Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
History of the film industry
History of the film industry
Several types of crimes
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: History of the film industry
The Change of the Gangster Genre
The two films that I have chosen to analyze are Carlito's Way (1993)
and Out of Sight (1998) both films are of the gangster/crime genre.
Genre means what type anything belongs to, or what kind of category
something can be placed in.
The gangster films belong to the crime genre. The most popular
gangster films made were in the 1930's, during this period America was
going through the depressions and audiences wanted the characters of
these gangster films to gain money, wealth and power during a time of
economic decline. The gangster characters in the films were seen as
living the American dream but not lawfully or legally. But audiences
could relate to these gangsters because of prohibition as well. This
Crime genre basically is evolved around how the illegal supply of
alcohol during the prohibition was making gangsters rich and powerful,
and this is how the so-called Mafia came about.
One of the greatest characters in film history called, Al Pacino
established him self during the film's greatest decade, the 1970's.
During this period Al Pacino was offered the part for Michael Corleone
in Godfather, The (1972). Nobody wanted him to have the part but
afterwards nobody complained. Due to the success of the film two
sequels followed and the first sequel The Godfather, Part 2 won was
the first sequel ever to win the Academy Award for Best Picture.
Al Pacino came from an Italian background therefore was the perfect
actor to play gangster roles. He made numerous films later on but the
ones that stand out are Scarface (1983) and Carlito's Way, both
directed by Brian DePalma.
Carlito's Way is se...
... middle of paper ...
...ter genre has moved on over time
because of the way audiences have come to realize what a gangster
actually is and how the word is portrayed in the media recently.
Whereas in the 70's the films were about the Mafia and the Mob this is
backed up by films such as The Godfather trilogy. Recent gangster
films have involved more of a romance part to it and a lot more screen
time on the stories, not like 30-40 years ago where the girls where
seen as hookers and one night stands or blonde bimbo's where the girls
just listen to anything the man said. Also Films have moved on in the
way of technology obviously. You can get more expensive better cameras
and directors can play about with a lot more camera techniques and
angles. More lighting techniques are used and basically everything
does move on over time nothing stays static.
"Where I came from, in order to be down you had to be 'in'" (Shakur, 226). This quote, taken from Sanyika Shakur's (aka Monster Kody Scott) Monster: The Autobiography of an L.A. Gang Member relates the mind set of those growing up the concrete jungle of South Central L.A. This powerful account of the triumph of the human spirit over insurmountable odds brings the reader into the daily battles for survival. His story starts at the beginning of his gang life (being initiated at age 11), moves through his teen years (mostly spent in various correctional facilities) and ends up with his transformation in a member of the New Afrikan Independence Movement.
The characters in these films were savvy, secretive and wealthy unlike the gangsters seen in Little Caesar and Scarface: The Shame of the Nation. Brian De Palma’s Scarface (1983) payed homage to the original, and although they follow roughly the same storyline, De Palma’s remake is more reminiscent of The Godfather films than its predecessor. Tony Montana (Al Pacino), the film’s main character, worked his way up from poverty by selling drugs and committing horrifying acts of violence in order to attain the power, wealth and woman he so desired. In his 1983 review of Scarface, Pulitzer prize winner, Roger Ebert states “Al Pacino does not make Montana into a sympathetic character, but he does make him into somebody we can identify with, in a horrified way, if only because of his perfectly understandable motivations” (RogerEbert.com). More than fifty years later, Ebert expresses similar thoughts to those of Robert Warshow, esteemed film critic and author of “The Gangster as a Tragic Hero.” “…We [the audience] gain the double satisfaction of participating vicariously in the gangster’s sadism and then seeing it turned against the gangster himself.” (Warshow) These sentiments are exactly what the censorship of the 1932 version intended to prevent, yet Scarface (1983) did not receive the same scrutiny. Despite the mixed reviews that Howard Hawk’s original Scarface: Shame of the Nation and Brian De Palma’s
I can only hope that this movie inspires viewers to discover the actual history. It’s extremely interesting stuff. The gangs of the Five Points established the model for the alliance of Irishmen, Jews, and Italians who created the more commonly known mobs during the 1920’s and prohibition. A path was established between the Dead Rabbits, the Plug Uglies, the Bowery B’hoys that continues today with the Latin Kings, the Crips, and the Bloods.
In The Public Enemy, it is different. There were not that many scenes with law enforcement, this shown that the law can stop the gangs unlike other gangster films of the time. One other major difference was that The Public Enemy showed most of the society was middle class unlike Modern Times in which almost all of society was trying to get by. The Great Depression is where the film industry boomed with new types of movies like gangster films and musicals. It was a hard time for people in this era to get by.
