There is extensive overlap between Mediterranean cultures, such as the Etruscans, Greeks and Romans, due to their close proximity to each other. As a result, the monumental architecture of these societies share common characteristics, some of which are adopted from previous societies. The axiality of Etruscan architecture greatly impacted the construction and orientation Roman structures built during the Roman Empire. The massive proportions and prominent colonnades of Greek temples also reappear later in Roman temple, illustrating the connection between the two cultures. Although architects appear to create, or invent, new structures, they often adopt aspects from pre-existing buildings previously known to the society and incorporate them …show more content…
New architectural forms, such as Roman temples, are not isolated inventions specific to a singular culture, but rather a unique combination of elements borrowed from the Etruscans and Greeks, shared through forms of information exchange, such as the unification of the Roman Empire. There are various forms of Roman temples, but many are defined by their axial orientation, stemming from Etruscan architecture and exemplified by the Temple of Mars Ultor in the Forum of Augustus. Augustus came into power during a time when Rome was extremely run down and corrupted. As a result, he began to transform Rome by cleaning up the city and rebuilding structures, ultimately changing the city to the grand center it came to be. Augustus did not invent the Roman temple by any means, but he drew attention to it by emphasizing the forum surrounding the temple. The Forum of Augustus, where the Temple of Mars Ultor resides, is adjacent to the Forum of Caesar, establishing his power as a ruler as well as paying tribute to his predecessor. The temple sits at the end of an axis, directly across from the entrance to the forum. The steps leading up to the temple …show more content…
As the Roman Empire spread, it eventually encompassed the area the Greeks used to control, bringing them in contact with Greek architecture. Closely following the Greek temples, a classic Roman temple is made up of four main components: the steps, the colonnade, the portico and the cella. Greek temples were built with massive steps to be used by the gods, not humans, on all four sides of the temple. Romans borrowed the idea of steps leading up to the temple, but transformed it to fit their own needs by building the steps small enough for humans. This alteration allows the temple to be more accessible by humans, reinforcing the relationship between the members of Roman society and the gods. In addition to the steps, the Temple of Mars Ultor consists of “eight Corinthian columns in front and along the flanks…omitting two rows of columns created space for a generous entrance.” The colonnade is a very prominent similarity between Roman and Greek temples because of the sheer size of the columns and their location on the temple. When approaching the temple from the axial Roman forum, the colonnade is the first visible element, clearly separating the divine from the secular. The height of the colonnade gives the impression that the temple is built as a house for the gods by representing power
The significance of monumental architecture lies not only in the function it is built to serve but also in the cultural values it represents. Monumental architecture is aesthetic as well as functional, and in its aesthetic aspects it is a form of cultural expression. In Bronze Age Mediterranean civilizations, the development of monumental architecture was influenced primarily by the political structure of the state. Perhaps the most disparate forms of monumental architecture in this region were developed in Pharaonic Egypt and Minoan Crete, reflecting the differences in their political systems. The socio-political structure of these two cultures can be sharply contrasted through an examination of a predominant type of monumental architecture found in each region.
The Roman Pantheon built by the Romans using advanced engineering skills combined a cylindrical structure with an outer colonnade Greek classical design to make an architectural monument. The amount of time and effort that went into the building of this structure shows a cultural emphasis on quality workmanship and perfectionism. This workmanship and perfectionism showed the importance given to the worship and honoring of the Gods. This pantheon is the only active place of worship amongst Rome’s ancient temples still in existence. Modern commentators tend to view the building as a high point in an "architectural revolution" brought about mainly through the Roman development of a superior pozzolana concrete that lent itself to the forming of unitary, three-dimensional structures. Other factors cited for the technical success of the Pantheon include the use of a series of massive, concentric stepped rings and the lightening of the dome by coffering and gradated light-weight aggregates. ( Mark, Robert, and Paul Hutchinson, 1986) The concrete dome was one of the world’s largest unreinforced concrete builds for over a millennium until the modern era. The success of the Pantheon longevity was largely attributed to acquired new techniques of construction and materials that shaped the development of Roman construction technology. This allowed for the use
Another difference in these civilizations is in the architecture of each region. The architecture of the Romans was also more advanced than that of the Greeks; they used concrete and placed emphasis on arches, vaulted ceilings, and domes while Greece emphasized balance and symmetry. Greek temples aimed at impressing by designing intricate, aesthetically pleasing outer views, while Roman architecture's goal was to impress by enclose a vast amount of space.
