Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Conclusion for the blind side film analysis
Movie analysis of the blind side
Analysis on the movie the blind side
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Conclusion for the blind side film analysis
Have you ever wondered why so many films portray the story of a poor, abused, homeless, colored person that is eventually rescued by a smart, rich, white person? Every few years, there is a new film made that captures this same story, but the way the viewer is affected by the representation of race changes quite often. This idea gets old to many viewers who may agree with the idea of race being addressed in film, but not in the same way all the time. When a rich, white, republican family in the South takes in a homeless black boy to live with them, they struggle with the disapproval of society and their own insecurity. The Blind Side, a Hollywood film released in 2009 by director, John Hancock, represents the idea of race in this conventional, racist fashion.
The Blind Side, based on a true story, is about a seventeen year old, large, physically distinguished black boy, Michael Oher, who grew up in the projects in Memphis. This movie captures his disturbing life. Out of circumstances which include Coach Cotton's belief that he would advance the school's football team based mostly on his size and the way he moves, Michael is accepted into Wingate Christian School - an exclusive white private school - despite his disturbing 0.6 GPA. After Michael starts attending Wingate, most of his teachers believe there is no way to teach him except Mrs. Boswell, his science teacher; she begins to understand that he learns differently from the rest of the students. Believing he has no one to help him, Leigh Anne Tuohy- mother of Wingate students, Collins and S.J. Tuohy, and wife to Sean Tuohy, franchise owner of several Taco Bells - invites Michael to stay in the Tuohy's expensive home for the night. But that one night slowly turns into weeks, ...
... middle of paper ...
... the tale told was worthy of being on film. But, along with many other films out there, its racial representation stereotyped blacks as lower humans than whites. Because of Michael’s portrayal as a simple- minded child and the fact that once again white man had to step in to save the day, The Blind Side expresses race in a way that is especially negative towards blacks.
Works Cited
Puig, Claudia. "Strong Acting Can't Outrun Shallow Tale in ‘The Blind Side’ USATODAY.com." Strong Acting Can't Outrun Shallow Tale in 'The Blind Side'- USATODAY.com. USA Today, 20 Nov. 2009. Web. 09 Mar. 2014.
Seibert, Perry. "The Blind Side." TV Guide. TV Guide, n.d. Web. 09 Mar. 2014.
Nemiroff, Perri. "The Blind Side." Review. Cinema Blend LLC, n.d. Web. 09 Mar. 2014.
The Blind Side. Dir. John L. Hancock. Perf. Sandra Bullock, Tim McGraw, Quinton Aaron. Warner Bros., 2009. DVD.
In the high class society Leigh Anne lives in, taking in an African American is daring. Throughout the film Leigh Anne is continuously taunted for her decisions but by standing up for her adopted son heroism is portrayed periodically. In the scene at a rivalry football game an obnoxious fan repeatedly slanders Michael. After moments of Leigh Anne hearing the comments she makes a bold action and stands up for Michael saying, “Hey... crotchmouth! Yeah, you!
Media such as movies, video games and television, in general, are all created to support some form of social context. This helps with generating popularity because people are able to relate to the form of media. In Greg Smith’s book What Media Classes Really Want to Discuss, he describes 6 different representational strategies that justifies people’s way of thinking. The trope that I will be amplifying is the white savior tactic. In addition, I will connect this strategy to the movie The Blind Side. There are clear examples throughout the film where racism and low-income cultures exist in which the white family is there to help. The Tuohy family from the movie “The Blind Side” serves as the white savior for the progression of Michael
...Their dialogues included nothing very intellectually stimulating, which would suggest a lack of intelligence. By portraying the characters as such, the film was able to represent the judgmental racial stereotypes commonly associated with African Americans.
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
New worldly conflicts arise everyday and many of these conflicts make us question our morals as individuals and as a nation. In both “Flight Patterns” and “The Help: A Feel-Good Movie That Feels Kind of Icky” we are introduced into the conflicts that race bring about in everyday life. It is indisputable that race is hard to talk about and everyone seems to have a different stance on what is racism and what is not. In both stories, race is brought up and talked about in a way that is solely bringing truth to the issue. In Sherman Alexie’s story we see the thought process about race from someone who is not white, and in Dana Stevens’ story we see how a white woman sees controversy in a film that is supposed to be about black women. Both stories
Herbert Blumer noted that people act toward others based on the meaning they give them. The meaning we assign to someone is shown by the language we use toward that person. Words we use have default assumptions, and people label others with words. Thought then comes into play as we modify our interpretation of what we see by our thought process. The thought process includes someone taking the role of the other. You imagine you are someone else who is viewing you, and sometimes act as that person would act. A lot of the people in the movie, The Blind Side, act differently toward Michael Oher based on the meaning they assign to him, and they give him different labels. Those labels are mostly negative because people see Michael him with ratty clothes, nowhere to live, and always failing school. Michael Oher’s mom in the movie, Leigh Anne Tuohy (Sandra Bullock), and her family represent love and caring. Michael starts showing love and caring. When he goes back to the “hood” with his old friends, they represent problems, and he doesn’t want to be problematic, so he stays away from
Let’s begin discussing this well written novel by Ralph Ellison in 1952 called “Invisible Man.” The narrator himself is "an invisible man” (3). “It is told in the first person and is divided into a series of major episodes, some lurid and erotic, some ironic and grotesque” (Books of the Times). This book describes the “racial divide and tells unparalleled truths about the nature of bigotry and its effects on the minds of both victims and perpetrators” (Cover). He describes his criticism and how he was viewed by others. “Paradoxically, is simultaneously too visible, by virtue of his skin color, and invisible, in that society does not recognize him as a person but only as an aggregation of stereotypes” (Strauss 1). He lived in New York City as an upstanding young black man. “Ellison 's use of invisibility as a metaphor extends beyond the issue of race” (Strauss 1). As Ellison describes, humanity of a black man is racially divided and not equal. He tells his story from the safety of an underground hole coming to the realization that the end is the beginning. Not everyone is seen as equal, not even today.
