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Discuss the role of iago in othello
Soliloquy of othello
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Othello throughout history has been talked about; his story has been handed down from generation to generation. Most of Williams plays pull on the strings of the heart and Othello is one that pulls a little bit too hard. Othello is mostly about blind passion, and an antagonist who twists and turns everyone against each other and ends up destroying a man, due to overhearing a rumor. One of the greatest things about Othello is that shows the human heart raw, for what it really is. It uses the blind passion in its characters and starts a fire in the reader’s heart. There are three reasons why Othello is most likely to get a response out of its viewers, first off people understand the characters; second people get a look into the mind of a man …show more content…
While reading Othello people are bound to be sucked up in this world full of love, betrayal, and just a broad spectrum of human emotions. Now with these emotions all swirling about, the reader has probably experienced most of these and that is where the connection lies with the reader. The play establishes a bond with the reader a sense of familiarity. The play seems to be some form of emotional rollercoaster for readers to feel. Then in the end of the play, Othello learns a lesson from his over possessive emotions and flaw. Most people do not learn their lesson until they feel the repercussions after they have made their decision. The book draws a background for basic human emotion and lessons that need to be learned and ties it into the reader’s …show more content…
Iago is the main drive for almost everything in the story. There are times where it does not even seem that Othello is the main character in the story. Iago’s role in the story is to destroy Othello and he does a very good job of convincing the reader that he despises Othello. His monologues go repetitively about how terrible of a man Othello is. The reason why Iago is furious at Othello is that it is rumored that he slept with his wife. Everybody has felt that sting of betrayal and jealousy, but there are some people that do not think before they act and are so bent on making sure people get what they deserve or wanting bad things to happen to the people that have hurt them. These individuals get lost and that is what Iago is an example of that personal event. His monologues range from utterly despicable to some of the most well thought out plans that no one would have ever thought of. The great thing about Iago is he is not a standard villain. Most villains are dumb and always fail in their plans. Iago is completely different from the generic villain; he is smart and plans his moves
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
...ence more reasoning to the jealousy of the characters and the actions they take. With the changed setting come many differences: drugs and alcohol, peer pressure, violence, and different sources for jealousy and hatred. These issues are the dilemmas we, as teenagers in this new millennium, are faced with day to day. "O" addresses these new era evils without abandoning the original themes and major issues of Shakespeare's Othello. The audience can relate to a story written down hundreds of years ago and benefit from it.
...e. The play Othello focuses on the tragedy of the main character Othello to point out flaws in a generally good character; it teaches the readers valuable lessons to becomes better human beings by not making the same mistakes as Othello does in the play.
Iago is the main antagonists against Othello, throughout the entire play. Iago is not realistically motivated. Even though Iago makes many of his decisions with careful thought, he does have a main flaw that will come back to haunt him in the end. Iago unlike other characters, doesn’t have true honorable morals. Because of this, he makes many situations which are manageable, and takes them further out of proportion he does this for his own pure enjoyment to create havoc for sport. Iago manipulates the characters who trust too easily, such are Roderigo and Othello. Iago uses them as an addition to his plans, which he manages so they will work in his favor in the end, or so he believes they will.
Othello is the central character of the story and Shakespeare emphasizes his nobility and charisma. He has "magic" in the words he uses and the stories he tells and his ability to speak towers above other characters. He is an excellent officer and possesses the virtues of honesty and fortitude.
Othello avoids all irrelevancies and the action moves swiftly from the first scene to the denouement. We never get lost in a multiplicity of incidents or a multitude of characters. Our attention remains centered on the arch villainy of Iago and his plot to plant in Othello’s mind a corroding belief in his wife’s faithlessness. (viii)
In Shakespeare’s Othello, the character of Othello is seen as an unfit man due to his propensity to jealous and his weak character. Leavis’ evaluation of Othello’s character can be seen to be true to a very high extent because during the course of the play, Othello evolves into a weak, jealous character who is easily manipulated and made jealous by the scheming of Iago. We can see this change in his character through the use of a number of techniques such as stage directions, soliloquies, dialogue and stage action. This makes it easier for the audience to follow and plot exactly where during the play Othello begins to show jealous and a weak character.