The engineering discoveries of ancient Rome have played a key role in the history of architecture and engineering. Many of Rome’s roadways, bridges, and aqueducts have been in use from the first century until the twentieth century. Many American buildings have used the Roman dome. Several major structures from early Rome still stand, including the Collosseum. These remnants of feats of Roman engineering stand as a monument to the ability of ancient Roman builders.
The foundation of Greek culture was balance, reason, and harmony which can be unveiled in their art. As the civilization heavily revolved around religion, massive temples were built to serve the Gods. Greeks believed in many Gods, meaning they had polytheistic views . This notion of polytheism passed down to the Romans who adopted nearly the exact same deities and built similar architecture as well. One of the most famous buildings of worship was the Greek Parthenon built around 447-432 B.C.E, worshipping the goddess Athena . While building these brilliant pieces of art, concepts regarding laws and the natural world from philosophers were being incorporated in the structure. Pillars were often built in temples and various buildings in both Greek and Roman cultures. Doric, ionic, and Corinthian stand as the main three pillars built; each of them becomes increasingly more elaborate by order. For example, the Corinthian was the most intricate. Romans quickly developed a taste for this form of architecture and incorporated into theirs later on. The Romans however were very inventive, and began to develop the arch, vault and dome to add to what they emulated from the Greeks. Using these elements the Romans built what is known as the Coliseum, built over a 10 year span from around 70 AD to 80 AD. The Coliseum was said to hold 50,000 spectators and was used for entertainment
Greek palaces and temples, consisting of massive columns, were built for the gods or other religious purposes. The temples found at the center of the polis, the acropolis, were made as earthen dwellings for the gods, a place for storage of sacred objects and offerings, and also served out tasks for the polis such as keeping records. Temples, along with other sacred places were sometimes only open to certain peoples or cults, and people who were not ritually purified or had “religious pollution” were not allowed to enter sacred places (Adkins & Adkins 338). The fact that the religion centers are in the middle of the cities symbolizes how Greek religion was central to Grecian life, it was one of the most important things to them. The temples also represent the architectural and cultural achievements of the Greeks. The magnificent style of these temples has influenced not only Greece but the whole world as Grecian columns have been a staple in architecture since there creation; this is even evident in the United States with buildings such as the United States Capitol, built hundreds of years after the establishment of Ancient Grecian architecture. Along with architecture, Greek art, most notably pottery and sculpture, was also influenced by religion. Greek pottery, depicting mythological and heroic scenes, and statues, portraying the human form often made in the image of gods,
The ancient Greeks developed a system of orders which were known as columns. There were three different types of columns and each had they own special twist, both structurally and appearance wise. The three orders consisted of the Doric order, Ionic order and the Corinthian order. One shocking fact was that the Romans used the Corinthian columns more than the Greeks did and they were the one that came up with them. Each order could be found in many different parts of ancient Greece. The columns were put into use by creating ancient temples. Since Greek life was mainly focused around religion, their temples were very big and beautiful (“Ancient Greece” 1).
“Many European cities still bear reminders of the power of ancient Rome, and throughout the western world the influence of Roman power is still manifest.” “As the Roman Empire expanded Roman architects struggled to achieve two overriding aims: to demonstrate the grandeur and power of Rome, while also improving the life of their fellow citizens.” They held the Greeks in high regard for both their sculpture and architecture, learned stonework and pyramid architecture from the Egyptians, and absorbed important techniques from the Etruscans. To that end, the Romans perfected three architectural elements: concrete, the arch, and the vault. These three elements helped lighten the load carried by Roman structures while maintaining overall durability.