As more and more immigrants began to spread throughout the US, more and more gangs of people began to emerge. Gangs were usually made up of people of a common ethnicity, whether it be Irish, Italian, or Hispanic. These gangs were usually victims of anti-immigrant policies and looked for strength in numbers. As gangs became more and more sophisticated they realized they could make profits from the power they were accumulating. One of the most recognizable examples is the bootlegging of alcohol during the Prohibition. When federal officials attempted to enforce legislation such as the Volstead Act, there was a surge of illegal sales and profits. In 1927, Al Capone and his gang racked up over $60 million from bootlegged alcohol. With all of this money came tons of violence, people were getting murdered in broad daylight just so others could have a sum of all of this wealth. Soon Mob families would own clubs or casinos to increase their wealth. The attendees weren’t only made up of rich mob bosses, the alcohol, dancing, and gambling attracted many ordinary
that the film may have a romantic genre. There is a lot of fighting in
There is a thin line that exists between the depiction of a villain and a gangster that Hollywood has mastered walking on. While villains and gangsters may do many of the same things in movies, like stealing and killing, they each do them for different reasons. Villains enjoy crime because that is what gets them off; some may feel they are doing society a favor, like Uncle Charlie in Hitchcock’s Shadow of a Doubt, and others are more simply portrayed as naturally evil or mentally ill. But Gangsters are doing what they do for something American society can relate to—to make a living and, ultimately, get to the top.
...ough with the times. The men in those gangs were willing to die for the people they worked and many of them did. They would also kill someone in an instant if ordered to or if they crossed their family or gang. Lives were alway in danger during the prohibition era because of the measure people would take to ensure their own safety. it was survival of the fittest and the gangster of the era and organized crime were at the top of the food chain.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
As the hip-hop battle rages on in the background somewhere between the black literati, consumers and observers, I stand objectively nodding religiously to Lupe Fiasco as he creates a narrative surrounding personified life of a housing complex each component, the legs, the chest, a different facet of living in the hood. Some would pose Lupe as a Hip-Hop alternative, glorifying his intellectualism and political consciousness, at the expense of demonizing other less academically articulate rap artists. Maybe they deserve it. Maybe they are ill educated and uncultured. But does that delegitimize their message? Understanding the messages of many gangsta rap artists is a complex task for those whose lived experiences don’t relate. We need to find an alternative way to comprehend and critique the music that we dismiss as garbage. What are rappers really saying? Michal P. Jefferies’ work Thug Life, provides us with alternative tools to answer this question. I seek to further explore Jefferies “complex cool” and how it allows for a thug masculinity to include love and other emotional sentiments.
I started watching movies of Al Pacino when I got serious enough about films. The first movie which I saw was ‘Scarface’. It really opened my eye as to what impact, communism could have on a young rebellious delinquent completely altering the course of his life. The movie was full of violence with overt drug and sexual indulgence, but the part which was really amusing is the caricature of the character. It is almost like a dynamite waiting to explode any second. The making of the character; truly symbolizes the personality of a Cuban revolutionist .His acting uncovered a craft which looked so unique and unrivalled. It is only then, that I started watching his films with more interest.
Hip hop has so many subgenres that preach different messages to the listeners. Artists are inspired to sing according to what they experienced when growing up, or what they thought should be done to address a particular issue.
Jean Kilbourne, a media specialist, raises an interesting point in one of her lectures when she states, “The average American is exposed to 3000 advertisements per day. Yet, everyone in America still feels personally exempt from the media. They say, “I don’t pay attention to ads. I just tune them out. They have no effect on me.”” She later states most of the people who have said this to her were wearing Gap™ tee-shirts. Whether people realize it or not, there is a direct correlation between the media and an individual’s identity. Along with products, the media also sells values, views, images, and concepts of normalcy. The media tells us who we are and who we should be. Unfortunately, many times the media tells us things that have a major negative impact on individual and collective identity. Without the media, we would see a positive shift in the way people view themselves as individuals and as a collective.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Today in America numerous teenagers are listening to Gangster rap, which is a form of music in not just limited to the African-American culture, it seems that it is the music of choice to many of our vulnerable youth’s today, it illustrates the lifestyle of being rich and famous. Youths are influenced by this music while hearing it in their cars, at work, while driving, or by turning on the TV. Many teens turn to MTV, VH1 or BET everyday to watch their favorite rap artist in their latest videos. Gangster rap promotes the luxurious lifestyle black rappers attain after they achieve success as well as their experiences on the streets. Even with all the fame and fortune many gangster rappers portray a negative image on and off the camera by being in the spotlight for the use of drugs and committing crimes. With all the publicity and notoriety, they receive for being thugs our youth today want to be just like them. The "Hot Boys,” is a well-known rap group that likes to show off their expensive fancy cars in their videos. Consequently, because of these videos, teens these days are decking out there cars by tinting the windows and putting chrome rims on them. Another big thing to do is put a huge sound system in the trunk so everyone can hear your cars bass coming down the street. With rap, music also comes urban clothing. Some rap stars even have their own clothing line such as, Roca wear, Sean John, No Limit Wear, and many others. The rap stars convince their fans to show off their clothing.