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The aviator movie essay
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The film The Aviator portrays an insight into the life of Howard Hughes. We get a perspective that the public didn’t see in Howard Hughes. Martin Scorsese directed the film and depicts Howard Hughes life both through what Howard says but also what is not said. Music and lighting show what Hughes is thinking even if he isn’t saying it. In the scene where the airplane Hercules is being built, music and lighting play a key role in the scene. Hughes doesn’t even have to say anything for the viewer to feel as though the viewer too have Obsessive-compulsive disorder.
The scene opens with a bird’s eye view shot that hones in on Howard Hughes walking at a very fast pace through an airplane hangar. The melody being played while he is walking is very upbeat and chaotic sounding which perfectly coincides with Howard’s mental mindset. It is a very high paced and high pitched flute that is playing very loudly. His thoughts are competing with one another and the music is so fast it makes the viewers mind race which is an insight into Howard’s mind.
Howard is then in the airplane Hercules that is being constructed and the music becomes calm and there is natural looking light and no sparks. I believe this gives the viewer the insight that Hughes is currently in his peaceful atmosphere and his feelings are not all over the place. Throughout the entire scene there are loud saws that sound as if they’re cutting through steel. The only time you don’t hear any saws is when Howard is in the airplane. The sound made from the saws pierces your ears and causes the viewer to cringe and make you feel somewhat insane. Again, I believe this shows Hughes psychologically is not right and you get a mental insight by experiencing it as well.
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...y and menacing. I believe this is continuing the trend of his chaotic thoughts. When his O.C.D. attack begins the sparks begin as well. This time however there are no fluorescent lights, it’s just darkness surrounded by sparks. I believe this shows the madness going on in Howard’s mind. The sparks are everywhere and so are his thoughts, the mystifying display of glowing light makes Hughes suffer.
Martin Scorsese beautifully uses lighting and music to portray Howard’s thoughts in this scene. Without the music and lighting the viewer wouldn’t get the same impression of his mood and mindset. Throughout the scene and the movie as a whole we get to witness a viewpoint that the public never saw in Howard Hughes. The music and lighting are perfectly placed in that Hughes doesn’t even have to speak in order for the viewer to experience the madness throughout the film.
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
The Pacific coast port city of San Francisco, California provides a distinctively mysterious backdrop in Dashiell Hammett’s The Maltese Falcon. Unlike many other detective stories that are anchored in well-known metropolises such as Los Angeles or New York City, Hammett opted to place the events of his text in the lesser-known, yet similarly exotic cultural confines of San Francisco. Hammett used his own intricate knowledge of the San Francisco Bay Area - coupled with details collected during a stint as a detective for the now defunct Pinkerton Agency - to craft a distinctive brand of detective fiction that thrived on such an original setting (Paul 93). By examining the setting of 1920’s San Francisco in The Maltese Falcon, it becomes apparent that one of Hammett’s literary strengths was his exceptional ability to intertwine non-fictional places with a fictional plot and characters in order to produce a logical and exceedingly believable detective mystery.
Film Noir was extremely trendy during the 1940’s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an anti-hero, femme fatale, and chiaroscuro lighting and camera angles. The Maltese Falcon is an example of film noir because of the usage of camera angles, lighting and ominous settings, as well as sinister characters as Samuel Spade, the anti-hero on a quest for meaning, who encounters the death of his partner but does not show any signs of remorse but instead for his greed for riches.
Throughout the film "Apocalypse Now " by F.F. Coppola, there is a parallel between the Indian wars and the Vietnamese war. We can compare the Vietnamese with the Indians and the American soldiers with the cowboys.
The scene starts with a medium close-up of Richie, who is positioned in the center of the fame and looks directly into the camera –which also doubles as the bathroom window- while wearing his signature headband and sunglasses. The medium close-up leads the viewer to focus on Richie’s face during the actions that are to fallow, but it also allows for a sense of place to be established. The scene starts off poorly lit and with a s...
believe the film is saying, and what effect music has had on projecting the films overall message.
