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Spiritual death in the poem Thanatopsis by W.C Bryant
A meditation on death poem analysis
Use of nature in literature
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When mentioning death one’s mind immediately goes towards thoughts about an ending, whether that be the end of a loved one’s life, saying fair well to a beloved pet, or leaves falling in autumn. Throughout history, people have been inclined to view life as a celebration. Death on the other hand is generally treated as a solemn event. After the death of loved ones individuals gather to reminisce about the past because a journey has reached its inevitable conclusion. William Cullen Bryant, poet and author of “Thanatopsis,” aims to present an entirely new outlook on death. By utilizing personification, imagery, and personal beliefs, Bryant explores the majesty and beauty of not only one’s life on earth, but their death as well. Showing the intricacies …show more content…
Man, by nature, is incredibly reliant upon their senses in order to grasp and appreciate their surroundings. Recognizing this predisposition, Bryant’s commentary on death is riddled with imagery, because a mere stating of what death entails without alluding to the beauty of nature in life and death through images would not have had as strong as an effect on the learned audience. Throughout “Thanatopsis” the actualities of death is explored with lines such as, “Thine, individual being shall go/ To mix forever with the elements” (Bryant 25-26), and “The oak/ Shall sends his roots abroad and pierce thy mould” (Bryant 29-30). Each of these passages details the realities of death and how when one is buried they become part of the landscape that bore them life. Author, George H. Betts explores the contribution of imagery in many poems including “Thanatopsis.” Betts “enjoy(ed) the images (but) it is the feeling and meaning of the piece that (he) cared for chiefly” (Betts 89). Betts downplays the importance of the images in “Thanatopsis.” What Betts fails to realize, is that without the extensive imagery provided in this poem, the “feeling and meaning,” which he praises, would have come across less strongly, and his entire perception of the work could have drastically changed. Death, like many other occurrences, is incredibly difficult to grasp …show more content…
Bryant, “America’s foremost poet” (Muller 1), utilizes this concept immensely in the construction of the classic poem on life and death, “Thanatopsis.” As outlined in Britannica’s article on Bryant, he grew up a strict Puritan before “he rejected Puritan dogma for Deism; thereafter he was a Unitarian” (Brittanica). This change in doctrinal views is evident throughout “Thanatopsis.” “Nature” in this poem could also be characterized as a single-being God, which as a teen Bryant began to believe, opposed to his Puritan background(Brittanica). However, the pioneer of American poetry strove to make a commentary about the death of man in a way that does not make his religious beliefs obvious except to the most ardent readers. Why would someone want to purposefully disguise his religious association? John Bigelow, Bryant’s biographer, recollected that he “used to say that a gentleman should never talk of his love affairs or of his religion” (Bigelow 280). One could theorize, that this poet characterized religious experiences as pertinent to merely individuals. Thus him imposing his religious views on others would somewhat limit their own individuality in terms of religion. Therefore Bryant strove to “look at death” from as objective view as possible. So while he still spoke of an all-knowing and seeing being, it is portrayed as
Chuck Palahniuk once said, “The first step to eternal life, is you have to die.” In William Cullen Bryant’s poem “Thanatopsis”, he does not mention eternal life or anything religious, but speaks about death. He tells his readers that death is a natural thing and they should not worry about it. William Cullen Bryant, in his poem “Thanatopsis”, portrays a comforting view of death. Throughout the poem, Bryant encourages his readers by explaining that in death they are not alone, that death, like life, is a natural process, and that they will be among some of the finest people who walked the earth.
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
Millay’s poem “Thou famished grave” explores death’s inevitable success and the speaker’s resistance against it to gain victory within loss. The first way Millay achieves this is through the animalization of death. The poem describes death throughout with words such as, “roar” (2) and “jaws” (7), which leads to a portrayal of death as a predatory animal. A further description in the poem of the speaker as “prey” (9), helps to strengthen this portrayal. As a result, this animalistic depiction of predator and prey shows death’s advantage and dominance over life. In addition, it shows that the speaker is like a gazelle being hunted by a lion. They will not stand motionless and be defeated, but will run away to survive death and “aim not to be
William Cullen Bryant uses the romantic element of emotion to instill a sense of calm in his poem Thanatopsis.
