The Author as Creator in Frankenstein
Mary Shelley's Frankenstein can be read as an allegory for the creative act of authorship. Victor Frankenstein, the 'modern Prometheus' seeks to attain the knowledge of the Gods, to enter the sphere of the creator rather than the created. Like the Author, too, he apes the ultimate creative act; he transgresses in trying to move into the feminine arena of childbirth.
Myths of divine creation are themselves part of the historical process that seeks to de-throne the feminine; this is the history of Art, itself at first denied to women as an outlet of self-expression. It is a process recorded in Art itself, in stories like that of Prometheus. Prometheus in earlier myths stole fire from the Gods (analogous to the author at his craft). Later he was credited not just as Man's benefactor but as his creator. Man creates God through myth so as to have a power to will towards.
At this point text, analogy, and reality twist upon each other. As Victor moves into the female space of the womb, an act of creation aped by the Gods in mythology and religion, Mary Shelley as author moves into the male domain of art, aping the creative power of the Gods.
Reading Frankenstein as an analogy for Art can be more fruitful if done within the framework of Oscar Wilde's essay, 'The Decay of Lying', in which the author argues that the artist creates the world and not just imitates it: this will conclude this essay.
At the meal between mortals and the Gods at Mecone, Prometheus tricked Zeus into accepting the bones over the choicest entrails. Man was punished by the denial of fire; Prometheus again defied the Gods in stealing it. As punishment, he was chained to a cl...
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...he transition of the story to film, 'Frankenstein' has often mistakenly been used to signify the monster. This transition itself reflects the process of progression and substitution. As in the case of the non-existent deerstalker that Conan-Doyle never wrote about, celluloid representations have come to denote the essence, supposedly, of Mary Shelley's Frankenstein.
Works Cited
March, Jenny. "Prometheus." The Cassell Dictionary of Classical Mythology. London: Cassell, 1998.
Shelley, Mary. Frankenstein: Or the Modern Prometheus. 1818. Ed. James Reiger. Chicago: U of Chicago P, 1982.
Waxman, Barbara Fry. "The Tragedy of the Promethean Overreacher as Woman." Papers on Language and Literature 23 1 (1987): 14-26.
Wilde, Oscar. "The Decay of Lying." Oscar Wilde. Ed. Isobel Murray. The Oxford Authors. Oxford: OUP, 1989.
During the late 1800's and early 1900's, change in American society was very evident in the economy. An extraordinary expansion of the industrial economy was taking place, presenting new forms of business organization and bringing trusts and holding companies into the national picture. The turn of the century is known as the "Great Merger Movement:" over two thousand corporations were "swallowed up" by one hundred and fifty giant holding companies.1 This powerful change in industry brought about controversy and was a source of social anxiety. How were people to deal with this great movement and understand the reasons behind the new advancements? Through the use of propaganda, the public was enlightened and the trusts were attacked. Muckraking, a term categorizing this type of journalism, began in 1903 and lasted until 1912. It uncovered the dirt of trusts and accurately voiced the public's alarm of this new form of industrial control. Ida Tarbell, a known muckraker, spearheaded this popular investigative movement.2 As a journalist, she produced one of the most detailed examinations of a monopolistic trust, The Standard Oil Company.3 Taking on a difficult responsibility and using her unique journalistic skills, Ida Tarbell was able to get to the bottom of a scheme that allowed the oil industry to be manipulated by a single man, John D. Rockefeller.
Before the United States entered WW II, President Franklin Roosevelt signed a series of documents known as the Neutrality Acts. These acts were passed and followed between the years 1935 and 1941 and were used to keep the U.S. out of the war.1 The Neutrality Acts limited weapons sales to countries not involved in the war, gave the U.S. power to keep its citizens off of ships of, or travelling to nations involved in the war, and outlawed loans to countries currently in war and countries who had not paid back previous loans.2 These acts also outlawed American ships to carry weapons to nations in the war. The U.S. believed that if a nation in war knew that a ship had weapons on it, this ship would be a prime target for that country, therefor drawing the U.S. into another war. The Neutrality Acts helped keep the U.S. out of WW II until the bombing of Pearl Harbor, at which point the U.S. helped the British through a "Lend-Lease Program". The Lend-Lease Program allowed the U.S. to give arms and...
