Storytelling has been used as a focal point of Chinese culture for thousands of years. Before there was writing people would transfer information through the art of speaking, thus storytelling has become the foundation of many cultures. Without storytelling we would have no idea about history. Oral communication is subjective, because of the way people remember stories, and retell them to others. In both The Bonesetter’s Daughter and The Kitchen God’s Wife, Amy Tan describes the unbreakable bond between mothers and daughters through their storytelling.
In The Bonesetter’s Daughter, Ruth’s relationship with her mother suffers because she knows very little about her mother’s history. As people grow up they often grow apart from their parents,
…show more content…
especially when the relationship is not very strong to begin with. Ruth’s mother, LuLing, complains that Ruth is, “too busy for Mother. Never too busy go to see movie, go away, go see friend” (14). Ruth does not want to spend less time with her mother because her mother embarrasses her; she just has trouble connecting with her. LuLing is an only parent to a single daughter, so for her, spending time with Ruth is very important. LuLing does not have any real siblings, and her mother died at a young age, therefore Ruth is her only blood relative. LuLing feels hurt that her only heir to her legacy does not want to connect with her Chinese heritage. Because Ruth feels her mother is overpowering, as a form of escape, Ruth spends a lot of her childhood studying. Ruth’s mother respects her studies, “If she interrupted her, all Ruth had to do was say, ‘Shh! I’m reading.’ And almost always, her mother fell quiet. Ruth read a lot” (114). First generation Chinese parents tend to push their children both academically and extracurricular activities. LuLing pushes Ruth to practice Chinese characters and study Chinese culture, but when it comes to secular schoolwork, she trusts Ruth to study well on her own. Ruth does not want to interact with her mother, not only because LuLing is controlling, but also because she is very negative. LuLing constantly talks about death, and as a result, “Ruth [thinks] about death every day, sometimes many times a day. She [thinks] everyone must secretly do the same, but no one [talks] openly about it except her mother” (112). Thinking about death is common to some humans as some find it intriguing and others find it fearful. Ruth only sees the negative aspects of her mother’s preoccupation with death. LuLing is comfortable with death because the Chinese culture honors the dead. To avoid an angry ghost haunting, a Chinese family will build a shrine like memorial to honor the deceased family member. The American culture deals with death in a mournful way, which is why Ruth does not understand her mother’s preoccupation. Ruth’s lack of knowledge of the Chinese culture and her mother’s history distances her from her mother. In an effort to shorten the generation gap between Ruth and LuLing, LuLing must share her story with Ruth. LuLing’s story shapes her life and in further aspects shapes Ruth’s life too. After reading the story of LuLing’s life in China Ruth feels like she, “found the magic thread to mend a torn up quilt. It’s wonderful and sad at the same time” (322). The mystery of not knowing makes one strive to keep looking for the answer, and once the answer has been detected there is no more mystery revealing her mother’s past is both bitter and sweet for Ruth because discovering her own heritage and mother’s history is exciting but knowing the hardships LuLing went through is heart breaking. The discovery of Ruth’s heritage finally makes her feel as though she has a real family. When she hears the name of her grandmother, Ruth realizes that, “precious Auntie belonged to a family. LuLing belonged to that same family, and Ruth belonged to them both” (364-5). Ruth is now able to understand her mother because she has a feeling of belonging. Once she realizes that she has more to her legacy than just her aging mother, she finally feels comfortable with herself. Some people have trouble connecting with others because they are not comfortable enough with themselves. LuLing’s story inspires Ruth to feel a deep connection with her Chinese identity. Similar to The Bonesetter’s Daughter, Amy Tan’s more recent and famous novel, The Kitchen God’s Wife, demonstrates the importance of storytelling to strengthen the relationship between mother and daughter. Winnie’s decision to tell the secrets of her past to her daughter opens a new relationship for them. Winnie’s relationship with her daughter Pearl is far from ideal. Pearl can never understand why, but, “whenever [her] mother talks to [her], she begins the conversation as if [they] were already in the middle of an argument” (11). This story exemplifies how some mothers can be very short tempered. Amy Tan has written many novels that all support the idea that Chinese mothers have a “tough love” compassion for their children. Children find it difficult to approach their mothers when they are not sure of the reaction. Pearl does not want to tell her mother that she is diagnosed with multiple sclerosis because she thinks Winnie will think of her as an imperfection. Just as Pearl is afraid to disappoint her mother, Winnie is afraid to disappoint her daughter. Pearl describes a word, ying-gai, which, “was what [her] mother always said when she meant, I should have. Ying-gai meant she should have altered the direction of fate, she should have prevented disaster” (29). Both Winnie and Pearl have high expectations for one another, which fuels their weak relationship. Winnie needs to tell her daughter her story not only to strengthen their relationship, but also to allow Pearl the opportunity to tell her mother the secret she has been keeping. Winnie and Pearl’s relationship becomes stronger as Winnie shares her story.
