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History of the film industry
History of cinema Essay
History of film from beginning to present paper
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Recommended: History of the film industry
One of our favorite past times in America is going to the movies. The United States has the oldest film industry, and the largest in terms of revenue (All Art Schools, 2010). The film industry is big business. Every week new movies come out in the theater or on Digital Video Disc (DVD), and when you talk to anyone about their weekend they usually say, they went to see or watched a movie. As we watch the film we become our own critics, by analyzing and attempting to explain what we’ve seen. Watching a film can bring out an unlimited amount of emotions and an overwhelming sense of reality. And, analyzing a film allows you to reach valid conclusions, meaning and value by capturing the experience of the film in our minds, as it sharpens our overall critical judgments. But, the greatest benefit to film analysis is the new channels of awareness and the depths of understanding (Boggs and Petrie, 2008). This paper will describe what analyzing a movie requires, the effectiveness of the dialogue and the storyline, the setting and background, the performance of the actors, the editing of the movie, the director’s input on the film, and my personal criteria for analyzing a film. Analyzing film has been around since the making of movies in the early 1900s. Here in the United States film really blossomed in the 1920’s. Production of films started on the West Coast in Hollywood. The earliest films were organized into genres or types, with storylines, settings, costumes, and characters (Dirks, 2010). Films are made to entertain, and when viewers watch the film they find themselves drawn into the characters personality and the plot. Because of film’s popularity many people use films as an agent of communication, education, and learnin... ... middle of paper ... ...orks Cited Boggs, J., & Petrie, D. (2008). The art of watching films (Custom 7th ed.) With CD-ROM. Mountain View, CA: Mayfield Film Industry Statistics and Career Info (2010). All Art Schools. Retrieved August 9, 2010, from http://www.allartschools.com/faqs/film-industry Dirks, T. (2010). Film History by Decade. AMC Filmsite. Retrieved August 10, 2010, from http://www.filmsite.org/filmh.html Morato, R. (2008, July 23). How to Analyze/Critic a Film: The Elements of Film Analysis and Criticism. Retrieved August 11, 2010, from http://ivythesis.typepad.com/term_paper_topics/2008/07/how-to-analys-1.html Pollick, M. (2009). How to Analyze a Movie. Retrieved August 11, 2010, from http://www.howtodothings.com/hobbies/how-to-analyze-a-movie Film Analysis Guide (2002, August 27). Yale University. Retrieved August 12, 2010, from http://classes.yale.edu/film-analysis/
Braudy, Leo and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings, Fifth Edition. New York: Oxford UP, 1999.
Lewis, J. (2008). American Film: A History. New York, NY. W.W. Norton and Co. Inc. (p. 405,406,502).
Petrie, Dennis and Boggs, Joseph. The Art of Watching Films. New York: McGraw Hill, 2012.
Lehman, Peter and Luhr, William. Thinking About Movies: Watching, Questioning, Enjoying. 2nd ed. Oxford: Blackwell, 2003.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
Friedman, L., Desser, D., Kozloff, S., Nichimson, M., & Prince, S. (2014). An introduction to film genres. New York, London: W.W. Norton & Company.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
In his essay, “It’s Just a Movie: A Teaching Essay for Introductory Media Classes”, Greg M. Smith argues that analyzing a film does not ruin, but enhances a movie-viewing experience; he supports his argument with supporting evidence. He addresses the careful planning required for movies. Messages are not meant to be telegrams. Audiences read into movies to understand basic plotlines. Viewers should examine works rather than society’s explanations. Each piece contributes to Smith’s argument, movies are worth scrutinizing.
With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.
" Journal of Film and Video 63.1 (2011): 44-63. Project MUSE. Web. The Web. The Web.
This paper will break down the elements of the critical process using the three critical methods that were discussed in class. Also included in the paper will be the notes that were taken from the conversation I overheard at Hardees, about the movie “Batman: Mask of the Phantasm” between Seiter, Thompson, and Meehan. This critique will discuss the several components to each of the three critical methods including cultural codes in the movie, gender roles, and advertisement placement with in the movie.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
Pauline Kael has made her mark as one of the most influential women and the most famous film critic in history. Kael’s extreme passion for film began at a very young age and after she was published for the first time in 1953, she became a low-paid critic for unknown, to most of the public, film magazines. As a long-time New Yorker critic since she was forty-eight, she used writing and her independent, honest, and sassy voice to shed light on films that don’t meet the film criteria norms. Unlike her many “brothers” in the film criticism industry, Kael was able to open her mind to ANY film and find what is appealing about it. She is a person who has seen many movies and cannot wait to share her immediate, gut instinct on how she feels on a film. Kael is a well-considered critic who does not follow a certain guideline and is very open considering the fact that she takes in account everything else that most critics ignore. Kael’s essay “Trash, Art, and the Movies”, is a passive aggressive statement to other critics and an enlightenment to the public to remind everyone
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Movies take us inside the skin of people quite different from ourselves and to places different from our routine surroundings. As humans, we always seek enlargement of our being and wanted to be more than ourselves. Each one of us, by nature, sees the world with a perspective and selectivity different from others. But, we want to see the world through other’s eyes; imagine with other’s imaginations; feel with other’s hearts, at a same time as with our own. Movies offer us a window onto the wider world, broadening our perspective and opening our eyes to new wonders.