What Is The Purpose Of The Berlin Films By Isherwood

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Title The Berlin Stories written by Christopher Isherwood captures both the charming and repellent life of Berlin during the 1930’s. Isherwood uses the descriptive technique of narrating the story through the focal depth of a camera. He captures fleeting and evocative images of his surrounding environment and tries to mold his brain into an internal visual recorder. Isherwood uses the camera as a metaphor to portray his neutral stance as an author and the distance he creates between self and other. Isherwood’s famous opening phrase “I am a camera” shows readers that his purpose is to keep his shutter open, and the narratives that follow are accumulated instances of observation that is made before the shutter closes. Isherwood’s use of the …show more content…

Isherwood follows the procedural dynamic of the camera by maintaining an objective approach to his surroundings and the people in them, however, toward the end of the novel; he begins to show personal emotions concerning the people he writes about. Isherwood’s objective approach in relation to his metaphor of a camera is outlined by his relationship with Sally Bowles. Sally is portrayed as a vivacious and highly immature socialite as she dreams of becoming a great actress one day. Her larger than life mannerism and dotty charm appeal to Isherwood as a subject for him to study. His camera like narration throughout the novel is enforced when he begins to describe Sally’s outer characteristics. As she begins to light a cigarette he notices her elderly …show more content…

He continues to portray himself as an eternal outsider who watches the passing parade of life. Peter and Otto’s questionable friendship lead the readers to believe that they could be involved in a homosexual relationship. Isherwood remains unbiased as he refrains from labeling and categorizing the two men. He begins by describing Otto, “at present, he makes up to me assiduously, flattering me, laughing at my jokes, never missing an opportunity of giving me a crafty, understanding wink” (283). Isherwood’s passive portrayal is reflexive of his objectivity towards the people around him. Instead of adding his own commentary, he continues the narration in a nonchalant tone. He is not moved or fazed by the actions he witnesses and alternatively adds it to the images being recorded in his brain. Isherwood’s distance that he keeps from his subjects, although necessary, isolates him and leaves him alienated from society. His journey with Peter and Otto quickly comes to a close as Peter leaves for London soon after Otto. Surprisingly, Isherwood was unusually lonely as he deeply missed the company of his companions. Due to his feeling of loneliness, he decides to travel back to Berlin. “I thought I should stay on till the end of August, and perhaps finish my novel, but suddenly, the place seems so lonely. I miss Peter and Otto, and their daily quarrels, far more

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