Having lost her mother at a young age, Winnie had a rough childhood. She never knew what it was like to have a real mother, which always made her feel as though she was missing something. Because of her loss, Winnie promises to herself to always be there for her children. However, when her husband becomes a threat, she has to let her babies die, feeling that, “in [her] heart, [she] was being kind” (312). Being that Winnie is a victim to her husband’s rape, she has no choice but to abort the unwanted children. As Winnie continues to tell her story to Pearl, she feels more comfortable to share the uncomfortable truth about her life. While Winnie tells the truth, Pearl is forced to hear about the pain her mother went through in her first marriage. Winnie leaves out no details as she explains the worst night of her marriage when, her husband “cursed and called [her] all kinds of bad names, the same ones he had used throughout [their] marriage: ‘Whore! Fox devil! Traitor!’ Whiskey smells poured out of his mouth. [Winnie] did not protest. But [she] also did not act afraid. [She] let these insults roll over [her]” (307). Although Winnie wants to preserve the innocence of her daughter she feels it is crucial for Pearl to know the terrible life she had in China. Telling her story makes Winnie feel stronger because she is finally able to tell Pearl the truth. Being truthful is one of the most important …show more content…
aspects to having a strong relationship. Storytelling is the reason Winnie and Pearl is able to rebuild the relationship. Once Winnie shares her life story with Pearl, she is ready to share the biggest secret of all.
For people to feel comfortable sharing secrets they have to have a strong understanding for one another, which is why it is hard for Winnie to share with Pearl the truth about her father. After sharing immense details about her history, Winnie tells Pearl that Wen Fu, the evil man who tormented Winnie’s life, is her father. Although Pearl has just heard such horrific news she says, “[She] was giddy. Here [her] mother had told [her] the tragedy of her life. Here [Pearl] had just been told that Wen Fu might well be the other half of [her] genetic makeup. Yet [Pearl and Winnie] were laughing” (400). Usually mothers and daughters are born with a strong connection, but in this case Winnie and Pearl have to build it. Winnie’s ability to share her story with her daughter helps their relationship grow immensely. Now that Pearl has built the trust with her mother she is ready to share her secret about having multiple sclerosis. Unfortunately her mother is not as calm to hear bad news as she had been. Winnie is furious, “Wen Fu gave you this disease!’ She cried. ‘He caused this to happen”’(401). Winnie irrationally blames her ex-husband for Pearl’s illness. Pearl is able to understand why Winnie is overreacting to hearing the bad news because she knows her mother’s story. Had Winnie not told her daughter all her secrets; she would not have been able to explain why she is so upset over the
diagnosis. Pearl is able to understand her mother’s fear of regret, and Winnie is able to tell her daughter the truth about her real father because storytelling brought them closer together. Sometimes it is easier to keep one’s story a secret, but as Amy Tan proves in both her novels, The Bonesetter’s Daughter and The Kitchen God’s Wife, the best relationships come after one’s story is told. Before Ruth and Pearl know about their mothers’ past, they find it hard to truly appreciate everything their mothers’ do. After LuLing and Winnie tell their stories to their children, their relationships with their daughters are no longer inhibited. In modern times relationships between mothers and daughters are growing weaker because mothers are finding it harder to communicate with their children. Amy Tan teaches her readers that the most important aspect to any relationship is forming a connection. With technology and social media it is harder to communicate in person but no obstacle is too big to overcome. Hopefully the art of storytelling is never lost, and mothers and daughters can continue to strengthen their relationships by sharing their stories with each other.