Many timeless novels have impacts on our everyday culture, not only as a book, but also through music or movies. Many popular novels have multiple adaptations, which shape how we approach their interpretation, in ways we may never even notice. In some films, humans are depicted as monsters, whether through their actions, or through the thoughts of other beings. In these films we find issues with our own society, and in turn see ourselves as monsters, and look for ways we can change, for the better. One particular novel that influences this side of Hollywood is Mary Shelley's “Frankenstein”. The ways Frankenstein influences pop culture can be seen in science fiction films in which humans are depicted as monster, and “monsters” are seen as more humane beings, such as I, Robot, and Ender’s Game.
Shelley, Mary. Frankenstein. 1818. Ed. Paul J. Hunter. New York: W.W. Norton and Company, 1996.
Frankenstein Over Time Mary Shelley’s novel Frankenstein is impressive, entertaining, and fascinating, so it is no surprise there have been so many films and artworks influenced by her novel. Many of which have put their own spin to the horror novel, especially the character of the creature that remains one of the most recognized icons in horror fiction. However, there have been critics who argue modern versions and variations have lost the horror and passion that is an essential to the creature. The start of the Creature is bound to be one book. However, public impression of the Creature has changed severely since the publication of the original novel, leading to diverse styles and plot lines in its diverse film adaptations.
Prior to the United States entering the war, the major problem in America was the Great Depression. As they watched the war spread, many maintained the “isolationist” mindset because of thoughts of World War I ("World War II."). Tragedy struck on December 7, 1941 when Japanese forces attacked Pearl Harbor. The attack on Pearl Harbor was the action that made the United States question their neutrality and was the last of the of the U.S’s isolation. Due to the tension between the United States and Japan preceding the war, the attack on Pearl Harbor was not much of a surprise ("World War II."). Three days later, Germany and Italy declared war on the United States. Now with the United States joining Britain in the fight against the Axis Powers industries began to produce military goods ("World War II"). Businesses increased because of the need for more people to work in the factories, so unemployment, caused by the Great Depression, lowered. The increase in businesses put an end to the Great ...
Indisputably, Mary Wollstonecraft was one of the most influential figures of Enlightenment, also considered the ‘first feminist’. It is certain that her works and writing has influenced the lives of many women and altered the outlook of some societies on women, evolving rights of women a great deal from what they used to be in her time. It is clear that Wollstonecraft’s arguments and writing will remain applicable and relevant to societies for many years to come, as although there has been progression, there has not been a complete resolution. Once women receive so easily the freedom, rights and opportunities that men inherently possess, may we be able to say that Wollstonecraft has succeeded in vindicating the rights of women entirely.
Shelley, Mary Wollstonecraft, Walter James Miller, and Harold Bloom. Frankenstein, Or, The Modern Prometheus. New York: New American Library, 2000. Print.
To begin, we need to look towards the first recorded instance of a labor union in the United States, a union known as the Federal Society of Journeymen Cordwainers (http://www.lovkoandking.com/federal-society-of-journeymen-cordwainers---commonwealth-v-pullis.html). In 1794, a group of cordwainers, shoemakers, in Philadelphia banded together to form the United States’ first form of organized labor union through a series of strikes....
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley, Mary. Frankenstein or the Modern Prometheus. The 1818 Text. New York: Oxford UP, 1998.
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley, Percy Bysshe. "On Frankenstein." The Athenaeum 263 (10 Nov. 1832): 730. Rpt. in Nineteenth-
Frankenstein, which also known as The Modern Prometheus is the most famous novel written by a British writer named Mary Shelley. This book was published when Mary Shelley was nineteen years old. Even though she was very young when she started writing Frankenstein, she had exploded the British literature at that time. There is so much discussion about the inspiration that led Mary Shelley to write Frankenstein. From my point of view, I think that her unhappy experience as being a mother was the main factor that probably led her to write this story. My goal throughout this research paper is to show you how the loss of Mary Shelley’s first daughter inspired her to write Frankenstein to satisfy the dream of being a mother.