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Bernini was given the task of finishing St. Peters after Maderno died in 1629 (676). Baroque style, as defined in the book, is a style of “persuasion” and seems to focus on appealing to the senses as well as being very dramatic in terms of sensuality, emotion, movement, and expressiveness. Everything about baroque art was splendor and opulent. Another change that was prevalent during this time that was not in the High Renaissance was the shift from the Catholic Church being the sponsor for most of the art to wealthy people. That was shown through the art because there were not as many religious themes or religious underlying tones unless the artist really wanted to include that in a piece. Bernini’s “Baldacchino” in St. Peters exemplifies basically …show more content…
He mostly painted ordinary people and sometimes even included religious figures as those ordinary people, which had never been seen before. He is also known for using tenebrism, which is a style that uses strong contrasts of light and dark. In his piece, “The Calling of St. Matthew” uses a beam of light coming through a window right above Jesus’ head to illuminate the other men sitting at a table. “Christ’s face and hand in the gloomy interior so that we see the precise moment of his calling to Matthew and witness a critical piece of religious history and personal conversion” (665). This aspect of his artwork impacted Artemisia Gentileschi the most. Gentileschi, one of the first woman artists to become well known, was known for painting biblical heroines, women, or her in a lead role. Her piece, “Judith and Her Maidservant with the Head of Holofernes” she uses tenebrism in a dramatic way. “The hushed, candlelit atmosphere-tenebrism made intimate-creates a mood of mystery that conveys Judith’s complex emotions with unsurpassed understanding”(669). The candlelight is used to highlight the facial expressions of the two women. The candlelight doesn’t show what is keeping the attention of the women, which adds to the drama created by the light because the viewer doesn’t know what is in the
For example, Masaccio used the medium fresco. It dries quickly and requires the artist to work fast with color broadly applied. This medium enables Masaccio to create generalized forms over the precise details of oil and tempura painting. However, Campin used the oil medium. This gave him the ability to create jewel-like illusions of reality. Campin and others of this era were motivated to paint the external world and all the different facets that create it. On the other hand, Masaccio wanted to create a painting that is more realistic and wanted the people to be able to relate to the art. Also, both artists use light and shadow to highlight and emphasize different parts of the paintings. For instance, Campin lit the room with sunlight and put a focus on Mary’s dress. This lighting causes the dress to turn into a shape of a star. This can symbolize the presence of the star of Bethlehem. Many other religious symbols are found in the painting. The eyes are not drawn to a particular object. This is not the case in Masaccio’s painting. He does not particularly shine light on one object. Even though the eyes are drawn to Jesus, we get a sense of balance between all the objects. This portrays faith and it’s mysteries as well as the perfection symbolism that comes with God. Masaccio creates a three dimensional like form even though it is on a two-dimensional surface. The painting shows
I had never heard of the artist Artemisia Gentileschi before this introductory Art course. Of all the paintings and sculptures found within the book, it was her work that stood out and spoke to me. "Judith and Maidservant with the head of Holofernes" is a particularly rich oil painting by the Italian Gentileschi, painted circa 1625 Europe. Her large canvas measures 72 and 1/2 inches by 55 and 3/4 inches and began as a biblical story telling inspiration come to life within the oil. Located at the Detroit Institute of Arts, the painting was a gift to the institute from Art collector Mr. Leslie H. Green in 1952. Artemisia was the daughter of a painter (and caravaggio influenced) Orazio Gentileschi, she was also the wife of little known artist Pierantonio Stiattesi. Artemisia had four sons and one daughter during her marriage. A student of the Chiaroscuro technique and during a time when women were not believed capable of painting competitively and intelligently as the men of the day. Artemisia proved them wrong with stunning work and artistry over her artistic career.
Artemisia Gentileschi (1593-1654?) was one of the most important women artists before the modern period and certainly one of the most famous female painters from the seventeenth century. Gentileschi’s paintings regularly featured women as the protagonists acting in a manner equal to men. In fact, forty nine of her paintings fall into this category. She was raped at the age of 18 and the subsequent events lent her a certain amount of notoriety. These factors have led many to interpret her artwork as an expression of her role as a female victim looking for revenge through her art. Instead, a closer examination of Gentileschi’s life and her artwork exposes the artist as an individual with personal strength and incredible talent who painted subjects similar to or the same as those of her male counterparts, instead of staying within the guiding principles of what was acceptable “feminine” art.
The subject of Gentileschi's Judith and Maidservant with the Head of Holofernes uses tenebrism that makes use for the large areas of dark contrasting with the smaller bright areas of the painting. This painting is very dramatic considering multiple areas of darkness, such as the deep shadows. Judith could be holding out her hand to cover the light from her face to take a glimpse to see if anyone’s approaching them. She seems to be vigilant and she could also be stopping someone from
The Baroque era was born out of the Roman Catholic Church’s Counter Reformation, during which the church made considerable efforts to strengthen the relationship between the secular world and the religious order. In an effort to engage the common people and create piety, the Catholic Church wanted art to appeal to human emotions. Gentileschi successfully accomplishes this in her painting, Judith Slaying Holofernes. By infusing the Apocryphal tale of Judith with dramatic techniques such as chiaroscuro and foreshortening, she created a deeply moving and realistic piece of art that engages the viewer physically and emotionally, which is quintessential to the Baroque style.
