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Literary analysis for the yellow wallpaper
Literary analysis for the yellow wallpaper
Character analysis and theme essay on the yellow wallpaper
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An average American family in today’s society usually consists of a mother, a father, and a child, or children, whom the father, or mother, or both, work to provide for their family or take care of their children and household. It wasn’t always this case. Modern American families and modern society are the result of the significantly changed roles of women that has happened over the past century. For many years, women were given the role as “housewives” and were expected to stay at home, care for their children, keep the house nice and clean, and to comfort the husband in any way when he was home. The husband was the household provider; the only one that worked for pay. The picture isn’t as blissful as it may seem; there were many limitations
According to The Norton Anthropology of American Literature, " Charlotte Perkins Gilman lived her life, for the most part, on the margins of a society whose economic assumptions about and social definitions of women she vigorously repudiated" (Gilman 790). "The Yellow Wallpaper" has to some extent an amount of relation to Gilman 's life with embellishments related to the issue of men supremacy over woman and women trying to live up to their social expectation with their wife- mother role. Although there is a slight relation between Gilman and the main character, we cannot assume the unnamed character is Gilman herself. Critic Ann J. Lane commented that Gilman offered "vivid dramatization of the social ills that result from a competitive economic system in which women are subordinate to men and accept their subornation" (Gilman 791). Gilman was successful in implying her beliefs on this issue through the anonymous character from her short story "The Yellow
Charlotte Perkins Gilman was a 19th century, journalist from Connecticut. She was also a feminist. Gilman was not conservative when it came to expressing her views publically. Many of her published works openly expressed her thoughts on woman’s rights. She also broke through social norms when she chose to write her short story, “The Yellow Wallpaper” in 1892, which described her battle with mental illness. These literary breakthroughs, made by Charlotte Perkins Gilman, help us see that the 19th century was a time of change for women.
"The Yellow Wallpaper" is a fictionalized account of Charlotte Perkins Gilman's own postpartum depression. Gilman was a social critic and feminist who wrote prolifically about the necessity of social and sexual equality, particularly about women's need for economic independence. According to critic Valarie Gill,
Gilman is an author whose writing is based on individuals making up America's collective identity. "The Yellow Wallpaper" is from the vantage points of being a woman, at a time when women were not supposed to have individual thoughts and personalities. At this time in history, the social roles of women were very well-defined: mothers and caretakers of the family, prim and proper creatures that were pleasant to look at, seen but not heard, and irrational and emotional. The identity of women were presupposed on them by men. At the time this story was written, social criticisms were on the rise and writers had more of an outlet to express themselves. Women's suffrage provided by many female writers, such as Gilman, the means to air the wrongs against women.
At the time Charlotte Perkins Gilman wrote “The Yellow Wallpaper” she was considered a prominent feminist writer. This piece of background information allows the readers to see Gilman’s views on women’s rights and roles in the 18th century; “The Yellow Wallpaper” suggests that women in the 18th century were suppressed into society’s marital gender roles. Gilman uses the setting and figurative language, such as symbolism, imagery, and metaphors to convey the theme across.
Gilman has stated in multiple papers that the main reason for her writing “The Yellow Wallpaper” was to shed light on her awful experience with this ‘rest cure’. However, she also managed to inject her own feminist agenda into the piece. Charlotte Perkins Gilman chose to include certain subtle, but alarming details regarding the narrator’s life as a representation of how women were treated at the time. She wants us to understand why the narrator ends up being driven to madness, or in her case, freedom. There are untold layers to this truly simple, short story just like there were many layers to Gilman
Susan B. Anthony, a woman’s rights pioneer, once said, “Oh, if I could but live another century and see the fruition of all the work for women! There is so much yet to be done” (“Women’s Voices Magazine”). Women’s rights is a hot button issue in the United States today, and it has been debated for years. In the late 1800’s an individual named Charlotte Perkins Gilman wrote literature to try and paint a picture in the audience’s mind that gender inferiority is both unjust and horrific. In her short story, “The Yellow Wallpaper” Gilman makes the ultimate argument that women should not be seen as subordinate to men, but as equal.
Talcott Parsons and Robert Bales, two of the leading figures in sociology, may be considered the founding fathers for the ideas of the “modern family” and the “male-breadwinner family.” Collectively, their work has influenced how Americans analyze families and has sparked new ideas regarding the American family from sociologists such as Stephanie Coontz and Arlie Hochschild. However, when studying the American family, Parsons and Bales fail to understand that the “ideal” family may not be so ideal for everyone. They neglect to consider societal influences and economic changes when discussing patriarchal social norms as the most optimal family structure. Their description of the male-breadwinner family consists of the father being the “instrumental leader” within the home, providing economically for his family based on his occupational earnings. Meanwhile, the mother is considered the manager of the household, providing for her husband and children physically, emotionally, and mentally.
