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Innocence in american literature
The sounds of wave essay
The sounds of wave essay
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Innocence is a major theme in the Sound of Waves seen in the relationship of Shinji and Hatsue. They fight for their relationship throughout the book, while keeping their culture and religion in mind. During the course of their meetings they both want to do what is acceptable by the villagers. While Shinji is the proclaimed protagonist, Hatsue also plays a major role in contributing to the theme of innocence with her childlike qualities. In The Sound of Waves, Mishima uses figurative language and Romanticism to portray Hatsue as innocent.
Hatsue is a young woman who has certain values that characterize her as innocent because of her Japanese culture and society’s expectations of what an unmarried woman should be and how she should represent herself. Although sheltered by Uncle Teru, she falls in love with Shinji and in time she continues their relationship and they begin to see each other in secret meetings. Hatsue and Shinji have an intimate encounter around the fire after Shinji seeks shelter from the storm in an old storage room. Mishima writes that “Hatsue standing there across the fire in the storm-encircled ruins. He would have seen un-mistakably that hers was the body of a virgin,” (Mishima 73) said to enhance the virtue of Hatsue that Mishima often uses as a motif in the book. Her virtue, which she aims to keep, is one of the biggest motifs that portray Hatsue as innocent. This direct characterization by Mishima allows for the readers to see that Hatsue, although has the chance to break her innocence by having relations with Shinji, wants to wait because she wants to remain pure. She does not want to go against her traditions of Japanese culture or religion that normally want women to remain virgins until after marriage...
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...ciety who has strict Japanese culture traditions. Japanese culture and Shinto religion to Hatsue are valued because she wants to be the ideal woman. Although often compared to a flower and a child, she realizes the importance of staying true to her Japanese roots. Even today, with western influences virtue is valued in women all around the world not just in Japan. The indirect characterization by Mishima that comments on the other characters’ view of her body and her beautiful physical appearance allow for readers to see that she remains innocent. The image of staying innocent and also being innocent through self control is important to have and show the community. Throughout the book she remains pure and innocent until the end when she finally blooms and marries Shinji.
Works Cited
Mishima, Yukio. The Sound of Waves. New York: Vintage, 1994. Print.
The writer has carefully introduced Zelda in the book to represent women of questionable morals in the society. Through her, the reader is in a position to learn the evolution and growth of liberty that women in the US have undergone in their quest to achieve modernity. Also, through CoCo Chanel, the designer, one gets to understand how a woman is able to use the talents and skills she has to liberate other women in society. Through her clothing and design techniques, she was able to shun traditional ways of a woman’s life and live a life which was more independent. She stayed away from the old root, Victorian ideology. This move as the writer puts it shows that a woman has the right and the ability to lead a comfortable life without the support of society. This move as the writer
Imagine living alone at 16, thousands of miles from your only family, no friends, and trying to gain land of your own. Hattie Brooks did just that, she was always known as Hattie Here-and-There because her parents died when she was young and she was shipped from relative to relative. She was bound to change that. She wanted something of her own, she wanted a home. So, in 1918 after receiving a letter leaving a homestead claim to her from a long lost uncle Chester she packed up all she owned and moved to Montana. She quickly found out how difficult and demanding farm life was. In order to own the land officially she had to prove up which included having to set 480 rods of fence, cultivate one eighth of land, and pay thirty-seven seventy-five
...taphors, and the simplistic approach are all ways she used to express the feelings of a young fifteen year old girl, wondering when they will grow into their bodies and out of the awkward stage they are stuck in. She beautifully illustrates the longing for that perfect dress which will solve all of their problems for even just one night. But even after it is said and done with, and we have grown into our skin, we will more than likely not be perfect by Cosmopolitan standards, but perfect just the way we are supposed to be.
Hawthorne uses vivid descriptions to characterize Pearl. She is first described as the child, “…whose innocent life had sprung, by the inscrutable decree of Providence, a lovely and immortal flower, out of the rank luxuriance of a guilty passion.” (81). From the beginning of her life she is viewed as the product of a sin. Physically, Pearl has a “beauty that became every day more brilliant, and the intelligence that threw its quivering sunshine over the tiny features of this child.” (81-82). The exquisite dresses and her beauty cause her to be viewed as even stranger from the other typical Puritan children, whom are dressed in traditional clothing. As a result, she is accepted by nature and animals, and ostracized by the other Puritan children. “Pearl was a born outcast of the infantile world… the whole peculiarity, in short, of her position in respect to other children.” (86). Pearl was not accepted by the children; her unavoidable seclusion was due to the sin of her mother. On the rare occasion that the children show interest in Pearl, she lashes out at them.
This play gives insight on Lady Rokujo that is not seen in The Tale of Genji and the addition of Buddhism is also highly stressed. Lady Rokujo serves as a demonstration on how karma will eventually catch up to one in the end and how one needs to constantly follow Buddhist belief because sometimes prayer is not enough. She is also a Buddhist model like the characters in Atsumori because if one follows Buddhist belief, they too can find peace.
Mishima, Yukio. The Sound of Waves. Trans. Meredith Weatherby and Yoshinori Kinoshita. New York: Vintage, 1994. Print.
Whether Hattie is a heroine or a villain, her courage is undeniable. Eventually, she accepts her fate.
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As Anthony Horowitz once said "Childhood after all, is the first precious coin that poverty steals from a child." In J.D. Salinger's novel The Catcher in the Rye, the main character Holden Caulfield expresses similar feelings towards the loss of childhood innocence. Holden wishes to save children from the harshness of the real world where all innocence and kindness is forgotten and traits that Holden despises come out. Holden decides, that innocence is what is stolen from children through the perils of adulthood. Holden desires to become the person who he never had in his life. Someone who would catch him, and save his childhood from the experiences that come with being an adult.
required for her to be the main character and a feminine heroine which is seldom seen
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