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Failed Marriage in Kevin Brockmeier’s “The Ceiling”
Renowned motivational speaker Tony Gaskins once said, “Communication to a relationship is like oxygen to life. Without it…it dies” (Live Life Happy). For instance, the ignorance of the narrator in Kevin Brockmeier’s “The Ceiling,” showcases how oblivious he is to his wife’s growing infidelity, as an equally disturbing surface descends from the sky upon his town. While the object approaches the earth and becomes more apparent, his marriage is falling apart to the point of no return. The text illustrates how the lack of acknowledgement or emotional presence from a spouse will often result in a failed marriage. This is demonstrated through the unobservant nature of the narrator and his troubled
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The object is not yet visible to the eye, but its presence can be felt. Noticing that there was a “tension and strain to the air, a shift in its customary balance” (31). This is analogous to their relationship because there’s the sense of something problematic but there’s no clear issue to be pinpointed on. Furthermore, while walking back from the barber shop, the narrator realizes that if the “ceiling” in its “smooth black polish” were to remain at its current level “we might come to forget that it was even there, charting for ourselves a new map of the night sky” (35). The object symbolizes how the narrator perceives his relationship, that as long as there aren’t any bumps or scratches, his marriage will remain as steady as he assumes it to be. In particular, the plane of the object is no more than a few inches above the ground, and the narrator, his wife and Mitch, along with their kids, were lying underneath the “polished undersurface of the ceiling” (39). As far as shown, the affair remains unaddressed which may make it seem as if their relationship is perfect without any flaws despite the knowing complications and their avoidance to discuss it. Ironically, not only are they trapped in a town that’s coming to an end as the ceiling nears the ground, but they’re also trapped in a doomed marriage with equally no way …show more content…
In particular, the night of Joshua’s birthday, she was crying into her pillow, and the narrator watched her “fall into a deep abstraction” and was “shrinking away from me” (31). Although seeing her in this state, he doesn’t make it a point to discuss why she was feeling this way, while she simply brushed it off reasoning that she was in “need to sleep” (31). Whenever the narrator and Melissa would be alone together and he’d ask her a question, there would be a “certain brittleness to her, a hesitancy of manner that suggested she was hearing the world from across a divide” (32). She appears to isolate herself and enter into her own world, and by doing so, she’s secluding her husband from her thoughts and her life. Namely, while Melissa was out on a date with Mitch Nauman and her eyes connected to the narrator, at first, “her face seemed to fill suddenly with movement, then just as suddenly to empty” (38). Initially she panics at being caught, but due to the emotional gap that’s been created between them, her guilt seems to quickly disappear. Despite still married and physically together, they’ve become strangers to each other where they aren’t able to openly talk about their problems or
The back panel of 1 Dead in Attic: Post-Katrina Stories by columnist Chris Rose does not summarize his self-publication. Rather, it dedicates the book to a man named Thomas Coleman who met his demise in his attic with a can of juice and the comforts of a bedspread at his side. This dedication closes with “There were more than a thousand like him.” That is the life force of Rose’s book. It is not a narrative, it does not feature a clear conclusion, and there is not a distinct beginning, middle, or end. Rather, it exists as a chronology of Rose’s struggle to reestablish normalcy following a time of turmoil. Rose himself states in his introduction “After the storm, I just started writing, not attempting to carve out any niche but just to tell
Takes place in a small town in Kentucky that has a small population will little growth over the past twenty years. These two worlds are leads us back to the central idea. If there is no communication in a relationship, the relationship will become stagnant and one person will fall behind in the relationship as the other makes the necessary changes to continue with their life.
A major sign in “The Ceiling” is the lack of communication between the narrator and his wife, Melissa. An essential component in marriage is the ability to optimistically communicate between spouses; communication allows each spouse to effectively understand each other feelings toward various situations and circumstances. The lack of communication within “The Ceiling,” is noticeable as the narrator mentions “After we put Joshua to bed…across a divide” (Brockmeier, 96). When he tells her “You don’t look a day older than when we met, honey. You know that, don’t you?” and she answers with a “slight puff through her nose” that was a laugh, but he couldn’t tell what her expression was, as well as a slight “thank you” (Brockmeier, 95). Melissa exposes her lack of interest in this particular scene. This scene shows the evident miscommunication between both spouses as he mentions that h...
As the story begins, the narrator's compliance with her role as a submissive woman is easily seen. She states, "John laughs at me, but one expects that in marriage" (Gilman 577). These words clearly illustrate the male's position of power in a marriage t...