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.
The ideas expressed by Gilman are femininity, socialization, individuality and freedom in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Gilman uses these ideas to help readers understand what women lost during the 1900’s. She also let her readers understand how her character Jane escaped the wrath of her husband. She uses her own mind over the matter. She expresses these ideas in the form of the character Jane. Gilman uses an assortment of ways to convey how women and men of the 1900’s have rules pertaining to their marriages. Women are the homemakers while the husbands are the breadwinners. Men treated women as objects, as a result not giving them their own sound mind.
As centuries pass by, generations also pass their traditional values to the next generation. some people still think the way their ancestors thought and believe in what they believed in. During the beginning of 1890 people couldn’t have premarital sex, women had to be the caretaker while men were the breadwinner. During this century, those perspectives have changed, argued Stephanie Coontz, the author of “The American Family”. Coontz believes women should have more freedom and there should be gender equality.
Charlotte Gilman was a renowned feminist author who published most of her work in the late 1800s and the early 1900s. Her works, of which "The Yellow Wallpaper" is most famous, reflect her feminist views. Gilman used her writings as a way of expressing these views to the public. At the time "The Yellow Wallpaper" was written, the attitude in colonial America towards feminists was not one of tolerance or acceptance. In the mid-1880s, Gilman suffered a nervous breakdown and eventually was referred to a specialist in neurological disorders. The doctor's diagnosis was such: Gilman was perfectly healthy. The doctor ordered Gilman to domesticate her life and to immediately stop her writings. Gilman went by the doctor's orders, and nearly went mad. Now although "Yellow Wallpaper" is a fictional story, it becomes clear that the story was significantly influenced by Gilman's life experiences. Gilman seems to be exploring the depths of mental illness through her writing.
Gilman creates a horrific tone that helps explore the idea of freedom and confinement within a certain place. The story is created to follow the situation of the narrator and how slowly she begins to deteriorate psychologically due to the wallpaper. The narrator is never assigned a name, therefore it can be assumed that the story is suppose to serve as a voice for the women who have been in a similar situation and have lost their freedom and say on their own lives. However, the narrator appears to come from a wealthy family with privilege so there cannot be this idea that all women who have been through this form of depression and inequalities have experienced it in the same form. Through the use of imagery, the reader was able to understand and clearly visualize the situation in which the narrator is in and see how she has begun to slowly deteriorate, even though she is finally freed in the end of the story, or at least that is what is assumed. “The Yellow Wallpaper” is indeed a very profound image of what it was like to be a female during the 19th century while emphasizing the themes of freedom and confinement. Even though it illustrates the impact that confinement can have on a person, it restricts the situation to fit only women who had similar social backgrounds as the narrator, which is
Women have been mistreated, enchained and dominated by men for most part of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education). One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the element of barter from her marriage and love with her husband. This relationship status was very common between nineteenth-century women and their husbands.
Traditionally, men have held the power in society. Women have been treated as a second class of citizens with neither the legal rights nor the respect of their male counterparts. Culture has contributed to these gender roles by conditioning women to accept their subordinate status while encouraging young men to lead and control. Feminist criticism contends that literature either supports society’s patriarchal structure or provides social criticism in order to change this hierarchy. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts one women’s struggle against the traditional female role into which society attempts to force her and the societal reaction to this act.
Throughout history, the roles of men and women in the home suggested that the husband would provide for his family, usually in a professional field, and be the head of his household, while the submissive wife remained at home. This wife’s only jobs included childcare, housekeeping, and placing dinner on the table in front of her family. The roles women and men played in earlier generations exemplify the way society limited men and women by placing them into gender specific molds; biology has never claimed that men were the sole survivors of American families, and that women were the only ones capable of making a pot roast. This depiction of the typical family has evolved. For example, in her observation of American families, author Judy Root Aulette noted that more families practice Egalitarian ideologies and are in favor of gender equality. “Women are more likely to participate in the workforce, while men are more likely to share in housework and childcare (apa…).” Today’s American families have broken the Ward and June Cleaver mold, and continue to become stronger and more sufficient. Single parent families currently become increasingly popular in America, with single men and women taking on the roles of both mother and father. This bend in the gender rules would have, previously, been unheard of, but in the evolution of gender in the family, it’s now socially acceptable, and very common.