Even so, Gentileschi’s “Judith” has avoided the superficial comparisons and visual devaluation associated with mass reproduction as has happened to images of Leonardo’s Mona Lisa, Van Gogh’s Starry Night or Klimt’s The Kiss. The painting remains unexpected, visually provocative, and historically
Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities of Florence, Rome and Venice were of great importance to this period. Major artists created art mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other important factors. Throughout history, the Roman Catholic Church was very insistent on promoting their ideas. During this time, they used artists and their creativity to promote the Bible and other aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual images had on people’s ideas (Kleiner, 599). Pope Julius II was called the warring Pope, because he often went and involved himself in wars. He also held very humanistic ideas. Because of this, Michelangelo’s relationship to Pope Julius II was very different from his relationship with Pope Leo X, who succeeded Julius II. Julius, because of his adaptions to humanistic thoughts, he let Michelangelo express himself to the fullest, even when forcing him to paint the Sistine Chapel. Leo X, however, was very critical of everything Michelangelo set out upon. This resulted a strained relationship, and eventually abandonment of projects that were supposed to be completed. It is clear that Pope Julius II had a liking for Michelangelo, while the Medici’s looked on him as a type of lowly artist subject to their will.
The Baroque Period, 1600-1750, marked another unique era of musical experimentation and evolvement. Titled after the trendy ornate architectural style during this period, the Baroque period, 1600 to 1750, witnessed a widespread change in the composer’s musical desires as they widely rebelled against the traditional styles that were prevalent during the Renaissance. With this era stained with monarchs attempting to outperform one another with pride and pageantry the development and grandeur of music excelled to new heights. The powerful monarchs of the period utilized composers heavily as they served as employed performers with the sole purpose to develop and perform musical pieces at the desire of the monarch. This servant-composer culture
...ic landscapes. The baroque marked the time in which painters considered using subjects other than scenes from the Bible and from classical traditions. The baroque period also was the period in which artists painted portraits, and everyday life scenes. Baroque artist broke away from trying to make the calm balance known to the renaissance artists. Artists from the baroque era were interested in no longer tried in the extreme. They wanted to paint subjects possessing strong emotions; they wanted to capture those emotions and feelings in their work. Instead of just extremes of feeling sometimes, these strong emotions were personal. More often artists tried to portray intense religious emotions. Baroque art attempted to explain how and why their subjects fit as strongly as they did by representing their emotional states as vividly and analytically as possible.
Artemisia Gentileschi recreated the gruesome, Judith Slaying Holofernes, painting. She painted the masterpiece around 1612-1620 time period. She was an amazing Italian Baroque painter and the first women painter in the 17tth century Europe. This artwork was painted during the Florentine period. It was originally Caravaggio painting but, she revamped it and made it more dramatic and tensed . The narrative of this piece is about a heroic women who saves her town. This painting is an example of women empowerment to fight back. The painting is about a biblical story, the town of Judith was raided by General Holofernes and his army. For her to save the town, she went to the general private tent and seduced him. Once she got him drunk, she used a sword and decapitated his head. She was the hero of the town. Her
The baroque period was during the 1600’s that started in Rome, before spreading quickly throughout Europe. It can be considered a time where a new Art movement flourished as people were expressing themselves in the most creative ways possible. Baroque comes from the Portuguese word Barroco, which means something irregular or strange. At this time, art was being changed. Most of the art of this period is complex, to the point that it evoked feelings towards the “audience”, usually in dramatic ways. Baroque Art wasn’t meant to depict the life style of people at that time, however it is usually noticeable that most of the art have some ties with the catholic religion. While Baroque art is almost its own style, one can compare it to the styles of Renaissance and Neoclassicism. In terms of music, it is believed that Baroque brought about new music styles, including Cantatas, Operas, Canons and Concertos. It is said that the Baroque period end...
Baroque art can be described as a “distinctive new style” in which artists embraced “dynamism, theatricality, and elaborate ornamentation, all used to spectacular effect, often on a grandiose scale”. Baroque art encompasses a vast range of art from the dramatic and theatrical Italian pieces, as the quote suggests, to the more simple and every-day life but still fabulous Dutch pieces. Baroque art can hardly be contained in one description because it describes so many types of art, in great part due to the religious, socio-economic, and political scenes of the time. Religiously, the Catholic Church was responding to the Reformation by creating dramatic pieces to invoke piety and devotion. Politically, monarchies and rulers were using commissioned art to emphasize their authority and their given right to rule. Socio-economically, the middle class was rising and therefore wanting to buy and commission pieces of art to boost their reputation and validate their status in the social scene. These three changes were extremely significant but can by no means generalize the entire historical context of Baroque art. Instead, they stand as specific examples of important reasons for the range and breadth of Baroque art.
The word “Baroque”, or “Barocco” was first used as a stylistic term to describe a period that flourished at 16th century and 17th century from Italy, originate after the movement of Gothic and Renaissance era. To describe the Baroque style, it is a collection of arts, developed under the Authority of the Catholic Church. Baroque architecture focus on realism and dramatic illusory as demanded by the Catholic Church to serve religious objective. In regard to the timeline movement, the renaissance emphasis balance and Harmony, while Baroque turns to explore on sophistication and drama. It is the combination of painting, sculptures and architecture.
Since the first prehistoric cave painting, and perhaps much before that, the human race has always used art as a form of expression. With the passing of each historical period came new technologies and techniques and were all influenced by the unique style, characteristics, and social conditions of those periods. Even though, each period discovered new forms and unique styles of art most historical periods were influenced by an earlier period of history. In this essay, I will explore the relationship, style, and influences of the Renaissance and Baroque periods and will also compare and contrast a work of art from both periods to further explain the relationship between the two eras.
The Baroque era was the age of magic. Flat surfaces became three-dimensional and paint on plaster became alive. It was the age of masterful illusion. Nothing exhibits this mastery better than Baroque ceiling paintings.