Hughes also uses imagery to show his theme. "Does it stink like rotten meat?" This use of imagery shows how a dream deferred simply rots into something that is no longer usable. This makes the reader imagine a slob of rotten meat with maggots crawling on it. This not only disgusts the reader, but makes them understand what Hughes is trying to say, which is that you give up on a dream, it cannot be used anymore. "Does it dry up? Like a raisin in the sun?" This use of imagery makes the reader imagine a fruit that you could have eaten fresh, but since you did not, it has dried up.
... story would have turned out differently. Especially since there are a number of celebrities that suffer from OCD, including Leonardo DiCaprio who played Hughes in this film. Unfortunately for Hughes, he lived in a time where many mental health issues went undiagnosed and untreated.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
The Kite Runner focuses on the relationship between two Afghan boys Amir and Hassan. Amir is a Pashtun and Sunni Muslim, while Hassan is a Hazara and a Shi’a. Despite their ethnic and religious differences, Amir and Hassan grow to be friends, although Amir is troubled by Hassan, and his relationship with his companion, one year his junior, is complex. Amir and Hassan seem to have a "best friend" type relationship. The two boys, Hassan and Amir, are main characters in the book titled, The Kite Runner. The two boys have a relationship that is significantly different compared to most. There are many different facets that distinguish the relationship the boys possess. The boys do write their names in a pomegranate tree as the "sultans of Kabul" (Kite Runner 27) but, their friendship is not strong and it is one sided. Hassan has love for Amir. He loves him like a brother. Hassan is exceedingly loyal to Amir. The relationship between the two boys is emotionally wearing and rather gloomy for the most part. The main reason for their complicated relationship is the fact that Amir is Pashtun, and Hassan is Hazara. The Afghan society places Hassan lower than Amir. Hassan is Amir's servant. The placement of Hassan in the Afghan society disenables Amir from becoming Hassan's true friend. Amir sees Hassan as lower than human. Amir ruins the chance for friendship between himself and Hassan because he is jealous of Hassan, he thinks of Hassan as a lower human, and because Amir possesses such extreme guilt for what he has done to Hassan. Amir is an unforgivable person overall.
The only person the narcissist will ever pity or feel sorry for is him/herself. If the narcissist believes he/she can get away with doing something (even if it's illegal, immoral, or will hurt someone), he/she will do it. At different times, many high profile individuals are classified as a narcissist in the media. The movie “The Wolf Of Wall Street” demonstrates how a rapid success leads to the narcissistic behavior. “Feel good” holiday movies, usually focus on traditional family values of heroism whereas Martin Scorsese in his film “The Wolf of Wall Street,” does the opposite. The movie focus on lavish life of Jordan but it was a true satire for an individual exploring quick fortune and shortcut of getting rich. Although many critics argue that “The Wolf of Wall Street” focuses mostly on the greed of Belfort, his extravagant luxurious lifestyle and portrayal of women as sex toys and leaves viewer with no moral message, I would disagree, as the film does delivers a moral message that rapid success can cause an individual to develop narcissistic behavior, which eventually leads to destruction and the financial message that will be helpful in investments business.
The paintings in the background have uneven, angled frames which duly create a gloomy and of course concealing dark shadows. And also The low angle tilt camera angle shows to the audience the difference mindsets between the two characters. Marion sits nicely in her chair kind of leaning forward; as she enjoys her sandwich, she gives the audience a feeling of calm and normal. On the other side, Norman is viewed from an uneasy low shot, showing him sitting uncomfortably in the chair; he is unnaturally positioning his hand into his inner thigh, Hitchcock places the camera eye level, so the audience can see Marion as two people might see each other while sitting and talking, It is also noticed that, Marion's face is always shot as a full on facial camera close-up, although Norman is always shot with a side-on close up which doesn’t show his other side. Overlooking the symbolic stuffed birds that is in the corners of the room that gives a foreshadow to Norman's corrupted mind. As he quotes, "I like stuffing things", I believe it signifies a graphic image of death. This should tell the viewers that all of the tension will eventually end with a horrific event. The music that accompany the scene is also great as it is a repeating melody which changes tempo as the tension
Hughes did not accomplish great achievements in his life so easily. He was diagnosed with obsessive-compulsive Disorder or OCD. Due to this condition, he had made sure everything was made perfect and in an organized manner. His condition nearly killed him at one point of his life. As depicted in the film, his condition only worsened later in his life.
THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audience into witnessing the transfer of power within a close-knit family