A person should live life without fearing death and think of death as a pleasant rest. In the poem Bryant says, "When thoughts/Of the last bitter hour come like a blight/Over thy spirit,"(8-15). This quote implies when a person fears death he should listen to nature. He also states, "So live, that when the thy summons come to join/The innumerable caravans, …Thou go not, like a quarry-slave at night, /Scourged to his dungeon."(73-78). He explains here that a person should live life without fearing death. In the following lines the poet states, "approach thy grave, /Like one who wraps the drapery of his couch/About him, and lies down to pleasant dreams."(79-81). By this quote the author is saying a person should think of death as a plea...
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
William Cullen Bryant wrote a poem regarding the passing of people from this world into the afterlife which he called “Thanatopsis”. The word Thanatopsis is actually a Greek word meaning ‘meditation on or contemplation of death’. It is the opinion of some readers that this poem expresses a traditional religious view of afterlife in heaven where as others who read it see it as a process that only involves our rejoining with nature. Bryant made references to heaven, nature and spirits which contribute to the discussion on both sides of the argument. Poetry, just like every other form of art, is subject to interpretation. After taking a closer look at Thanatopsis it will be easier to see just why these people cannot seem to agree. Bryant made
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.
The two poems, “Do Not Go Gentle into That Good Night”, by Dylan Thomas and, “Because I Could Not Wait for Death”, by Emily Dickinson, we find two distinct treatments on the same theme, death. Although they both represent death, they also represent it as something other than death. Death brings about a variety of different feelings, because no two people feel the same way or believe the same thing. The fact that our faith is unknown makes the notion of death a common topic, as writers can make sense of their own feelings and emotions and in the process hope to make readers make sense of theirs too. Both Dickinson and Thomas are two well known and revered poets for their eloquent capture of these emotions. The poems both explore death and the
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors.
Death is a controversial and sensitive subject. When discussing death, several questions come to mind about what happens in our afterlife, such as: where do you go and what do you see? Emily Dickinson is a poet who explores her curiosity of death and the afterlife through her creative writing ability. She displays different views on death by writing two contrasting poems: one of a softer side and another of a more ridged and scary side. When looking at dissimilar observations of death it can be seen how private and special it is; it is also understood that death is inevitable so coping with it can be taken in different ways. Emily Dickinson’s poems “Because I Could Not Stop for Death” and “I Heard A Fly Buzz When I Died” show both parallel and opposing views on death.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
Emily Dickinson once said, “Dying is a wild night and a new road.” Some people welcome death with open arms while others cower in fear when confronted in the arms of death. Through the use of ambiguity, metaphors, personification and paradoxes Emily Dickinson still gives readers a sense of vagueness on how she feels about dying. Emily Dickinson inventively expresses the nature of death in the poems, “I felt a Funeral, in my Brain (280)”, “I Heard a fly Buzz—When I Died—(465)“ and “Because I could not stop for Death—(712)”.
This is an ingenious way of answering the irrational questions often asked about things feared by any person alive. Naturally, a person will get worked up over an irrational thought or “what if” statement. Bryant answers it with a view on death that remedies this fear with the idea that you aren’t the only one going through death and that this irrational idea doesn’t apply due to the fact that everyone will eventually die
Life and death are two things that we as humans must all face. The road from one to the other, from life to death, is a long and at times, both joyous and painful one. Robert Frost’s poems are a prime example of these times and trials. The poems I chose for this paper highlight them, and with Frost’s allegory, they present a sort of silver lining to the string of dark and dreary words he’s pieced together for these poems. The depressing tone to the poems “Acquainted with the Night”, “Nothing Gold Can Stay”, and “Stopping by the Woods on a Snowing Evening” could be attributed to the death of many of Frost’s family members, and how despite this he overcame it all, and at the end of his life, was a successful writer. These poems to not go into great explanation of the details of Frost’s life, however, I believe that they are representations of the things path that he’s walked, and how he viewed his actions and death in general.