Roman art was also deeply influenced by the art of the Hellenistic world, which had spread to southern Italy and Sicily through the Greek colonies there. The Etruscans and Babylonians can also be seen as inspirations. “With the founding of the Republic, the term Roman art was virtually synonymous with the art of the city of Rome, which still bore the stamp of its Etruscan art” (Honour and Fleming,1999). During the last two centuries, notably that of Greece, Roman art shook off its dependence on Etruscan art. In the last two centuries before Christ, a distinctive Roman manner of building, sculpting, and painting emerged. Indeed, because of the extraordinary geographical extent of the Roman Empire and the number of diverse populations encompassed within its boundaries, “the art and architecture of the Romans was always eclectic and is characterized by varying styles attributable to differing regional tastes and the...
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
Throughout history, there have been several significant architectural movements. The last, and perhaps most enduring movement is that of Classic Greece. Although for centuries, the architecture of ancient Greece has been admired, mimicked, and replicated, its beginnings are somewhat surprising to one unfamiliar with the history of the region. It is important to understand the history and mechanics of Classic Greek architecture in order to fully appreciate its form, function, and beauty. “Ancient Greek architects strove for the precision and excellence of workmanship that are the hallmarks of Greek art in general. The formulas they invented as early as the sixth century B.C. have influenced the architecture of the past two millennia” (metmuseum.org).
The Roman sculptures and architectures were greatly influenced by the Greeks and also some effects by the Etruscans. Romans were influenced mostly by Greek art in many ways. It was because the variety of paintings, sculptures, and the different style of early architectures presented in every period of Roman history. They had pasted and copied many art works from the early Greek to build up their empire. Although the Etruscans had contributed and influenced the Roman in some ways such as educated them to build fortifications, bridges, drainage systems, and aqueducts but their underst6anding on both the art and language is still limited to the Greek.
Architects traveled to Rome and studied the remains and ruins of ancient Roman building, colosseums, and pantheons. Arches, pilaster, columns, pediments, domes, and entablatures were some of the elements that were inherited from classic Rome architecture. Architects were also influenced by the writing of Vitruvius.
Both the Greeks and the Romans dedicated their temples to the gods, however, unlike temples today that are used for congregation, Greek and Roman temples were used differently. Greek temples were used as the home of a certain deity and as a place to worship the specific god that was housed there. The Romans used temples to praise a god for military victory or for a politician to show his increase of wealth and status by commissioning the construction of a temple. Roman Temples were also often used as a meeting place for people to express a multitude of social and political concerns whereas the Greek temples were typically used by one person at a time. Within the cella of both the Greek and Roman temples was an altar dedicated to the gods. The Greeks used elements from their temple design in the creation of these altars, and Romans sometimes modeled their sarcophagi after this design. The Sarcophagus of Lucius Cornelius Scipio Barbatus from his tomb on the Via Appia from 200 B.C.E depicts the elements that the Romans borrowed from Greek temples. It is a mixture of two styles of Greek temple, Ionic and Doric. The Ionic style can be seen in the curves on the lid whereas the Doric style is depicted in the squares on the side of the sarcophagus, where each of the vertical lines of the square is a set of columns. This shows not only Greek
While houses, and stoas did have columns they were certainly not as ornate as columns on temples like the Parthenon. So to an ancient Greek the column would have been primarily associated with monumental temples. However, in Rome the collm j was used in a number of different buildings from, basilicas, to baths, to the emperor’s palace. The use of columns as decorations also began in Roman times as seen in buildings like the colosseum. In much more recent times, elements from both Greek and Roman architecture have been combined and used on numerous important buildings. Some of the most obvious examples of this are courthouses, which often have a very striking columnar faced emulating that of Greek and Roman temples. So through the study of ancient architecture one can understand why this architectural style means today, as well as what it means