Othello is one of Shakespeare’s four pillars of great tragedies. Othello is unique in comparison to the others in that it focuses on the private lives of its primary characters. When researching the subject of Othello being an Aristotelian tragedy, there is debate among some critics and readers. Some claim that Shakespeare did not hold true to Aristotle’s model of tragedy, according to his definition in “Poetics,” which categorized Othello as a classic tragedy as opposed to traditional tragedy. Readers in the twenty-first century would regard Othello as a psychological thriller; it definitely keeps you on the edge of your seat creating the emotions of terror, heartbreak, and sympathy.
An important reason that makes Iago is such a fascinating character is the fact that there is little known about him. Unlike the other characters in this play, Iago cannot be given any clear description about who he is as a person. Desdemona is the typical pure virgin type, Roderigo is a rich fool in love, and Cassio is a handsome Venetian army Lieutenant. For Iago there is no other apparent about his character other than his snake like personality. The information about him is that he is a general to Othello, and is married to Desdemona’s hand maiden, Emilia. This is all that is known about Iago, the reader is given no background. The main mystery about Iago is why he executes his devious plan. Through the whole play, the reader is looking for reasons or hints as to why Iago has become so evil. By the end of the play there is no clear reason for him going after Othello. When describing why he plans to ruin Othello he gives two reasons; rumors about his wife having an affair with Othello, and a hint about affections for Desdemona. Both of these reasons are said in a vague off-handed type manner, giving the reader no true motive for Iago. Even in the very end of the play, after he’s been caught Iago refuses to give a...
Iago does not only serve as the antagonist in this play, but he also is the vehicle by which the play progresses. They play in the beginning did not have much action in it because Iago was still deciding as to how he would kill Othello. Then, as his plan develops the play also progresses. He forces characters into taking actions they never would have normally considered and all the while he just sits back and maintains his innocent smile and trusting façade. And that "is how a villain is defined." A villain "can alter those actions around them without them knowing it." (Campbell 116). We saw Iago do that on several occasions. For example he was able to convince Roderigo to give him money and to try growing a beard. He also convinced Othello into thinking that Casio was an irresponsible drunk, and he convinced Desdemona into thinking he was going to do everything he could to patch things up with her and Othello. While all he was actually doing was just trying to keep Roderigo busy so he would stay out of the picture. And then with Othello he was turning friend against friend, and with Desdemona it was lover against lover. And all the while these people thought he had their best interest in mind.
Nick Potter states: “Othello is a tragedy of incomprehension, not at the level of intrigue but at the deepest level of human dealings. No one in Othello comes to understand himself or anyone else.” Within Shakespeare’s Othello, no character fully understands themselves of one another. This is especially true in human dealings, where the intentions of characters and how others interpret them are often misaligned. Conflict, and eventually, tragedy arises in Othello due to the incomprehension between characters, as well as within the characters themselves. From the reader’s perspective, it is tragic to understand the reality behind all the incomprehension, since the characters are oblivious to what the readers are aware of.
Emotions have some control over our actions. However, there are other factors that influence what we do. In the play Othello though, emotions have way more power over the characters' actions. For example, the actions committed by characters consumed by love are greatly amplified. Another example of this is that the characters in the play that are consumed by jealousy go to far greater lengths than one normally would to quench their thirst for vengeance. The last instance that proves this is that the actions of characters overcome by despair are based solely on their hopelessness. These three points all help to show that in the play Othello, Shakespeare exaggerates how much our actions are affected by the major emotions of love, jealousy, and despair.
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
The play Othello, written by William Shakespeare, is a tragic play that goes over a variety of topics, from love to death. Othello is a tragic play due to its many aspects of death throughout it. One character that falls to the hands of death is one of the main characters, Othello, and another being his wife Desdemona. Each of these deaths are a direct cause of another character’s actions, Iago. Within the play there are scenes of manipulation, betrayal, jealousy, lust, deceit, and murder. This play, Othello, contains many characters that have important roles to the development of the play and the plots that occur. These characters are the ones that make the play what it is and create the various moods and themes throughout the play. The characters
William Shakespeare masterfully crafted Othello, the Moor of Venice as an Aristotelian tragedy play. The main protagonist of the play, Othello, is the perfect example of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero by killing himself at the end of the play. “Othello, more than any play in the canon, has a fascinating and contentious performance and reception history,”