The opening scene of the novel introduces the theme of blindness. As the narrator says, “When they approach me they see only my surroundings, themselves, or figments of their imagination-indeed, everything and anything except me,” (Ellison 3). This quote shows how people do not see the narrator. The narrator says that people “refuse” to see him. An example of this is when he bumps into a white man at night. The narrator says, "…when it occurred to me that the man had not seen me, actually, that he, as far as he knew, was in the middle of a walking nightmare!” (Ellison 4). This quote is an example of how people are blind and do not see the narrator. The narrator realizes that the man had insulted him because he did not see him. Blindness is a recurring theme in the novel, and shows how people refuse to see the truth in their community. Another example of blindness in the beginning of the novel is the battle royal that the narrator is forced to take part in. All of the fighters are blindfolded, and therefore are blind to see how the white people are taking advantage of them. Blindness is shown as a negative theme in the novel.
The entire film is based on significantly different racial opinions, opinions of different writing styles and stereotyping of different people in general. Race is a huge issue in the film and many stereotypes are made.
In the blockbuster movie The Blind Side, director John Lee Hancock brings to light an emotionally charged and compelling story that describes how a young African American teenager perseveres through the trials, tribulations and hardships that surround his childhood. The themes of class, poverty, and also the love and nurturing of family encapsulate the film mainly through the relationship that Mrs. Tuohy and Michael Oher build during the entirety of the movie. This analysis will bring together these themes with sociological ideas seen throughout the course.
...help. The Blindside had similar characteristics of white privilege, the Sandra Bullock character appeared to be headstrong, passionate, capable, and effective while Michael Oher was perceived as emotionally stunted, and unable of helping himself. The White Savior syndrome as we have seen has the tendency to render people of colour lacking the capacity to seek change, and erasing their historical agency (Cammarota, 2011). Any progress or success is from the aid of a white individual, which suggests that escaping poverty, or ignorance, is thanks to the intelligence of the White Savior. Freire calls this “false Generosity” (1998) a white person may provide help to a person of colour yet help comes in the form of saving, the emphasis on saving instead of transforming fails to acknowledge the oppressive structure and in turn maintains white supremacy. (Cammarota, 2011).
For many years, African Americans have faced the challenge of being accurately and positively portrayed within mainstream media, such as American made films. They are often represented as people who are inferior to those of the Caucasian race, and are frequently presented with problems that are related to racial discrimination. The portrayal of African Americans in media such as movies has often been considered a large contributing factor to the racial tensions that still exist in our world today (Lemons, 1977). The movie, To Kill a Mockingbird, sheds light on the portrayal of African Americans in movies, and how stereotypes can greatly impact the lives of those who are not of the Caucasian race.
If this movie were to be summarized in one sentence, one may say that no matter who you are, everybody holds preconceptions and stereotypes against other people. For example, in this movie, an upper-class white woman sees two black men so she clings to her husband, showing she is scared of them. Even though this woman had no idea who they were, she still jumped to a conclusion that they were going to harm her because of the color of their skin.
The Blind Side by John Lee Hancock intended to idealize the social rejection which tensions the perception on how people are sighted “different” or “other”. The first hindsight depicts the acknowledged tourist of a black, homeless teen (Michael Oher) impacted disconnection of environmental surroundings despite his structure of aggression and primal instinct capability on the football field. Hence, his absolute value contradicts the endured hardship on unity within the white community established in the Long Shot provokes the impulsive grouped teachers in the table whilst Michael is isolated on his own. Michael instigates himself to question presiding his alienation from lost disaffection signalling symbolic gesture from the direct speech of the teacher’s opinions on “I don’t think….” reveals the reputation of Michael considered an outcast. The sarcastic tone when “he writes his name…. barely” socially rejects him. His supplementations of childhood obstacles ratify the contradiction of freedom and equality in contrast to the Civil Rights Movement based on colour discriminating the repetition of the word “white” effectively speaks “I look and see white everywhere, white walls, white floors and a lot of white people” optimizes his vain separation and feelings of isolation to project his empathy. The director plays an authentic appreciation to
Many times in Hollywood, a movie that intends to portray a novel can leave out key scenes that alter the novel’s message. Leaving out scenes from the novel is mainly do to time limits, however doing so can distort the author’s true purpose of the story. In history, Movies were directed to intentionally leave out scenes that could alter the public’s opinion. This frequently let novel 's main points be swept under the rug. There were times of this at the beginning of the Civil Rights Movement, where white Americans were the only ones making movies. Not many African Americans had the opportunity to be involved in the process of major productions. Because racism in To Kill a Mockingbird, written by Harper Lee, is underplayed in the film, it shows