In individual searches to find themselves, Frank and April Wheeler take on the roles of the people they want to be, but their acting grows out of control when they lose sense of who they are behind the curtains. Their separate quests for identity converge in their wish for a thriving marriage. Initially, they both play roles in their marriage to please the other, so that when their true identities emerge, their marriage crumbles, lacking communication and sentimentality. Modelled after golden people or manly figures, the roles Frank and April take on create friction with who they actually are. Ultimately, to “do something absolutely honest” and “true,” it must be “a thing … done alone” (Yates 327). One need only look inside his or her self to discover his or her genuine identity.
In short story “The Cheater’s Guide to Love,” written by Junot Diaz, we observe infidelity and the negative effects it has on relationships. Anyone who cheats will eventually get caught and will have to deal with the consequences. People tend to overlook the fact that most relationships are unlikely to survive after infidelity. Trust becomes an issue after someone has been unfaithful. Yunior, the main character in this story, encounters conflict as he struggles to move on with his life after his fiancée discovers that he has been unfaithful. Over a six-year period, the author reveals how his unfaithfulness has an effect on his health and his relationships.
Communications generally occur in body languages: how the individuals interpret each other. Her essay is an event that is reoccurring more and more lately. The event results in a failure in marriage. In today’s society more and more people are splitting up or having divorces due to miscommunications. The essay, “Sex, Lies and Conversation,” that Deborah Tannen wrote is much use of today because it explains where miscommunications happen and she has her own studies and research to back it up. The essay goes into depth about her ideologies that cause miscommunications. Look at a miscommunication twice and do not be quick to judge because it will save plenty of
A History of Marriage by Stephanie Coontz speaks of the recent idealization of marriage based solely on love. Coontz doesn’t defame love, but touches on the many profound aspects that have created and bonded marriages through time. While love is still a large aspect Coontz wants us to see that a marriage needs more solid and less fickle aspects than just love.
Even in her defiant disobedience to her husband, she is subconsciously aware of the futility of her struggle. During a fit of violent frustration with her marriage, "she stopped, and taking off her wedding ring, flung it upon th...
Pollard, Percival. "The Unlikely Awakening of a Married Woman." Chopin, Kate. The Awakening. New York: W. W. Norton & Company, Inc., 1994. 179-181.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
In class there have been many discussions over the relationships and marriages among the books we have read. When someone thinks of marriage, a fairy tale with a happy ending might come to mind, or possibly a safe haven for those looking for something stable. In The Awakening by Kate Chopin, and “The Yellow Wallpaper” by Charlotte Perkins Gilman, marriage takes a turn for the worse. Marriage is no longer the happy memories in a lifetime. It can be the thing that hinders the women in these stories from developing their full potential or experiencing the world and other lifestyles. Through these texts and this time frame, we will analyze the meaning of their marriages, how they function, and the end result of both.
Communication is a vital component of everyday relationships in all of mankind. In plays, there are many usual staging and dialogue techniques that directors use to achieve the attention of the audience. However, in the play, “Post-its (Notes on a Marriage)”, the authors Paul Dooley and Winnie Holzman use both staging and conversation in order to convey the struggles of modern relationships. The play is unconventional in how it attempts to have the audience react in a unique way. The authors use staging and conversation to portray to the audience that there are complex problems with communication in modern relationships.
Counting on others for one’s own well-being, is that a mistake? Or is just an act of over trust? The Yellow Wallpaper is the struggle of a women feeling as if she is losing her mind. An overbearing and controlling husband makes every effort to try and “fix” his wife to make her better, even if that means confining her to a single room. Despite the husbands best efforts he cannot take away the thoughts and images in his wife’s head. Too much trust is put into the husbands hands, to leave the wife with no voice. This story shines light to how much men really dominated society, and how controlling the male species is. As a result, leaving the subservient wife’s the ones that suffer the consequences of their significant other. When a small case
For centuries now, males have dominated society, their homes, and their wives. Always being recognized as the supreme head of the household, inevitably leaving females to be viewed as inferior and most times in a state of infantile dependency. The authors’ use this concept to their advantage in “The Yellow Wallpaper” and “Woman Hollering Creek” by illustrating a homogeneous view of male supremacy over their wives. In the Yellow Wallpaper, the woman is enforced to act in accordance with the demands her husband implements for her. John illustrates patriarchal authority over her by controlling her actions, treatment, and environment despite how she feels. When she communicates her desire to stay in another room with a better energy, she claims: