life, Dostoevsky encountered difficulties in answering this question, which he described, “Nature, the soul, God, love – all this is understood by the heart, not by the mind” (Gibson 1973, 9). Nevertheless, Dostoevsky not only felt obligated to discover a solution to the problem, but also “responsible to his fellow believers for its success or failure” (Gibson 1973, 169). This quest for a solution to the problem of theodicy ultimately led Dostoevsky to write The Brothers Karamazov, a novel that attempts to explain the need for evil in the world. In posing his solution to this problem, Dostoevsky explains the necessity of suffering for the realization of human redemption, as well as the role of Christ’s atoneme...
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
Dostoevsky’s Crime and Punishment incorporates the significance of murder into the novel through a multitude of levels. The act of killing is not only used to further the plot point of the novel, but also offers insight to the reader of Raskolnikov’s ideology and psyche. This is portrayed through both his initial logic and reasoning behind the plotting of the crime, as well as through his immediate and long term reactions after killing Alyona Ivanovna. The emotional and physical responses instilled in Raskolnikov after killing Alyona Ivanovna as well as his justification for doing so helps illustrate his utilitarianism by offering accurate insight into the character’s moral values. These reactions also serve to show the instability of Raskolnikov’s character due to his changing emotions from being completely justified as the ubermensch to showing a sense of great regret. By including the act of killing, Dostoevsky further develops Raskolnikov’s character, and provides another level of detail to readers concerning his ideology and beliefs prior to his actions.
Dostoevsky does not like all of Raskolnokv though. He hates his aloofness. Dostoevsky cannot stand anti-socialism and believes that people should be together and not dislike “meeting at any time'; with anyone. Constantly Raskolnokov alienates himself from all his friends and family to go alone about his way, which ends up getting him into trouble because of his radical thinking, like his theory that some people can transcend the law because of some extraordinary powers. The trouble that Raskolnokov gets into is Fyodor’s way of showing that continually parting yourself from society is unhealthy for a person and that they need other human contact to be complete.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
This essay examines the social, philosophical, and psychological elements that had affected the Russian Society as well as the world of Dostoevsky’s novel “ Crime and Punishment ˮ. This essay demonstrates the wild impact and clashes left by these theories on the life, choices, and mentality of the novel and the characters embodied, the most important of which is the character of Raskolnikov. Highlighting an “in-depth exploration of the psychology of a criminal, the inner world of Raskolnikov, with its doubt, fear, anxiety and despair in escaping punishment and mental tortureˮ.
In such poor living conditions, those that the slums of Russia has to offer, the characters in Fyodor Dostoevsky’s Crime and Punishment1 struggle, living day to day. Raskolnikov, the protagonist, experiences multiple layers of suffering (the thought of his murder causes him greater suffering than does his poverty) as does Sonia and Katerina Ivanovna (1). Through these characters as well as Porfiry Petrovitch, Dostoevsky wants the reader to understand that suffering is the cost of happiness and he uses it to ultimately obliterate Raskolnikov’s theory of an ubermensch which allows him to experience infinite love.
The author of Crime and Punishment, Fodor Dostoevsky, was born in Moscow, Russia, in 1821. In 1841, he graduated from military engineering school, but he soon left the military to pursue literature. Reform dominated Russia in the mid-1800s, and Dostoevsky held liberal, Western, views. Dostoevsky's ideas toward new radicals practicing Nihilism are paramount in Crime and Punishment, where he advances the idea that Nihilism is "detrimental to society and can lead to suffering and chaos" (Lin). Crime and Punishment takes the reader on a mentally perilous journey through the mind and actions of Raskolnikov, a Russian man who deals with tremendous guilt after committing murder. Dostoevsky use...
Dostoevsky, Fyodor M. Crime and Punishment. Trans. Jessie Coulson. Ed. George Gibian. New York: W.W. Norton & Company, Inc., 1989.
Societal failures during the time the book was written had a tremendous affect on the character development in the novel, Crime and Punishment. At the time, which Crime and Punishment was written, in the mid 1860s, Siberia, Russia was in poverty-stricken conditions. Under the rule of Tsar Alexander II of Russia, many outrageous reforms were passed on. Alexander issued a reform with the hope of emancipating millions of Russian peasants who were owned by landowners. However, what was meant to benefit the peasants, it rather constituted a major restructure of the Russian Society, thus causing much of chaos and turmoil. Through Raskolinokov’s perspective, we are able to see how poor and desolate the conditions are. Especially in the Capitol of Russia, where Raskolinokov lives in, there are many people who live on the streets, and seems as if poverty is inevitably unavo...
According to Raskolnikov’s theory in Fyodor Dostoevsky’s “Crime and Punishment”,there are two types of people that coexist in the world; the “Extraordinary” and the “Ordinary”. The ordinary men can be defined as “Men that have to live in submission, have no right to transgress the law, because they are ordinary.”(248). To the contrary “extraordinary” men are “Men that have a right to commit any crime and to transgress the law in any way , just because they are extraordinary”(248). Dostoevsky’s theory is evident through the characters of his novel. The main character, Raskolnikov, uses his theory of extraordinary men to justify contemplated murder. There is a sense of empowerment his character experiences with the ability to step over social boundaries. He is led to believe the killing of the pawnbroker is done for the perseverance of the greater good. It is ironic that character who is shown to be powerful in the early stages of the novel subsequently go on to show many weaknesses.
While confronting Dostoevsky’s Notes from Underground seems a difficult task initially, one must be able to transcend the elaborate diction and parodies, and comprehend the author himself, while also taking root the message Dostoevsky had originally intended in the time it was addressed. Understanding the author himself, along with the period in which the work was written, augments one’s overall discernment of the passage. In the age he wrote, Dostoevsky must have seemed eccentric and outlandish; nevertheless, looking back on him from today with a literary understanding of modernism, he appears ahead of his time. His central premise, although difficult to determine amongst the satire, is humanity’s necessity for freedom and religion, specifically Christianity.
Dostoevsky, Feodor. Crime and Punishment. Ed. By George Gibian. W. W. Norton & Company. 3rd Edition. New York, 1989.
Dostoyevsky achieved success with Notes from Underground, a psychological study of a spiritual and intellectual misfit. Dostoyevsky’s greatest success came with four novels that rank among the masterpieces of world literature. Crime and Punishment concerns a student who murders because he imagines himself to be superior to most people, but who cannot face the enormity of his crime. In The Idiot, Dostoyevsky tried to portray a truly good Christian person. “The Possessed, also published as The Devils, is a prophetic portrait of Russian revolutionaries. Dostoyevsky’s greatest novel is probably The Brothers Karamazov. It centers on the murder of the evil Fyodor Karamazov and the effect of this crime on each of his four sons” (Crone).