The journey of Ruth Hall is having a family that would push her around to be more “ladylike.” She basically does what her family would tell her to do, which is not what Ruth Hall wanted. But to make her family happy, she ended up doing what her family told her to do in the first place. Her life is also tragic in her own way. It may not be like Linda Brent’s story of suffering through slavery. Ruth Hall’s story is more like suffering through the criticism of women. Hall’s life seemed to be okay at first since she has gotten married and had her first child. It was then that her life started to spiral with the death of her first daughter, then the death of her husband. Due to her husband passing away, her family and her in-law’s family believes she is no longer a capable woman to take care of her two children without a man in the house.
Growing up, Ruth had a rough childhood growing up in a very strict jewish household. Her family was poor, her mother was physically handicapped, her father was verbally and physically abusive, and she faced prejudice and discrimination from her neighbors and classmates because she
On March 13, 1933, Joan Ruth Bader was born in Brooklyn, New York, to Celia Amster and Nathan Bader (Salokar & Volcansek, 1996). Ruth had an older sister, Marilyn, but she passed away at the age of six from meningitis; Ruth was one year old at the time. Cecilia, Ruth’s mother, stayed home and took care of Ruth while she grew up. Cecilia made sure that Ruth worked diligently in school and taught her the value of hard work. Cecilia was diagnosed with cancer while Ruth was in high school and the day before her daughter’s graduation she passed away (Salokar & Volcansek, 1996). One of the greatest influences on Ruth’s life was her mother and the values she instilled in her from a young age. Two of the greatest lessons that Ruth learned from her mother was to be independent and to be a lady, and by that she meant not to respond in anger but to remain calm in si...
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
The chapter starts off with Ying-Ying visiting Lena and her husband in their new home, which she thinks is overpriced and poorly built. Ying-Ying is able to see just how unhappy her daughter is in her marriage. Ying-Ying also went through a miserable marriage so she is able to relate to the kind of suffering that her daughter is going through. At her aunts wedding, when she was sixteen, Ying-Ying saw a man and knew that he would become her husband. He tried to attract Ying-Ying by cutting a watermelon down the middle with a knife. Soon enough, Ying-Ying married him. When he found out that she was going to be having a baby, he left her. Ying-Ying was so upset that she killed the baby before it was even born. Later in her life, while working in a shop, she met Clifford St. Clair. It was obvious that Clifford liked her but she didn’t feel the same way, but when the news came that her first husband has dead, it left an empty hole in her heart. To fill that hole she married Clifford and moved to America with him where she soon gave birth to...
