Medieval Christian literature depicts personal transformation as a gruesome, time-consuming process, that is demanding, spiritually, mentally, emotionally and physically. Embarking on the journey to salvation and earning the great privilege of entering Heaven, is one of the greatest challenges anyone could face. Julian of Norwich writes about her unwavering faith and her acceptance of the will of God. Even in suffering she kept her eyes focused, not on her own bodily pain, but on the face God. Aquinas writes of the Cardinal Virtues and how he believes we as rational beings should live our lives, and Dante shows us that even after we die, the way we lived here on earth can greatly impact us, and it would be worth the suffering for us to transform our lives so that we may spend eternity at peace in the Kingdom of Heaven.
The process of salvation, after the acceptance of Christ as Lord and savior, begins with a commitment to personal transformation. Moral and theological virtues are part of the Medieval view of personal transformation which are recounted by Aquinas in Summa of the Summa and embodied in Dante’s Purgatorio.
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Aquinas describes the Cardinal Virtues as prudence, justice, temperance, and fortitude, the purpose of which are to direct us towards good. Similarly, Dante describes the seven deadly sins, and what he imagines the purging of those sins would look like in purgatory. He also gives examples of the virtues opposite of those sins and people who were ideal models of those virtues. Temperance, a virtue that directly connects Aquinas and Dante, is the virtue of moderation or self control.
In Purgatorio, Dante, is lead by Virgil as he travels through purgatory. He eventually reaches the level of gluttony, the sin that contrasts temperance. Here, he witnesses “ a band of spirits, silent and devout, their eyes dark-shadowed, sunken in their heads, their faces pale, [and] their bodies worn so thin that every bone was molded to their skin.”(Dante XXIII.21-23) These spirits purge the sin of gluttony by starving themselves and redirecting the use of their mouths toward praising God. All the while they are cursed with the delectable smell of fruit wafting though the air, while the fruit itself is hung just out of reach. Through this suffering they become transformed, and attain the level of purification necessary to reach
heaven. Julian believed that through suffering comes understanding, and as a result, she asked God for three gifts. “The first was vivid perception of Christ’s Passion, the second was bodily sickness and the third was for God to give [her] three wounds.”(Julian, 1) She knew that she could never endure the anguish that Christ encountered but, if she could experience the sorrow and suffering of those closest to him, she could more fully appreciate the love He has for us. However, in her appetite for understanding, she also accepts the will of God and if it was not his will that she should contend with these “gifts” then it would be her will also.
Julian of Norwich lived during a time of great fear dominated by economic and physical hardships, feudal era of control, fear of death from the bubonic plague, corruption within the church’s hierarchy and doubt and insincerity was rampant amongst believers. Living a simple existence she depende...
For centuries humans have been drawing parallels to help explain or understand different concepts. These parallels, or allegories, tell a simple story and their purpose is to use another point of view to help guide individuals into the correct line of thought. “The only stable element in a literary work is its words, which if one knows the language in which it is written, have a meaning. The significance of that meaning is what may be called allegory.”(Bloomfield) As Bloomfield stated, it is only how we interpret the words in an allegory that matters, each person can interpreted it in a slightly different way and allegories are most often personalized by a reader. Dante’s Inferno allegory is present throughout the entire poem. From the dark wood to the depths of Dante’s hell he presents the different crimes committed in life as they could be punished in death.
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
In The Inferno of Dante, Dante creates a striking correspondence between a soul’s sin on Earth and the punishment it receives in hell for that sin. This simple idea serves to illuminate one of Dante’s recurring themes: the perfection of god’s justice. Bearing the inscription the gates of hell explicitly state that god was moved to create hell by justice. Wisdom was employed to know what punishments would be just, power to create the forms of justice, and love to show that the punishments are conditioned with compassion, however difficult it may be to recognize (and the topic of a totally separate paper). Certainly then, if the motive of hell’s creation was justice, then its purpose was (and still is) to provide justice. But what exactly is this justice that Dante refers to? According to the Oxford English Dictionary, it is the So hell exists to punish those who sin against god, and the suitability of Hell’s specific punishments testify to the divine perfection that all sin violates.
