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10 importance of academic writing to students
The importance of teaching writing
10 importance of academic writing to students
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It was not simplistic for our supreme overlord, Merlin “The Author of Death” Phillips to seize the entire world and dominate it unopposed, and it was even more complicated to acquire the power he wields to do so. Centuries ago, when our lord was nothing more than a Junior in high school, he learned many important lessons in his creative writing class. While his writing ameliorated dramatically, so did his storytelling. He would spend all week working on assignments, making his stories multiple pages long, and turning them in severely late. Yet, he learned that this was tremendously unnecessary; because stories did not have to be long to be amusing. Merlin figured out near the end of the year that if his stories were shorter that they would
In the story, “The Killing Game”, Joy Williams, uses several diffenent types of writing skills to presuade the reader to see her views.
Since the emergence of literature, thousands upon thousands of characters have graced our imaginations. From trouble maker Bart Simpson of the celebrated cartoon television series The Simpsons to Mr. Darcy of Jane Austen’s renowned novel Pride and Prejudice, the world has witnessed a plethora of characters in literature. Khaled Hosseini, author of The Kite Runner, and Billy Collins, distinguished American poet, as well as countless other authors, share the utilization of characters in their literary works. The manner in which these authors use the literary element of characters varies immensely.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
In a simplistic sense, the duty of an author is to bring the reader into an unfamiliar world. Though this task may seem easy enough, there are infinite considerations that the writer has to account for to make the environment of the story feel realistic. In his newest collection Fortune Smiles, Adam Johnson expertly allows us into his worlds, often in the most ambitious fashion possible. By choosing particularly emotionally harrowing subject matter, Johnson runs the risk of losing the more empathetic members of his readership. However, in addition to being a beautiful writer, Adam Johnson deftly incorporates humor at the perfect moments to add levity to otherwise terrible situations. Using jokes in unexpected places can make the reader both uncomfortable and relieved simultaneously. By the end of
In “The Plague”, by Albert Camus, Joseph Grand experiences a creative stagnation. He cannot get past his opening sentence: “One fine morning in the month of May an elegant young horsewoman might have been seen riding a handsome sorrel mare along the flowery avenue of the Bois de Boulogne.” Having revised it and rearranged it for years, he cannot make sense of it and fails to generate a story. His idea of perfection ruins his creative side. He frantically wants the precise words and thinks that learning Latin will make him a better writer. He uses all of his time and energy creating a first perfect sentence, something that he never achieves. Every time he finishes the sentence, he is unsatisfied and writes it again. He does not allow himself to create his masterpiece since he is so preoccupied with the degree of correctness and clarity.
I frankly confess that I have, as a general thing, but little enjoyment of it, and that it has never seemed to me to be, as it were, a first-rate literary form. . . . But it is apt to spoil two good things – a story and a moral, a meaning and a form; and the taste for it is responsible for a large part of the forcible-feeding writing that has been inflicted upon the world. The only cases in whi...
To unpack this we need to look at how literary precedents express the relationship between player and character—creator and creation—and the extent to which a creator and the society in which s/he lives prescribes the creation’s role. We also need to investigate how one’s role—and concomitantly, one’s creator and one’s society—limit our opportunities, or to put it in other terms, our personal plotlines and narrative possibi...
Geoffrey of Monmouth's Life of Merlin. Geoffrey of Monmouth’s “Life of Merlin” is a text that makes its readers struggle with finding criteria for madness. What does it even mean to be “mad?” Madness seems to define a person only when he or she does something to stray from the normality of any given group of people.
and Other Greats : Lessons from the All-star Writer's Workshop. New York: McGraw-Hill, 2006. Print.
There is a famous expression about three demands of writing fiction. It goes, “Make them laugh, make them cry, make them wait.” By following these needs, an author can spark interest in his or her work. In the novels The Catcher in the Rye and Lord of the Rings, the novelists utilize the latter requirement, “Make them wait.” This essay will show how the authors use that specific demand in their novels.
“Make them laugh, make them cry, make them wait.” These are three demands for the writing of fiction. By following these demands, an author sparks interest in his/her work. “Make them wait” is a signifigant in creating the interest in the novels The Catcher in the Rye and Lord of the Flies. This essay will explain how making the reader wait creates interest in the two novels stated earlier.
Some people write for entertainment and some people write for fortune, but other people write to tell the world their story and enlighten us to life’s lessons. Literary fiction is created to do more than just merely entertain. It is created to tell a story, to take the reader from one mindset to another and bring about the reader’s understanding of the purpose. Literary fiction explores innate conflicts of the human condition through cosmic writing. Richard Wright chooses to use this kind of writing to reach the world. Wright grew up in a time where he was denied many privileges because of his color and he really made a point to express his feelings to us through his writing. His life, works and short story “A Man Who Was Almost a Man contribute directly to his literary style.
Vogler, Christopher. The Writer’s Journey: Mythic Structure for Writers. 3rd Ed. Studio City: Michael Wiese Productions, 2007.
Reality?" Merlin, the greatest magician of all time. He lived, if indeed he lived at all, in Wales and southern England during the dawn of Christianity in those lands, long before written historical records were kept. Yet, his name is universally recognized around the world as synonymous with magic, and his popular image is almost as well known as that of Santa Claus. The beginning and ends of all things are all within Merlin's sight. he keeps the prophecies of the future, he holds the memories of all that has passed. When you hear the name Merlin an immediate image springs into the mind of an old man with a flowing white beard and bushy white eyebrows, dressed in a midnight blue robe and a tall pointed hat covered with stars. He is the prototypical wizard. Merlin is best known as the teacher and advisor of Arthur Pendragon, king of all the Britons. The legends of these two mythical figures are linked, but there is no certain proof that either man existed. Supposedly on Merlin's advice the famous Round Table of Arthur's court was built and he helped select 50 of the knights who were to sit at the table. The popular myth of Merlin, as we know it today, has come down to us primarily from two sources; one, the historian Geoffrey of Monmouth and the other, a writer, Sir Thomas Malory. Both men collected bits and pieces from earlier sources. Most of Malory's work was based on the French Arthurian prose cycle, a group of French medieval romances centered around the court of King Arthur. Before Malory, both Merlin and Arthur were better known on the Continent than they were in England. Malory's work crystallized the Arthurian legend into the form we recognize today. We know Merlin as a mysterious fig...
These four works present a serviceable cross-section of fiction vs. non-fiction; biography for an audience vs. autobiography for self.Joseph Andrews is a work that contains enjoyable plotting, edifying moralizing, plenty of raucus fun, some chilling moments pus some less chilling, and characters who are round but static, and characters who are round and dynamic.