The first problem Ruth faces is how to support her family. Accused of not paying enough attention to her son, Ruth snaps at Mama shouting, “I feed my son, Lena!” (1880). This encounter with Mama displays an uptight, stressed side of Ruth, who balances a job, a son, her husband, and keeping the expected baby a secret. With so much preoccupying her mind, Ruth still tries to make money while feeling ill telling Mama, “I have to go. We need the money,” (1881). Money becomes a topic of great interest in the Younger family causing everyone to worry entirely too much about it. Ruth puts her family before herself caring about their conditions and the money they make over her own health. The next struggle Ruth encounters is deciding what option is best for her family and possible new baby. After finding out about the pregnancy, Ruth assures her family “she”, the doctor, confirmed everything is fine (1888). The slip up reveals that Ruth is considering getting an abortion. Furthermore, pushing her own conflict aside, Ruth still supports her family’s dreams, encouraging Mama to “open it”, meaning the check, for Mama’s own benefit and use toward a better lifestyle (1893). Ruth solves her own conflict by deciding to keep the baby and motivate her family in whatever way possible in the new challenges to
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
The book the “The Bonesetter's Daughter” is by author Amy Tan. The book genre is fiction. The setting of the book takes place in two different eras. One is modern and the other decades before. The book takes place during the Civil War era, which took place during the 1840s in China. The main characters are Ruth, her mother Luling, Art, Ruth’s her husband, Kaijing, Luiling’s husband, and Precious Auntie. The story is about how a mother and daughter never had the best communication of their relationship, they always had trouble getting along. Later as she got older her mother was diagnosed with Alzheimer's. As she's going through these obstacles she found her mother's
Ruth, whose dreams are the same as Mama’s, get deferred when the family are forced into there small apartment and there lack of money. Since she has no money she can not help her family as much as she would like to.
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her
The conflict happening in The Bonesetter’s Daughter is revolved around all of the mistakes that have arised from the past, not letting them sleep because they are too fearful to even close their eyes because they fear they will make the same mistake again causing them to pressure their children into not making the same mistake resulting in extreme and horrendous conflict. The conflict is crucial to the whole story because it shows character development, feelings, and how it sculpts the characters as a whole. The way Ruth talks to her mother (LuLing) by exclaiming “I really don’t care” (Tan 158-159) and “I hate her” when her mother asks “ You want I die?” shows
Set almost 20 years ago, in the middle of 1998 San Francisco, The Bonesetter's Daughter, authored by Amy Tan, follows the tragic, but lovely story of three generations of women in the Liu family. The author paints the picture of a turn-of-the-century Chinese woman, Precious Auntie, her daughter Liu LuLing who lived in the middle of World War II, and further, LuLing's daughter, Ruth, who was raised in a bustling 1970's San Francisco. Throughout the book, the characters share many of the same thoughts and qualities as each other, as well as show stark contrasts. Upon inspecting Precious Auntie and LuLing as a mother-daughter pair, as well as LuLing and Ruth as a mother-daughter pair, the three are found to be dependent upon each other,
Therefore, the young boy is validating his loyalty to his father even though morally he knows his father burned down the barn. In the same manner, the mother shows similar traits of her devotion to her husband over all things bad the husband has done. The clock inlaid with the mother-of-pearl, which would not run, stopped at some fourteen minutes past two o’clock of a dead and forgotten day and time, which had been his mother’s dowry (Faulkner, 1980, p. 2). Yet, she remains by his side in similar fashion, despite how all Abner’s immoral deeds distress the family. One could argue that she is fearful and that is why she will not leave his side, but Abner inflicts fear into the entire family, which in turns demands loyalty on the bases of fear in its
Even when Ruth grows up, her mother still threatens her “never ceased to grab her by the throat” (Tan, 2001, p. 111). Parallel to how mother’s shape their daughters, LuLing still has a huge influence on Ruth’s identity formation. Enduring her mother’s erratic behavior makes Ruth a reserved person who usually opts to keep her feelings to herself. In addition, Ruth’s relationship with Art deteriorates due to her over- accommodating, causing Art to take Ruth for granted.
She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance (par. 3). Most women shattered and are devastated with the news of their husband’s death. Mrs. Mallard’s reaction was unlikely different than what was expected by her sister Josephine. In most situations, the first stage is denial. Most women after hearing the new of their husband’s death do not believe anything like that even happen. In Mrs. Mallard’s situation, she did not even misbelieve the news or even question her sister. She wept at once, with sudden, wild abandonment, in her sister's arms (par. 3). The tears