He reacts to the inscription by crying out, “Master, I said, these words I see are cruel” (Dante pg.14). By this he shows his fear of the unknown because he does not yet know exactly what he will witness during his descent. One of Dante’s truest displays of fear occurs when he sees the angels. The angels deny the travelers access to the city. Virgil even appears startled and confused by this.
Upon entering hell with Virgil, Dante becomes witness to the true perfection of the justice done to sinners after their earthly life is over. This divine justice inflicted by God chooses to punish the souls in hell in a way very similar or representative to how the souls sinned on Earth. For instance, those guilty of the sin of wrath "tear each other limb from limb" (133), a punishment which directly relates to the actions of the sinners. However, there are also punishments that are more symbolic of the actions of the sinners, such as th...
In Purgatory, the Proud say that they are like worms but will become butterflies as long as their penance is completed. Butterflies have wings which represent they can be closer to Heaven. James 5:4 says that "Humble yourselves before the Lord, and he will lift you up." That means God will give people chances to be closer to the Heaven when people know how to humble themselves. It is pretty similar when comparing the verses in the Bible and Dante's Purgatory. Both of them are saying that Proud will have to humble themselves. In Purgatory, the Proud humble themselves through Poetic Purgation.
Dante Alighieri's The Inferno is a first-person poem that tells the story of Dante’s journey through the nine circles of Hell after he strays from the rightful path. Each circle of Hell contains sinners who have committed different sins during their lifetime and are punished based on the severity of their sins. When taking the beliefs and moral teachings of the Catholic Church into consideration, these punishments seem especially unfair and extreme. Souls residing in Purgatory receive punishments despite the fact that this level is not considered part of Hell. As Dante and his guide, Virgil, enter Ante-Inferno (also known as Purgatory), Virgil explains to him that this is where the souls of those who did not take a side between God and Satan or did not do anything during their lifetime that would determine whether they would go to Hell or Heaven (III. 30-37.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
Descending from the first to the second level of Hell, Dante witnesses the transition to greater agony and greater punishment for the damned. Overwhelmed by the sinner’s harrowing cries and the extensive list of seemingly innocent souls given to him by Virgil, Dante beckons for two lovers to approach him, desperate for some sense of comfort. The souls are known to be the historical figures Francesca de Rimini and her lover Paolo, forever trapped in the circle of lust due to their sinful adultery. Through her words spoken to Dante, Francesca shows how she feels she has been unjustly punished and is deserving of others’ sorrow, and Dante, despite his awareness that she is a sinner, pities her. A close reading of this passage is necessary to better understand Dante’s internal battle with showing compassion where it is not deserved and Francesca’s incessant denial of her sins.
At first glance it may not appear that Dante’s Purgatorio has a central theme of liberty. However, the majority of its premise all relates to that of liberty and free will. Free will is the dictionary form of liberty; thus, they can be interchangeable. As humans, God has given us all the choice to do as we wish whether it be good or bad, and this ability to choice is that of free will. Dante’s journey through the afterlife is ultimately a quest for freedom, and this essay will address how the theme of free will is presented.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
Out of ever perplexity Dante faces throughout his journeys in Inferno, Purgatorio, and Paradiso, this one of merit and grace is the most significant one. This thought entails what the whole Comedia is about by essentially determining the principal matter of his revolutionary work – each one’s merit produced by God’s grace. His use of “merit” and “grace” brings the reader’s attention to focus on how this determines the measurement of understanding. The tension between merit and grace plays one of the most important roles in the Divine Comedy because it is seen everywhere especially when Dante finally learns to understand each step of his journey. Dante is enlightened on the judgment of souls and he devotes himself to reach grace and, ultimately, sanctity.
The doctrine of salvation contains various aspects. The intent of this research paper is to provide a general overview of salvation from the angle of justification, propitiation, grace, redemption, and sanctification.